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asking.<br />

Once you’ve done your research and reporting, how do you begin to write?<br />

I sit down with my notebooks, which are narrow, spiral pads. I go through them with a red felttipped<br />

pen, underlining the things I think I want to use. I then take out a pile of blank sheets of paper<br />

and I start to index all my notes.<br />

Why index them?<br />

Well, the organizing principle is, “How would I find this piece of information or quote if I want to<br />

use it later on?” I don’t want to be stuck when I’m writing the piece because I can’t find a certain<br />

crucial piece of information.<br />

I start with Roman numeral one, page one, and record whatever happens to be on that page. The<br />

index will run for pages and pages— the Breytenbach index ran to over three hundred pages—all of<br />

which I put into a loose-leaf notebook.<br />

Is your index as detailed as the index at the back of a book?<br />

More so. I’ll have a heading of “Bosnia,” and then subheadings: “Serb-Muslim relations,” “Drunk<br />

on History” . . . It gets very detailed. It is generally the case that if you pick a random sentence from<br />

any one of my books and ask me where it is in my notes, I can go back to my file and find it for you in<br />

two minutes.<br />

I also make a separate index of my notebooks: “Notebook number one has the following topics in it<br />

. . . Notebook number one has the following interviewees in it . . .”And I make a list I call “Nifty<br />

Riffs,” of things I want to make sure I include in the piece. That can run to five or six pages as well.<br />

You do this on a computer, right?<br />

No, I do it all by hand, which I don’t recommend. It is a totally insane process that takes weeks and<br />

weeks. It is stupefyingly boring. And by the end two things have happened. First, I know the material<br />

by heart. And second, the information bores me silly. I’m bored with the material in a way that I will<br />

never stop being bored with it. I’ll never be interested in the material in the way I was when I was<br />

coming up with it.<br />

At that point I have what I call “Double South Pole Writer’s Block,” which is a situation when my<br />

eyes are magnetized south, and the blank page is magnetized south, and everything else in the<br />

universe is magnetized north. I find myself wondering things like, “ Gosh, videotape cassettes! How<br />

do they work?” I am physically unable to sit still in the chair, I can’t focus on anything. This goes on<br />

for weeks.<br />

How do you get out of this state?

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