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R&D<br />

Create a Cool Color<br />

Splash Effect<br />

You’ll nEEd thIs<br />

photoshop<br />

Available from www.adobe.com.<br />

a suItable photo<br />

Choose an image with a<br />

strong, isolated color in it.<br />

There’s a phoTographic effecT you may have seen if you’re friends with any parents on<br />

Facebook. An image is drained of color, apart from specific hues, which are injected back into the<br />

otherwise monochrome image.<br />

It’s a bit overused—and, if we’re being honest, groan-inducing, especially when applied to photos<br />

of newborn babies—but by recreating it, we can gain some insights into how Photoshop works,<br />

because it’s possible to do it in a couple different ways, depending on whether you choose to work<br />

on the colors involved specifically, by selecting them directly, or just the area you want to work on<br />

more generally, by selecting the pixels in a certain area, no matter what color they are.<br />

It’s a relatively simple effect, albeit a striking one, so is something you could achieve in imageediting<br />

apps other than Photoshop. And if you can use it to make a new mom smile, then we’ve all<br />

made the world a better place. –Ian EvEndEn<br />

1<br />

Choose a photo<br />

We’re going to work on a photo of typical city scene here, but you<br />

could use anything with a strong, isolated color in it, such as a<br />

baby with piercing eyes, or a woman with full, red lips. Whatever<br />

you choose, open the image in Photoshop and, for the first of our<br />

color isolation methods, head to the “Select” menu, and choose<br />

“Color Range” [Image a].<br />

2<br />

seleCt Colors<br />

In the window that opens, you have the choice of being able<br />

to select colors in a range—reds, say—or by sampling an<br />

area with the eyedropper, which functions more or less identically<br />

to the main Eyedropper tool in Photoshop. By sampling the yellow<br />

cab with the dropper, it appears white in the small preview. You can<br />

expand this to the main image by choosing “Grayscale” from the<br />

“Selection Preview” drop-down, which makes for a very odd image,<br />

but lets you see exactly what you’re selecting. Once you’re happy<br />

with what you’ve sampled, click “OK,” and the familiar marching<br />

ants of the Photoshop selection now wall off those pixels. You’ll<br />

almost certainly select some additional colors that you don’t want<br />

by using this method, so use the Quick Selection tool in conjunction<br />

with Shift and Alt to add and remove selected areas.<br />

3<br />

eyedropper exCellenCe<br />

An interlude: Speaking of color selection and eyedroppers,<br />

here’s something that blew our collective mind when we<br />

A<br />

found out about it. The Eyedropper tool isn’t confined to<br />

Photoshop. It works across your whole monitor, so if you<br />

want to sample a color from a web page, you can, just<br />

by having the page open, and dragging the tool across<br />

from Photoshop. Your color selection must start within<br />

Photoshop, but once you’re sampling, you can drag the<br />

dropper anywhere on your screen, release, and have the<br />

color information sampled to Photoshop. Neat, huh?<br />

4<br />

deColorIze the baCkground<br />

Back to business. Now you want to remove the color<br />

from the rest of the image, so invert your selection<br />

(“Select > Inverse”), and head to the Layers palette. At<br />

the bottom, there’s an icon that looks like a circle divided<br />

in half. Part black, part white. Click it, and a menu pops<br />

up with all the different Adjustment Layers you can add.<br />

Choose “Black White,” and you should instantly get your<br />

desired effect. There are still plenty of options to mess<br />

around with, though, including some presets (we’ve used<br />

High Contrast Blue [Image b]) and sliders to manually<br />

adjust the effect. If the color that remains isn’t as bright as<br />

you’d like, bring back the selection (“Select > Reselect,”<br />

then “Select > Inverse”), before using the Hue/Saturation<br />

Window (“Image > Adjustments > Hue/Saturation”) to<br />

bring out the color more strongly.<br />

B<br />

62 MAXIMUM<strong>PC</strong> Jun <strong>2017</strong> maximumpc.com

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