- Page 1 and 2: y Eric Goldberg
- Page 4 and 5: HarAceR tliftla iON CRAsh by Eric G
- Page 6: For Susan, the best Art Director a
- Page 11 and 12: XII CHARAC TER ANIMATION CRASH COUR
- Page 14 and 15: Special Thanks It turns out that cr
- Page 16 and 17: Definition of Terms Like the instru
- Page 18 and 19: DEFINITION OF TERMS XIX Follow-Thro
- Page 20 and 21: DEFINITION OF TERMS XXI Staggered T
- Page 24 and 25: Attitude Poses Attitude poses are t
- Page 26 and 27: ATTITUDE POSES When approaching a s
- Page 28 and 29: AT TITUDE POSES 7 Attitude Poses in
- Page 30 and 31: ATTITUDE POSES 9 -q 2.5 - Step 3: D
- Page 32 and 33: ATTITUDE POSES II Moving Holds Lots
- Page 34 and 35: ATTITUDE POSES 13 Exa mple #2: Peev
- Page 36 and 37: ATTITUDE POSES 15 Limited Animation
- Page 38 and 39: ACTING IN ANIMATION - PART 1: GETTI
- Page 40 and 41: ACTING IN ANIMATION - PART 1: GETTI
- Page 42 and 43: ACTING IN ANIMATION - PART 1: GETTI
- Page 44 and 45: ACTING IN ANIMATION -PART 1: GETTIN
- Page 46 and 47: ACTING IN ANIMATION - PART 1: GETTI
- Page 48 and 49: ACTING IN ANIMATION -PART 1: GETTIN
- Page 50 and 51: Acting in Animation - Part 2: Dialo
- Page 52 and 53: ACTING IN ANIMATION - PART 2 : DIAL
- Page 54 and 55: ACTING IN ANIMATION - PART 2: DIALO
- Page 56 and 57: ACTING IN ANIMATION - PART 2: DIALO
- Page 58 and 59:
ACTING IN ANIMATION- PART 2: DIALOG
- Page 60 and 61:
ACTING I N ANIMATION -PART 2 : DI A
- Page 62 and 63:
ACTING IN ANIMATION- P A RT 2: D I
- Page 64 and 65:
CHARACTER CONSTRUCTION AND DESIGN 4
- Page 66 and 67:
CHARACTER CONSTRUCTION AND DESIGN 4
- Page 68 and 69:
CHARACTER CONSTRUCTION AND DESIGN 4
- Page 70 and 71:
CHARACTER CONSTRUCTION AND DESICN 4
- Page 72 and 73:
CHARACTER CONSTRUCTION ANO DESIGN 5
- Page 74 and 75:
CHARACTER CONSTRUCTION AND DESIGN 5
- Page 76 and 77:
DRAWING IN ANIMATION 55 © Disney E
- Page 78 and 79:
DRAWING I N ANIMATION 57 • Drag a
- Page 80 and 81:
DRAWING IN ANIMATION 59 Drag and ov
- Page 82 and 83:
DRAWING IN ANIMATION 61 Drag on fac
- Page 84 and 85:
DRA WI NG IN ANIMATION 63 These are
- Page 86:
TechNiqUE ® V1~r
- Page 89 and 90:
68 CHARACTER ANIMATION CRASH COURSE
- Page 91 and 92:
7 0 CHARACTER ANI M ATION CRASH COU
- Page 93 and 94:
72 CHARACTER ANIMATION CRASH COURSE
- Page 95 and 96:
74 CHARACTER ANIMATION CRASH COURSE
- Page 97 and 98:
76 CHARACTER ANIMATION CRASH COURSE
- Page 99 and 100:
78 CHARACTER ANIMATION CRASH COURSE
- Page 101 and 102:
80 CHARACTER ANIMATION CRASH COURSE
- Page 103 and 104:
82 CHARAC T ER ANIMATION CRASH CO U
- Page 105 and 106:
84 CHARACTER ANIMATION CRASH COURSE
- Page 107 and 108:
86 CHARACTER ANIMATION CRAS H COURS
- Page 109 and 110:
88 CHARACTER ANIMATION CRASH COURSE
- Page 111 and 112:
9 0 CHARACTER AN I MAT I 0 N C.R AS
- Page 113 and 114:
92 CHARACTER ANIMATION CRASH COURSE
- Page 115 and 116:
94 CHARACTER ANIMATION CRASH COURSE
- Page 117 and 118:
96 CHARACTER ANIMATION CRASH COURSE
- Page 119 and 120:
Timing As everything is based on 24
- Page 121 and 122:
100 CHARACTER ANIMATION CRASH COURS
- Page 123 and 124:
Spacing Spacing/ like timing/ is so
- Page 125 and 126:
104 CHARACTER AN I MATION CRASH COU
