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26 Preston, “The Fabric of Fact,” 34.<br />

27 Ibid., 16.<br />

28 Ibid., 19.<br />

29 Michael Robertson, Stephen Crane, Journalism, and the Making of Modern American Literature<br />

(New York: Columbia University Press, 1997), 3.<br />

30 George H. Douglas, The Golden Age of the Newspaper (Westport: Greenwood Press, 1999), 6.<br />

31 “The newspaper began to reflect, not the affairs of an elite in a small trading society, but the<br />

activities of an increasingly varied, urban, and middle-class society,” writes Michael Schudson in<br />

Discovering the News: A Social History of American Newspapers (New York: Basic Books, 1978),<br />

22.<br />

32 Douglas, The Golden Age of the Newspaper, 73–74.<br />

33 Quoted in Douglas, The Golden Age of the Newspaper, 103.<br />

34 Michael Emery, Edwin Emery, Nancy L. Roberts, The Press and America: An Interpretive<br />

History of the Mass Media, 9th ed. (Boston: Allyn and Bacon, 2000), 172.<br />

35 Lincoln Steffens, The Autobiography of Lincoln Steffens (New York: Harcourt, Brace and<br />

Company, 1931), 317.<br />

36 “At various times Crane published his true-life sketches of local color in every major New<br />

York paper,” in addition to newspapers and magazines across the nation. Hartsock, A History of<br />

American Literary Journalism, 34.<br />

37 Robertson, Stephen Crane, Journalism, and the Making of Modern American Literature, 56.<br />

38 Hough, “How ‘New’?” 117–119.<br />

39 Robertson, 57.<br />

40 Alan Trachtenberg, “Experiments in Another Country: Stephen Crane’s City Sketches,” The<br />

Southern Review 10: 278.<br />

41 Hartsock, A History of American Literary Journalism, 217.<br />

42 Ibid., 244.<br />

43 Wolfe, The New Journalism, 5.<br />

44 Whereas the country underwent a similar process of self-reflection in the late 1960s, I would

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