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Runway S/S19

The best hair and fashion trends from backstage and the catwalk in Spring/Summer 2019

The best hair and fashion trends from backstage and the catwalk in Spring/Summer 2019

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TRENDS<br />

ALEXACHUNG<br />

THE SHOW Roksanda<br />

HAIR: James Pecis for L’Oréal<br />

Professionnel<br />

THE LOOK: Natural, textured waves<br />

with density<br />

HOW: After saturating the hair with<br />

TECNI.ART Pli, it was dried into<br />

the hair as a base before TECNI.<br />

ART Liss Control was layered on<br />

from mid-lengths to ends to add<br />

separation and weight. Three low<br />

Colin Horgan at On|Off<br />

Natasha Zinko<br />

Roksanda<br />

BRUSH WITH FATE<br />

CARELESS COIFFS and inadvertent ’dos informed this season’s<br />

take on ‘natural’ and there was a distinctly accidental feel to the<br />

looks as stylists recreated hair left to its own devices. At Natasha<br />

Zinko and Colin Horgan at On|Off the theme was ‘slept-in’ hair,<br />

with Horgan’s backstage brief specifically referring to girls who<br />

had been out clubbing all night. The result was sweaty hair with<br />

one side left as it would have looked at the start of the evening,<br />

while the other was dishevelled with a slept-in feel, thanks to<br />

Tina Farey at Rush Hair’s genius technique using with mesh<br />

and a diffuser for L’Oréal Professionnel. But alongside these<br />

#wokeuplikethis textures was hair that had been shaped by the<br />

elements. At Calvin Klein, Guido for Redken’s half wet-look was<br />

inspired by a girl walking into water so that only the bottom gets<br />

wet; “I don’t want it to look drenched, more spritzed,” he<br />

explained. Meanwhile at ALEXACHUNG, the pressurised air of<br />

plane travel was Alex Brownsell for L’Oréal Professionnel’s<br />

rationale behind the slightly static-looking texture (due to a nylon<br />

bristle brush) which even sported a faux cow’s lick. The key is<br />

careful product layering using a diffuser, not to mention a ban on<br />

tools: “We’re doing everything with hands to maximise textures,”<br />

added Adam Reed at Roberta Einer for L’Oréal Professionnel.<br />

GET THE LOOK<br />

braids – one at the back, one each<br />

side – were made into a soft,<br />

rounded shape to avoid obvious<br />

zig-zag effects. To finish, irons were<br />

gently clamped down each braid,<br />

which were left to cool and set<br />

before being released. Subtle<br />

S-bends were added for a natural<br />

look, then lightly spritzed with<br />

Infinium soft hold hairspray.<br />

Daniel Pascal Turner at On|Off<br />

Calvin Klein<br />

Escada Natasha Zinko<br />

RUNWAY<br />

SPRING/SUMMER 2019<br />

17

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