The Star: November 03, 2016
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<strong>The</strong> <strong>Star</strong> follow us on facebook.com/riseupchristchurch<br />
Thursday <strong>November</strong> 3 <strong>2016</strong> 5<br />
art spending sparks debate<br />
Ms Harper raised concerns<br />
about the political environment in<br />
a meeting of the advisory group<br />
in February, according to minutes<br />
of the meeting released under the<br />
Official Information Act.<br />
“<strong>The</strong>re were multiple priorities<br />
within council at this time and<br />
many councillors found art problematic,”<br />
she said.<br />
But advisory group chairman<br />
and Canterbury Museum director<br />
Anthony Wright said the price of<br />
the Gormley sculptures was kept<br />
under wraps not to avoid debate,<br />
but at the request of the artist who<br />
had sold the painting to them at a<br />
discounted rate.<br />
“Obviously we want philanthropists<br />
and donors to continue<br />
to support public art projects, so<br />
respecting their wishes is pretty<br />
important in maintaining good<br />
relationships.”<br />
Former city councillor Paul<br />
Lonsdale, who was the city<br />
Bob Parker Anthony Wright Garry Moore<br />
council’s representative on<br />
the advisory group, said city<br />
councillors trusted the group to<br />
make decisions, and did not need<br />
to know the details.<br />
He said the group was able to<br />
gather funding the city council<br />
could not, so it could often match<br />
every dollar of public money it<br />
spent with three from donations or<br />
sponsorship.<br />
“I understand it (the public<br />
backlash), people have got broken<br />
homes and streets that haven’t been<br />
fixed. But this hasn’t affected any of<br />
that work. Public art is an investment,”<br />
he said.<br />
City councillors said yesterday<br />
they disagreed with Mr Lonsdale<br />
and were concerned information<br />
was kept from them. Cr Yani Johanson<br />
said he supported setting<br />
aside money for art, but the city<br />
council needed to review how that<br />
fund was being spent.<br />
“I think art is important in a<br />
city, but do you want to employ 20<br />
local artists instead to go out and<br />
commission art in local areas, or<br />
something like that?”<br />
Former mayor Bob Parker<br />
agreed the city councillors should<br />
have more oversight, because he<br />
said if it went wrong the council<br />
would get the criticism.<br />
“I guess the bottom line, really, is<br />
if it’s public money contributed by<br />
ratepayers, ratepayers have a right<br />
to know and have a say on whether<br />
it is a good idea,” he said.<br />
But fellow former mayor Garry<br />
Moore said he thought delegating<br />
the decision was the right move,<br />
although he said he wanted to see<br />
more diversity in the group making<br />
decisions.<br />
“<strong>The</strong> last people you want to<br />
choose an art project are the<br />
elected representatives. <strong>The</strong>re are<br />
sometimes people around the table<br />
with an appreciation for public art,<br />
but they are very few,” he said.<br />
How ratepayer money in the<br />
fund has been spent*:<br />
$501,200 – STAY by Antony<br />
Gormley, Avon River and Arts<br />
Centre<br />
$450,001 – Solidarity grid by<br />
Mischa Kuball, Park Tce<br />
$371,440 – Fanfare by Neil<br />
Dawson, Chaney’s Corner<br />
$300,000 – Chapman’s<br />
Homer by Michael Parekowhai,<br />
Christchurch Art Gallery<br />
$220,210 – Tree houses for<br />
swamp dwellers by Julia<br />
Morison, cnr Colombo St and<br />
Gloucester St<br />
$93,000 – Passing Time by<br />
Anton Parsons, cnr St Asaph<br />
St and Madras St<br />
*<strong>The</strong> grants were only<br />
part of the price of the art<br />
pieces, with the rest usually<br />
made up by sponsorship or<br />
fundraising.<br />
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