- Page 127 and 128:
106 CHARACTER ANIMATION CRASH COURS
- Page 129 and 130:
108 CHARACTER ANIMATION CRASH COURS
- Page 131 and 132:
Having a Breakdown! After establish
- Page 133 and 134:
Ill CHARACTER ANIMATION CRASH COURS
- Page 135 and 136:
1 14 CHARACT ER A NI MAT I ON CRASH
- Page 137 and 138:
116 CHARACTER ANIMATION CRASH COURS
- Page 139 and 140:
liB CHARACTER ANIMATION CRASH COURS
- Page 141 and 142:
120 CHARACTER AN I MATION CRASH COU
- Page 143 and 144:
m Overlapping Action Overlapping ac
- Page 145 and 146:
124 CHARACTER ANIMATION CRASH COURS
- Page 147 and 148:
126 CHARACTER AN IM ATION CRASH COU
- Page 149 and 150:
128 CHARACTER ANIMATION CRASH COURS
- Page 151 and 152:
130 CHARACTER ANIMATION CRASH COURS
- Page 153 and 154:
1 3 2 CHA R ACTER ANIMATION CRASH C
- Page 155 and 156:
134 CHARACTER ANIMATION CRASH COURS
- Page 157 and 158:
Properties of Matter Throughout you
- Page 159 and 160:
138 CHARACTER ANIMATION CRASH COURS
- Page 161 and 162:
140 CHARACTER ANIMATION CRASH COURS
- Page 163 and 164:
142 CHARACTER ANIMATION CRASH COURS
- Page 165 and 166:
144 CHARACTER ANIMATION CRASH COURS
- Page 167 and 168:
Facial Expressions Usually, a commo
- Page 169 and 170:
148 CHARACTER ANIMATION CRASH COURS
- Page 171 and 172:
150 CHARACTER ANIMATION CRASH COURS
- Page 173 and 174:
152 CHARACTER ANIMATION CRASH COURS
- Page 175 and 176:
154 CHARACTER ANIMATION CRASH COURS
- Page 177 and 178:
156 CHARACTER ANIMATION CRASH COURS
- Page 179 and 180:
158 CHARACTER ANIMATION CRASH COURS
- Page 181 and 182:
160 CHARACTER ANIMATION CRASH COURS
- Page 183 and 184:
162 CHARACTER ANIMATION CRASH COURS
- Page 185 and 186:
164 CHARACTER ANIMATION CRASH COURS
- Page 187 and 188:
166 CHARACTER ANIMATION CRASH COURS
- Page 189 and 190:
168 CHARACTER ANIMATION CRASH COURS
- Page 191 and 192:
170 CHARACTER ANIMATION CRASH COURS
- Page 193 and 194:
172 CHARACTER ANIMATION CRASH COURS
- Page 195 and 196:
174 CHARACTER ANIMATION CRASH COURS
- Page 197 and 198:
Animating to Music Often animators
- Page 199 and 200:
178 CHARACTER ANIMATION CRASH COURS
- Page 201 and 202:
180 CHARACTER ANIMATION CRASH COURS
- Page 203 and 204:
Gimmicks! This is probably the chap
- Page 205 and 206:
184 CHARACTER ANIMATION CRASH COURS
- Page 207 and 208:
186 CHARACTER ANIMATION CRASH COURS
- Page 209 and 210:
188 CHARAC T ER ANIMATION CRAS H CO
- Page 211 and 212:
190 CHARACTER ANIMATION CRASH COURS
- Page 213 and 214:
192 CHARACTER ANIMATION CRASH COURS
- Page 215 and 216:
194 CHARACTER ANIMATION CRASH COURS
- Page 217 and 218:
196 CHARACTER ANIMATION CRASH COURS
- Page 219 and 220:
198 CHARACTER ANIMATION CRASH COURS
- Page 221 and 222:
200 CHARACTER ANIMATION CRASH COURS
- Page 223 and 224:
202 CHARACTER ANIMATION CRASH COURS
- Page 226 and 227:
Approach to a Scene There has been
- Page 228 and 229:
APPROACH TO A SCENE 207 • Number
- Page 230 and 231:
APPROACH TO A SCENE 209 • Place y
- Page 232 and 233:
m Things for Animators to Do to Mak
- Page 234 and 235:
T HIN GS F OR ANIMATORS TO DO 213 Y
- Page 236 and 237:
IS THAT ALL, FOLKS? 215
- Page 238 and 239:
ABOUT THE AUTHOR 217 served as Dire
- Page 241:
"As Disney Animation great Ollie Jo