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The Star: November 03, 2016

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<strong>The</strong> <strong>Star</strong> follow us on facebook.com/riseupchristchurch<br />

Thursday <strong>November</strong> 3 <strong>2016</strong> 5<br />

art spending sparks debate<br />

Ms Harper raised concerns<br />

about the political environment in<br />

a meeting of the advisory group<br />

in February, according to minutes<br />

of the meeting released under the<br />

Official Information Act.<br />

“<strong>The</strong>re were multiple priorities<br />

within council at this time and<br />

many councillors found art problematic,”<br />

she said.<br />

But advisory group chairman<br />

and Canterbury Museum director<br />

Anthony Wright said the price of<br />

the Gormley sculptures was kept<br />

under wraps not to avoid debate,<br />

but at the request of the artist who<br />

had sold the painting to them at a<br />

discounted rate.<br />

“Obviously we want philanthropists<br />

and donors to continue<br />

to support public art projects, so<br />

respecting their wishes is pretty<br />

important in maintaining good<br />

relationships.”<br />

Former city councillor Paul<br />

Lonsdale, who was the city<br />

Bob Parker Anthony Wright Garry Moore<br />

council’s representative on<br />

the advisory group, said city<br />

councillors trusted the group to<br />

make decisions, and did not need<br />

to know the details.<br />

He said the group was able to<br />

gather funding the city council<br />

could not, so it could often match<br />

every dollar of public money it<br />

spent with three from donations or<br />

sponsorship.<br />

“I understand it (the public<br />

backlash), people have got broken<br />

homes and streets that haven’t been<br />

fixed. But this hasn’t affected any of<br />

that work. Public art is an investment,”<br />

he said.<br />

City councillors said yesterday<br />

they disagreed with Mr Lonsdale<br />

and were concerned information<br />

was kept from them. Cr Yani Johanson<br />

said he supported setting<br />

aside money for art, but the city<br />

council needed to review how that<br />

fund was being spent.<br />

“I think art is important in a<br />

city, but do you want to employ 20<br />

local artists instead to go out and<br />

commission art in local areas, or<br />

something like that?”<br />

Former mayor Bob Parker<br />

agreed the city councillors should<br />

have more oversight, because he<br />

said if it went wrong the council<br />

would get the criticism.<br />

“I guess the bottom line, really, is<br />

if it’s public money contributed by<br />

ratepayers, ratepayers have a right<br />

to know and have a say on whether<br />

it is a good idea,” he said.<br />

But fellow former mayor Garry<br />

Moore said he thought delegating<br />

the decision was the right move,<br />

although he said he wanted to see<br />

more diversity in the group making<br />

decisions.<br />

“<strong>The</strong> last people you want to<br />

choose an art project are the<br />

elected representatives. <strong>The</strong>re are<br />

sometimes people around the table<br />

with an appreciation for public art,<br />

but they are very few,” he said.<br />

How ratepayer money in the<br />

fund has been spent*:<br />

$501,200 – STAY by Antony<br />

Gormley, Avon River and Arts<br />

Centre<br />

$450,001 – Solidarity grid by<br />

Mischa Kuball, Park Tce<br />

$371,440 – Fanfare by Neil<br />

Dawson, Chaney’s Corner<br />

$300,000 – Chapman’s<br />

Homer by Michael Parekowhai,<br />

Christchurch Art Gallery<br />

$220,210 – Tree houses for<br />

swamp dwellers by Julia<br />

Morison, cnr Colombo St and<br />

Gloucester St<br />

$93,000 – Passing Time by<br />

Anton Parsons, cnr St Asaph<br />

St and Madras St<br />

*<strong>The</strong> grants were only<br />

part of the price of the art<br />

pieces, with the rest usually<br />

made up by sponsorship or<br />

fundraising.<br />

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