The Red Bulletin June 2019

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B U L L E V A R D UNDERWORLD BORN SLIPPY (1995) “This tune perfectly captures a woozy, heady party night. It reminds me of happier, less bleak times. Britain in the ’90s was quite a hedonistic place for the artistic community: there was Britpop, and you also had so many new young artists coming through in modern art and fashion. It was before my time, but it’s definitely an interesting period to rediscover.” Bastille “TAKE THE BLUE PILL AND GET LOST” REM IT’S THE END OF THE WORLD AS WE KNOW IT (AND I FEEL FINE) (1987) “I imagine it’d be fun to jump around singing this song on our last night on Earth. Music is about articulating things that you maybe haven’t thought, but it’s also about escapism and distraction. These are the moments to strive for; they can offer solace from this bizarrely fucked-up world we live in. So take the blue pill and get lost.” The British indie-pop giants pick their playlist for an end-of-the-world party Formed in 2010 by London-born lead singer Dan Smith, Bastille had their big breakthrough three years later with the single Pompeii, taken from their debut album, Bad Blood. By the following year, it had become the UK’s most streamed single of all time and won the band the title of British Breakthrough Act at the BRIT Awards. Now, following the global success of their 2018 single Happier, which featured US music producer Marshmello, the foursome have upped the ante with their new album, Doom Days, described by Smith as “an apocalyptic party”. Which is why he’s chosen to soundtrack Earth’s big send-off for us… Bastille’s new album Doom Days is out now; bastillebastille.com THE BEATLES BECAUSE (1969) “For us, a good night out means being with friends who don’t work in music, who don’t pop champagne corks with models – that’s just not our life. On our last night on Earth, we’d have a little dance, then we’d have a little cry together. Musically you want something to wind down to, and this is a great one to go out on.” MOBY PLAY (1999) “If there’s a perfect soundtrack for the end-of-the-world afterparty, it’s this album. Do you know the podcast Heavyweight [by Canadian-American humorist Jonathan Goldstein]? There’s an episode [Gregor] where the guy who lent Moby the gospel CDs he sampled heavily on this album asks for them back. It’s so good and really funny – check it out.” UNIVERSAL MUSIC MARCEL ANDERS 26 THE RED BULLETIN
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THE RED BULLETIN PROMOTION NATHAN H
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THE RED BULLETIN WORLDWIDE The Red
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The Red Bulletin June 2019

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