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LCAD-Catalog-2016-2018

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LIBERAL ARTS<br />

WELLNESS — THE ARTIST AS A VITAL FORCE<br />

1 unit required<br />

(no grade points)<br />

WELLNESS: BALANCING THE WHOLE PERSON<br />

(LA101)<br />

3 units<br />

Wellness is an active process of making choices<br />

toward a healthy and fulfilling life. There are many<br />

dimensions of wellness: academic, emotional,<br />

spiritual, physical, social, and intellectual,<br />

environmental, financial, occupational, etc. Each<br />

dimension of wellness overlaps with others, and<br />

each is equally vital in the pursuit of optimum health.<br />

Wellness is also related to one’s ideology (ethics,<br />

personal values, belief systems, behavior) and<br />

character (being trustworthy, respectful, responsible,<br />

fair, caring, etc.), and these will be examined as they<br />

relate to how we choose to act. Students will learn<br />

how one can reach an optimal level of wellness by<br />

understanding how to maintain and optimize each of<br />

the dimensions of wellness. Guest experts will visit to<br />

discuss specialized aspects of the course content, and<br />

several classes will be devoted to putting the lessons<br />

into active practice via “lab” sessions.<br />

Required in residence for all majors (except those<br />

who completed the Speech requirement prior to Fall<br />

<strong>2016</strong>).<br />

ENGLISH SKILLS — THE ARTIST AS COMMUNICATOR<br />

6 units required<br />

(in addition to any preparatory classes)<br />

NON-REQUIRED PREPARATORY CLASSES<br />

(units as needed)<br />

COLLEGE PREPARATORY WRITING 1 & 2<br />

(LA010 & LA011)<br />

1-2 units Credit/Non-Credit; no grade points<br />

For those who did not pass the writing diagnostic,<br />

these pre-baccalaureate courses are designed<br />

to help students with fundamentals of grammar<br />

and conventional writing mechanics so that they<br />

can matriculate into Composition. These are<br />

developmental courses and may be repeated as many<br />

times as necessary.<br />

Graded Pass/No Pass only. Does not count toward a<br />

student’s GPA, but does count toward units earned.<br />

Course fees.<br />

WRITING REQUIREMENT (4 UNITS)<br />

ENGLISH COMPOSITION<br />

(LA108)<br />

2 units<br />

Required (First semester, freshman year)<br />

This first leg of the freshman writing requirement<br />

focuses on exploratory writing and methods of<br />

rhetoric. This course helps students discover that<br />

writing is a natural, creative, and meaningful activity<br />

that helps them learn about themselves and the<br />

world. Students reach a level of expository writing<br />

deemed appropriate for the university level, in<br />

preparation for the more sophisticated writing that<br />

is required later in their academic careers. Classes<br />

are conducted in a workshop setting where students<br />

explore issues of craft and various strategies for<br />

effective writing. Minimum passing grade for this<br />

course is a “C” in order to matriculate into the second<br />

leg of the freshman writing requirement: Critical<br />

Reasoning (LA110).<br />

Prerequisites: Satisfactorily passing the <strong>LCAD</strong><br />

English Placement Diagnostic or consent of College<br />

Preparatory Writing 2 instructor.<br />

CRITICAL REASONING<br />

(LA110)<br />

2 units<br />

Required (Second semester, freshman year)<br />

This second leg of the freshman writing requirement<br />

focuses on analytical skills and academic research.<br />

Students learn various methods of inquiry, analysis,<br />

and argumentation then practice their reasoning<br />

skills in writing assignments, class discussions, and<br />

oral presentations. Assigned readings focus on basic<br />

philosophical questions and issues facing thinkers<br />

in all academic disciplines. Students learn the<br />

importance of questioning and critiquing the words<br />

and ideas of others. Ultimately, students experience<br />

firsthand how critical reasoning processes enable<br />

them to become informed and educated citizens of<br />

the world, with the abilities to affect change via their<br />

own words and actions. Minimum passing grade<br />

