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argue that the precariousness of the current situation is unprecedented in American history. The political and military uncertainty of the 1960s was cushioned by the tremendous surge of postwar wealth and power—the latter being precisely the subject Wolfe chose to write about.
ABOUT THE AUTHOR Robert S. Boynton is the director of NYU’s magazine journalism program. He has been a senior editor at Harper’s and a contributing writer for The New Yorker. He has also written for The Atlantic Monthly, The New York Times Magazine, Lingua Franca, The New Republic, The Nation, Rolling Stone, and many other publications. A graduate of Haverford College and Yale University, he lives with his wife and son in New York. A selection of his work can be found at www.robertboynton.com. For a complete bibliography of the authors discussed in The New New Journalism, visit www.newnewjournalism.com.
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Table of Contents Title Page Dedica
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To Helen
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Acclaim for The New New Journalism
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Preface I had neither studied nor t
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perceived as bizarre tribes one stu
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work is the spirit with which he pr
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for a movement than an advertisemen
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and reporting (the latter developme
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Crane did before them—bridge the
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Journalists have revived the tradit
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Sims, Norman, and Mark Kramer, eds.
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infantrymen in the army of homeless
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a marginal or strange subculture—
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“Disdain” is too strong a word.
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of the academy that I’d be assign
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Well, not really. I was never comfo
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sacred to me. I know that if I were
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expand on brief notes, transcribe q
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experienced Denver as a member of a
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history or policy. Or than when I
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Bruce Chatwin, anything by J. M. Co
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Freed from the constraints of newsp
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For his most recent book, How Israe
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Now I’ve known a lot of politicia
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gathering information. So the first
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I learned it in Baltimore when I wa
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How did they respond? They were won
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write anything down, but the conver
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What kind of a presence do you like
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earned him the moniker of “staff
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I want to understand the lives of p
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You haven’t done any celebrity jo
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I never know. I do know that I don
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When Children Want Children, I rent
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I like doing interviews over meals
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Do you believe journalism can lead
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Supporting himself through odd jobs
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the editor’s house, but it had a
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their activities, takes precedence,
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public policy, etc., play in your w
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How do you get people to ignore you
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American landscape to someone who h
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tried to kill him, and a drive-by s
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Has taking notes openly ever been a
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anymore. I trust my editors more th
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Do you see yourself as part of an h
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JONATHAN HARR In February 1986, Jon
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to have his application rejected. T
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Mostly I prefer to choose my own id
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young lawyers, so he was a natural
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is writing: creating something on t
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of the typed notes and put them int
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typewriter, it is between you and t
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There is only one person who reads
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Do you believe your brand of journa
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narrative articles on topics that h
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Unprotected,” February 8, 1999].
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Public figures. Often when I write
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had been fired from the force after
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How much will you challenge someone
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easy for them to condemn him, and t
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“Off the record” is such an amb
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enormous amount of time on it. If y
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to remind yourself constantly that
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JON KRAKAUER Jon Krakauer’s pride
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party to the death of good people,
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identified a decent-size town just
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e stubborn and determined and, abov
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season lasts six hours and yet can
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journalism fellows who attacked me
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contentious, with everybody jabberi
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important passages. When I was on M
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I got back from Everest in May 1996
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contradictory. Although I may have
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JANE KRAMER Jane Kramer writes abou
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Kramer’s questions—Who has the
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Unsettling Europe. I think I must h
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How do you decide whom to interview
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How do you begin an interview? If i
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There are exceptions to this, of co
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I can pretend a stranger has writte
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I think it comes out of the English
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Europeans, Farrar, Straus and Girou
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Wolfgang Langewiesche, was a pilot
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society, and our own bewilderment a
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of the “normal accident,” in th
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going, and it gets really interesti
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What kind of a notebook do you use?
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from it freely. How do you start wr
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V. S. Naipaul is another writer who
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ADRIAN NICOLE LEBLANC There were ni
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guaranteed that the book would be w
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used to say. Also, the reader tends
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Sadly, variations on a theme. It’
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How much do you share about your pr
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Do you tape your interviews? Yes, b
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Do you write chronologically? Usual
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would have liked to include. Someti
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ought him into mild conflict with h
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were the ones who provided a truly
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economics of the game kept poor tea
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eporting. It presumes that the actu
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“Come with me while I scout baseb
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For example, I wrote all my New Rep
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the way I used to write. I liked to
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interested. It is a level of confid
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SUSAN ORLEAN New Yorker writer Susa
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Orlean and her husband, John Gilles
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What is your filtering process? As
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whether because of access or other
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Why frustrating? Well, when I hire
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little threads of who they are and
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I make clear I didn’t observe. I
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icher version of experience than me
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RICHARD PRESTON Richard Preston may
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The virologist told Preston of an o
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which I probably pursue five storie
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all agents from talking to me on th
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Level 4, but they won’t come out.
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I tell the story of how I found the
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techniques. When you’re interview
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and emotional environment all aroun
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I have to sort through it with the
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Any particular time of day you writ
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literary nonfiction is no different
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RON ROSENBAUM As a child growing up
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een eliminated? He began a historic
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When I talked about Doyle with Esqu
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No, I bring them along so that I ca
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What changed? I finally found a met
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Does exercise help? I used to get a
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fiction. I learn so much when I pic
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in California [“In the Strawberry
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heard Pete Wilson, who was governor
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What kinds of people do you most an
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pretty straightforward: I say who I
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Well, the drug dealers I interviewe
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editors would. I care about every s
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GAY TALESE Tom Wolfe once dubbed Ga
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Some critics accused Talese of bein
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great story. How do you decide a
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Okay, that might get you a whole af
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Where do you most like interviewing
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say, “I can’t do any better. Ga
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Honor Thy Father, World, 1971 Fame
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chief, judged that it came “close
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Raymond Chandler or Ross MacDonald,
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Are you always aware when you’re
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Time bureau in Atlanta in the early
Page 301 and 302: Do you negotiate ground rules in or
Page 303 and 304: I don’t argue about the rights an
Page 305 and 306: Yes. Before computers, I wrote by p
Page 307 and 308: Some have described your tone as un
Page 309 and 310: American Stories, Ticknor and Field
Page 311 and 312: Weschler attended Cowell College of
Page 313 and 314: aspire to be a part—which ought i
Page 315 and 316: me to them initially. This must mak
Page 317 and 318: I tend to pursue my own projects an
Page 319 and 320: When I do foreign reporting I make
Page 321 and 322: econcile the two?” Because of the
Page 323 and 324: of Death and the Maiden, which happ
Page 325 and 326: quoted my thoughts on that topic as
Page 327 and 328: The most important thing is to not
Page 329 and 330: Is there any particular place you n
Page 331 and 332: Do you detect any hopeful signs? Th
Page 333 and 334: attracted the attention of William
Page 335 and 336: going, that is the angle I tend to
Page 337 and 338: dramatic terms: the wickedest man i
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Page 341 and 342: interview to be entirely “on the
Page 343 and 344: America, 1960-1984]. It is, essenti
Page 345 and 346: I have a very dear friend in Texas
Page 347 and 348: Truth is one of those subjective te
Page 349 and 350: 1 Tom Wolfe, The New Journalism (Ne
Page 351: 26 Preston, “The Fabric of Fact,
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