Runway S/S19
The best hair and fashion trends from backstage and the catwalk in Spring/Summer 2019
The best hair and fashion trends from backstage and the catwalk in Spring/Summer 2019
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TRENDS<br />
ALEXACHUNG<br />
THE SHOW Roksanda<br />
HAIR: James Pecis for L’Oréal<br />
Professionnel<br />
THE LOOK: Natural, textured waves<br />
with density<br />
HOW: After saturating the hair with<br />
TECNI.ART Pli, it was dried into<br />
the hair as a base before TECNI.<br />
ART Liss Control was layered on<br />
from mid-lengths to ends to add<br />
separation and weight. Three low<br />
Colin Horgan at On|Off<br />
Natasha Zinko<br />
Roksanda<br />
BRUSH WITH FATE<br />
CARELESS COIFFS and inadvertent ’dos informed this season’s<br />
take on ‘natural’ and there was a distinctly accidental feel to the<br />
looks as stylists recreated hair left to its own devices. At Natasha<br />
Zinko and Colin Horgan at On|Off the theme was ‘slept-in’ hair,<br />
with Horgan’s backstage brief specifically referring to girls who<br />
had been out clubbing all night. The result was sweaty hair with<br />
one side left as it would have looked at the start of the evening,<br />
while the other was dishevelled with a slept-in feel, thanks to<br />
Tina Farey at Rush Hair’s genius technique using with mesh<br />
and a diffuser for L’Oréal Professionnel. But alongside these<br />
#wokeuplikethis textures was hair that had been shaped by the<br />
elements. At Calvin Klein, Guido for Redken’s half wet-look was<br />
inspired by a girl walking into water so that only the bottom gets<br />
wet; “I don’t want it to look drenched, more spritzed,” he<br />
explained. Meanwhile at ALEXACHUNG, the pressurised air of<br />
plane travel was Alex Brownsell for L’Oréal Professionnel’s<br />
rationale behind the slightly static-looking texture (due to a nylon<br />
bristle brush) which even sported a faux cow’s lick. The key is<br />
careful product layering using a diffuser, not to mention a ban on<br />
tools: “We’re doing everything with hands to maximise textures,”<br />
added Adam Reed at Roberta Einer for L’Oréal Professionnel.<br />
GET THE LOOK<br />
braids – one at the back, one each<br />
side – were made into a soft,<br />
rounded shape to avoid obvious<br />
zig-zag effects. To finish, irons were<br />
gently clamped down each braid,<br />
which were left to cool and set<br />
before being released. Subtle<br />
S-bends were added for a natural<br />
look, then lightly spritzed with<br />
Infinium soft hold hairspray.<br />
Daniel Pascal Turner at On|Off<br />
Calvin Klein<br />
Escada Natasha Zinko<br />
RUNWAY<br />
SPRING/SUMMER 2019<br />
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