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The Red Bulletin June 2019

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Secret Cinema<br />

Blade Runner, Canning Town (2018)<br />

“We didn't want to break the spell, and playing the Vangelis soundtrack would do that,”<br />

says Bennett. “So we took the music from Taffey’s Bar, because it’s a place in the film.<br />

We stretched 18 seconds of Arabic-style dub into six hours of low-end exotica.”<br />

Broccoli. She listened, asked very astute<br />

questions, then said, ‘Yeah, you can do that.’<br />

Next, I got hold of the film’s director, Martin<br />

Campbell, and said, ‘What were you thinking<br />

when you filmed Casino Royale?’ He said,<br />

‘I looked down the camera lens and asked<br />

myself if it was real. And if it was, I filmed it.’”<br />

Jackson, shrewdly, won’t reveal the<br />

contents of the show. “We’ve got a casino –<br />

that’s not too much of a spoiler,” he laughs.<br />

However, fans of the 1959 Alfred Hitchcock<br />

thriller North by Northwest may find the prescreening<br />

narrative familiar. Jackson also<br />

name-drops Sébastien Foucan, the founder of<br />

freerunning, who played bomber Mollaka in<br />

Casino Royale’s opening chase in Madagascar.<br />

“Seb’s been in and out a few times,” he teases.<br />

What Jackson does promise is an<br />

opportunity for everyone to live out their 007<br />

fantasy in a way that no one, except perhaps<br />

the Bond actors, has had the chance to do.<br />

“Spielberg said we go to films to watch people<br />

making the choices you wouldn’t make in real<br />

life,” he says. “We’re putting these choices in<br />

the hands of the audience. You get to a point<br />

where the audience are the performers. That’s<br />

what a Secret Cinema show is.”<br />

“When we bring films to life, that also means<br />

whatever message those films have,” says<br />

Riggall. “When we did One Flew Over the<br />

Cuckoo’s Nest, we worked with mental-health<br />

charity Mind and integrated fundraising<br />

awareness. This year, with Casino Royale,<br />

we’re working with Calm, a charity that raises<br />

awareness of mental health and male suicide.<br />

<strong>The</strong> film is very honest about what James<br />

Bond goes through, and it’s interesting to<br />

allow that to be part of the story. One gesture<br />

can change your life and sometimes that<br />

thing is cultural. For me, it was cinema. It’s<br />

important to create experiences that can be<br />

a conduit for change.”<br />

Casino Royale is the first Secret Cinema<br />

that Riggall has delegated control of, handing<br />

the reins to veteran theatre director Angus<br />

Jackson. “It’ll be the biggest indoor show<br />

we’ve done – twice the size of Blade Runner,”<br />

says Jackson. “It’s 1,500 people a night, 50<br />

performers. This is closest to when I ran the<br />

entire Rome season at the RSC [in 2017],<br />

when we built a four-show Roman world for<br />

Julius Caesar, Antony and Cleopatra, Titus<br />

Andronicus and Coriolanus. That collapsed<br />

in on itself in the space of a year.”<br />

It also heralds a deeper partnership with<br />

the film creators. “I had to pitch to Barbara<br />

Riggall and Luhrmann on stage<br />

at 2017’s Moulin Rouge<br />

“<strong>The</strong>re’s a desire<br />

to escape our<br />

looped existence”<br />

Fabien Riggall may be a master of<br />

secrecy, but he’s quite open about some<br />

of the plans he has for Secret Cinema.<br />

He wants to take it global. “We’ve done<br />

teasers in Berlin, New York, to see how can<br />

that works. Universally, I think people want<br />

experiences that are mysterious, to become<br />

part of a bigger thing. In the US, cinema has<br />

a cultural resonance, and bringing these<br />

experiences to a country where entire towns<br />

transform for Halloween is interesting. And<br />

when we start going to places that don’t speak<br />

English, how do we translate that?”<br />

As for which films he’d like to do next:<br />

“Titanic. <strong>The</strong> richness of that world could<br />

be huge. <strong>The</strong> question is, how are we going<br />

to build it, sink it and then get it back up<br />

every night? I’ve always wanted to do Secret<br />

Cinema on a train. And ET – to have everyone<br />

cycle to a forest on BMXs, strap them onto<br />

wires, then they fly over the screen and we<br />

never see them again.”<br />

Riggall may be joking about ET, but<br />

there’s one idea for the future that he’s<br />

serious about: “Once Upon a Time in America,<br />

set beneath Brooklyn Bridge. Transforming<br />

a district of Brooklyn into prohibition New<br />

York, with Morricone and a live orchestra.<br />

I’m definitely going to propose that to<br />

whichever mayor of Brooklyn we have<br />

to talk to. I think that’s possible.”<br />

Secret Cinema presents Casino Royale<br />

launches on <strong>June</strong> 5; tickets.secretcinema.org<br />

SECRET CINEMA/AL OVERDRIVE/MIKE MASSARO<br />

52 THE RED BULLETIN

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