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Character animation crash course

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Attitude Poses<br />

Attitude poses are those succinct drawings in your scene that convey what your character<br />

is feeling while he's moving. If you can develop the ability to encapsulate an<br />

expression or attitude in a single drawing, then you've already gone some distance<br />

toward successfully communicating to your audience. By using strong attitudes,<br />

you can animate into, out of, or around, them -thus making your <strong>animation</strong> more<br />

dynamic and more readable. They also define who your characters are by the specific<br />

way they are posed for their particular personalities. One of my favorite examples<br />

of this is from Tex Avery's Little Rural Riding Hood. Upon entering the nightclub, City<br />

Wolf walks in, nose high in the air, his concave back leading in a supple way down<br />

the back of his smoothly dragging legs. His hand grips that of Country Wolf, a flailing<br />

compendium of disjointed angles and frenetic movement that define him as .. . well,<br />

an idiot. Classic stuff.<br />

When you start working, imagine yourself as a comic strip artist: the great ones all<br />

had the ability to express action and emotion in a single drawing. (Charles Schulz,<br />

Walt Kelly, Bill Watterson, and Johnny Hart immediately spring to mind .)

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