for this course is a “C” and successful completion of<br />

this course is a prerequisite for all Liberal Arts & Art<br />

History courses.<br />

Course Prerequisite: A minimum grade of C in English<br />

Composition.<br />

ANALYTICAL SKILLS — THE ARTIST AS THINKER AND<br />

SYNTHESIZER OF INFORMATION<br />

3 units required<br />

SENIOR CAPSTONE 2<br />

(LA423)<br />

2 units<br />

Required (Second semester, senior year)<br />

A summative course designed to foster intellectual,<br />

conceptual, and artistic self-reflection by the<br />

graduating senior. Students articulate the direction,<br />

meaning, and aesthetic context of their Senior<br />

Portfolio 2 studio projects via the writing of a senior<br />

paper, which also explores the student’s influences,<br />

personal aesthetics, creative intent, and goals. The<br />

course culminates in a formal oral defense before a<br />

panel where students must summarize and synthesize<br />

the essence of their Capstone papers in the context<br />

of presenting images of the Senior Portfolio 2 studio<br />

work and the story of its creation. Senior Capstone<br />

must be taken concurrently with Senior Portfolio 2.<br />

Neither may be taken on an independent-study basis.<br />

Course Prerequisites: Senior standing and the<br />

completion of all other Liberal Arts and Art History<br />

coursework requirements.<br />

HUMANITIES — THE ARTIST AND WORLD CULTURES<br />

3 units required<br />

THE HISTORY OF WESTERN CIVILIZATION<br />

(LA211)<br />

3 units<br />

Required<br />

This interdisciplinary course aims at informing<br />

students about Western intellectual and cultural<br />

heritage through synthesizing primary resources<br />

in literature, philosophy, psychology, religion, and<br />

music. The goal is to generate an individual mode of<br />

life; that is, to consider one’s place in the world, and<br />

how one might live a worthwhile life. The approach<br />

to the resources is personal and visceral, with the<br />

ultimate ideal objective of applying assimilated<br />

cultural experiences to the process of living and of<br />

making art. This course covers Greece, Rome, the<br />

Middle Ages, the Renaissance, and the Modern period,<br />

and interfaces with Western Art 1 and Western Art 2.<br />

Course Prerequisites: English Composition; may be<br />

taken concurrently with Critical Reasoning, but not<br />

before.<br />

PROJECT GREEN: ENVIRONMENTAL HISTORY AND<br />

CULTURAL CONSCIOUSNESS<br />

(LA223)<br />

3 units<br />

This course explores humankind’s relationship with<br />

the planet, examining how both ancient and modern<br />

civilizations have related to the environment and<br />

developed differing philosophies on stewardship.<br />

Diverse cultural and ecological factors are studied<br />

to identify the variables that contribute to altering<br />

environmental conditions. Students then investigate<br />

modern environmental problems facing our planet<br />

with an emphasis on the history of our changing<br />

local ecology. The class surveys the history of the<br />

conservation movement, contemporary local and<br />

global conservation efforts, and explores critical<br />

issues currently facing California’s ecosystems.<br />

Students gain an increased awareness of<br />

environmental issues and their own relationship with<br />

the environment in their daily lives.<br />

GENDER STUDIES IN POPULAR CULTURE<br />

(LA228)<br />

3 units<br />

An interdisciplinary approach to American culture,<br />

this course explores the origins and perceptions of<br />

gender in culture and society. Drawing on visual<br />

studies, literary theory, sociology, politics, economy,<br />

et al., issues of race, ethnicity, class, sexuality, bias,<br />

and stereotypes are explored as they relate primarily<br />

to media representation and language, as well as to<br />

such diverse topics as health, public policy, labor, and<br />

law. Content in advertising (semiotics, visual literacy,<br />

etc.) is a good starting place to extend the analyses<br />

into television, film, music, and game art. This course<br />

may focus on a different theme or culture each time it<br />

is taught.<br />

CATALOG<br />

232

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