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Yes. But I prefer face-to-face interviews because it’s more natural than talking to someone on the<br />

phone.<br />

Where do you most and least like doing interviews?<br />

I don’t care where they take place. The less formal, the better. My goal is always to make the<br />

interview as much like a conversation as possible.<br />

Do you ever stage scenes?<br />

If you mean suggest that someone do something so that I can observe him doing it, no. I’ll<br />

sometimes ask if he’s going to be doing anything relevant to what I’m writing about—in which case<br />

I’d like to go along—but it has to be something he’d be doing anyway.<br />

Do you take notes or tape your interviews?<br />

I take notes. And in some cases I use a tape recorder. But if I use a tape recorder, I also take notes.<br />

Why both?<br />

Because I don’t want to have to transcribe interviews. If I take notes while I tape, I can consult my<br />

notes to learn where a quote is on the tape. Then I can look it up and get the exact quote.<br />

In what circumstances do you tape?<br />

I’ve taped interviews when I’ve done stories about, say, science, because I know so little about the<br />

subject that I didn’t trust myself to get the information correct in my notes. And I sometimes use a tape<br />

recorder when I know in advance that the person I’m going to interview speaks so rapidly that I’ll<br />

never get it all down in a notebook.<br />

What kinds of notebooks do you use?<br />

I use a little bitty spiral notebook that fits into my shirt pocket. I write phone numbers and names<br />

from one end, and when I flip it around, the pages from the other end are where I write down my<br />

appointments.<br />

I also use a long, skinny reporter’s notebook to take notes during interviews. When I was in the<br />

South, The New York Times Atlanta bureau chief, Claude Sitton, convinced a stationer in Richmond,<br />

Virginia, to design us special reporter’s notebooks, which were shorter than the standard notebooks.<br />

That way, we could put them in our pockets without being instantly identified as a Yankee reporter<br />

who needed to get hit upside of the head with a stick. We called it the “Claude Sitton Memorial<br />

Notebook.” When I have both notebooks and a tape recorder, I feel like a Transit Authority<br />

patrolman: every pocket is stuffed with something.<br />

How confrontational will you become during an interview?

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