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Do you have any routines for conducting interviews?<br />

I like to interview in person, and will only do phone or e-mail interviews if I have to. It is<br />

important for me to see someone with my own eyes, to see how he reacts to his surroundings, and<br />

how he reacts to me.<br />

For instance, I recently did an interview in Peru with the manager of a huge lumber mill. The mill<br />

is the town’s leading industry, and this guy was the scion of a famous South American lumbering<br />

family. I interviewed him inside the mill’s walled compound, across a table made of solid mahogany<br />

—a kind of wood he claimed was never milled there. I got to see him put his boots on the gorgeous<br />

table. I saw how his secretary acted toward him. I got a sense of what made him nervous. I’m not just<br />

after the facts, I’m after a character. So the more time I can spend with him in his element, the better.<br />

Do you prepare questions in advance for your interviews?<br />

I do write out questions beforehand. But it’s more like a safety net: I often get completely<br />

sidetracked and never ask them.<br />

I find that savvy interview subjects can be quite attentive to when you’re writing and when you’re<br />

not. I think it is counterproductive to try to hide your notes or questions. Fortunately, my handwriting<br />

is fairly illegible.<br />

Will you send ahead questions if an interviewee requests it? Almost never. I prize informality in my<br />

interviews.<br />

Are there any places you especially like or dislike conducting interviews?<br />

The only bad environment for an interview is a denatured one: a conference room, a bare office. I<br />

was writing a piece about Amadou Diallo’s mother for The New York Times Magazine and had to do<br />

our first interview in the conference room of her PR agent in Washington, D.C. It was awful! And the<br />

PR agent wouldn’t leave us alone.<br />

So much of your reporting is done undercover or while you are on the run—how do you manage<br />

to record what is said and what happens?<br />

With Newjack, I’d come home every night and write six to eight pages of exhaustive, single-spaced<br />

notes—and I wouldn’t even get into much detail! I’d also take notes all day long.<br />

What would you use?<br />

My preferred equipment for participatory projects is a small, three-by-five-inch spiral notebook<br />

that fits in my shirt pocket or jeans pocket. It is unobtrusive and can be produced at a moment’s<br />

notice. I probably filled up a dozen of those during my reporting for Newjack. Fortunately in prison,<br />

officers are told to carry these same notebooks, which they use to take down information about<br />

inmates. I would do that, and then add additional notes for my project. Then, when I got home, I’d

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