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Hopulist Issue Six

Welcome to issue six of Hopulist… • Our guide to the craft beer scene in Birmingham • Exclusive interview with Unity Brewing’s Jimmy Hatherly • Inside the mind of Lervig designer Nanna Guldbaek • Our pick of the best European Imperial Stouts out there • How top writer Breandán Kearney got into beer • Our picks of what beer is hot right now • All the freshest beer merch to keep you looking slick

Welcome to issue six of Hopulist…
• Our guide to the craft beer scene in Birmingham
• Exclusive interview with Unity Brewing’s Jimmy Hatherly
• Inside the mind of Lervig designer Nanna Guldbaek
• Our pick of the best European Imperial Stouts out there
• How top writer Breandán Kearney got into beer
• Our picks of what beer is hot right now
• All the freshest beer merch to keep you looking slick

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Are you excited about the quality of design and illustration in the craft<br />

beer market at the moment?<br />

Yeah, a lot. It’s great that new breweries focus on the artwork and design of<br />

their beer from day one. It’s gonna be interesting to see how it develops in the<br />

next few years, with more breweries opening their own bars where they really<br />

get to show their identity. Also with beer festivals – it seems like the festivals<br />

are focusing more and more on creating a full experience with both artwork,<br />

music and food – all revolving around beer of course.<br />

Which other designers and illustrators work in the craft beer industry<br />

do you admire?<br />

Keith Shore's humor and how he has, and continues to, develop the<br />

Mikkeller characters. Karl Grenadin for his powerfull illustrations and colour<br />

combinations, which allows people to explore it very differently. Nick Dwyer<br />

in the way he has created a Beavertown Universe with lots of colour and great<br />

attention to detail – artwork recognizable from miles away. Kasper Ledet<br />

for his conceptual approach and use of photography – uncompromised and<br />

thorough. James Yeo in his way of telling a story – with all of his labels I feel<br />

like there is an entire story to tell, as if it’s a still frame from a movie.<br />

It seems like the festivals are focusing more and more<br />

on creating a full experience with both artwork, music<br />

and food - all revolving around beer of course.<br />

And Finaly, what are you working on at the moment?<br />

Now I'm finally done with school I have started to re-design old favorites<br />

like Super Sonic, Tasty Juice and the Lucky Jacks series. Generally, the rest<br />

of 2018 will be catching up on old artwork to get a more complete visual<br />

identity for Lervig – not as mixed as it is now. Well, along with a good<br />

amount of new beer releases too!<br />

The last two years have been crazy busy for Lervig, busy in a good way.<br />

That’s exciting. We have a really great team and are based in this beautiful<br />

Norwegian west coast city of Stavanger. I think we are currently about 25<br />

people spread across 12 different nationalities, which really adds a cool<br />

cultural mix where we have both celebrated Chinese New Year with hot pot,<br />

Norwegian 17. May (national day) and Irish St. Patrick’s Day.

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