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Eatdrink #76 March/April 2019

The Women's Issue. Local food & drink magazine serving London, Stratford & Southwestern Ontario since 2007.

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eatdrink: The Local Food & Drink Magazine<br />

Photo credit: Stratford Festival Reviews<br />

fatigue. “Billy Elliot is really my prime focus<br />

right now. It’s the first out of the gate and<br />

the biggest prep. It’s a show that has 14<br />

production numbers. It’s crazy. It is a huge<br />

show. We did a Billy Bootcamp in January and<br />

did a week with some of our young company<br />

including with Nolen Dubuc, the Billy Elliot,<br />

and his understudy. We have some exciting<br />

things like flying — so we had a week of<br />

doing scene, dialect work and then we started<br />

rehearsals on February first.”<br />

Feore says it has taken a year of<br />

preparations for her famous reinvention of a<br />

popular musical to the thrust stage. “I only do<br />

those that I can reimagine,” she says. For her,<br />

working with an 11-year-old lead is exciting. “I<br />

learn a lot from young actors, watching how<br />

free they are. They don’t have that mileage on<br />

them. They are incredibly open.”<br />

At the same time, Feore is also directing and<br />

choreographing the second Stratford musical<br />

of <strong>2019</strong>, Little Shop of Horrors, at the Avon<br />

Theatre with a ’60s score and loads of special<br />

effects. “Our plant is off the charts crazy as<br />

only Stratford could do it,” she says. This is<br />

sure to be a hit with the same crowd that put<br />

Rocky Horror into the Stratford record books for<br />

longest run, and with huge financial success.<br />

Feore says one woman attended Rocky 42 times<br />

and several others saw it 30 times. She hopes it<br />

will now move to Toronto.<br />

“The hard drive is full,” laughs Feore when<br />

asked how she juggles two major shows<br />

alongside work in other cities. “I tell my<br />

assistant ‘download all the<br />

content from my brain’! I<br />

work with my associates,<br />

they are fantastic and have<br />

been with me for six to<br />

seven years. We have our<br />

system. They get all the<br />

information and record<br />

everything. Right away, we<br />

set four to five numbers<br />

and if there is dance in a<br />

show we do that early, as it<br />

takes stamina so people are<br />

healthy, strong. There’s a<br />

bit of a method to the madness, you know.”<br />

Her longtime friendship and collaboration<br />

with Stratford Artistic Director Antoni<br />

Cimolino is evident in his regard for her.<br />

“Donna is the master of musical theatre. We<br />

are so fortunate to have her return this season<br />

and take on the gargantuan task of helming<br />

two major productions at the same time. Her<br />

The Wildest Town in Canada:<br />

Donnelly Songs & Stories<br />

by Jeff Culbert May 21 to May 25<br />

Like Father, Like Son? Sorry.<br />

by Chris Gibbs May 28 to June 1<br />

<strong>2019</strong><br />

SEASON<br />

PortStanley<br />

FestivalTheatre<br />

(519) 782-4353 www.psft.ca<br />

work last year on The Music Man and The Rocky<br />

Horror Show was inspirational and I have no<br />

doubt that her productions this season will<br />

have us all seeing both of these musicals in a<br />

brand new light.”<br />

Fifty-five-year old Feore seems to thrive on<br />

the “madness”. She and<br />

The Feore family: from the left,<br />

her husband, acclaimed<br />

Tom, Donna, Jack, Anna & Colm<br />

actor Colm Feore, are also<br />

parents to 22-year-old<br />

Anna and 24-year-old<br />

Tom, a law student at U<br />

of T, as well 29-year-old<br />

Jack, Colm’s son from a<br />

previous marriage, who<br />

is getting married this<br />

summer in Nova Scotia.<br />

Donna Feore is fiercely<br />

proud of the three of<br />

them. “The whole team<br />

knows when my kids are doing something!<br />

Sometimes the whole crew watches a semifinal<br />

match on the computer if Anna is competing<br />

abroad. It’s all about priorities. For women,<br />

I think we can have it all but not at the same<br />

time. Stop trying. This can go and that can<br />

happen. That can go and this can happen. I call<br />

it dabbling in wonderful.”

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