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THE ARTS<br />
the East is a 50:50 collaboration, with each providing<br />
half the contents of the exhibition as well as half the<br />
curatorial direction.<br />
British Museum Director Hartwig Fisher said,<br />
“This major exhibition highlights just how extensive<br />
and enduring cultural exchange between the west and<br />
the Islamic world has been. It is an artistic relationship<br />
that has endured for five centuries and has influenced<br />
an astonishing diversity of material culture. We are<br />
grateful to the Islamic Arts Museum Malaysia for<br />
collaborating with us on this project and offering such<br />
a generous loan of objects.”<br />
Puan Sri Sharifah Zarah, a trustee of the<br />
Albukhary Foundation that manages IAMM, said,<br />
“<strong>The</strong> Islamic Arts Museum Malaysia’s chief purpose<br />
is to highlight to Muslims and non Muslims alike<br />
not just the achievements of Islamic culture but also<br />
its influence across generations. Our museum looks<br />
back 1,400 years to Mecca, a cultural meeting place<br />
as complex as anything in the 21st century. Inspired<br />
by the East focuses on 500 years of more recent<br />
encounters. <strong>The</strong>se were not always harmonious.<br />
Compared with the present era though, there was<br />
often more goodwill and considerable more curiosity.”<br />
Cultural Connectivity<br />
At the core of the exhibition is the examination<br />
of the artistic tradition known as Orientalism,<br />
a representation of the east in western arts that<br />
often blurred the lines between fantasy and reality.<br />
Orientalism traces its origins to the 1500s, and<br />
peaked as an art movement in the 19th century when<br />
western artists began visiting the Middle East and<br />
North Africa in greater numbers.<br />
Visitors to the exhibition will see the sumptuous<br />
influences of the east on the visual and decorative<br />
arts of Western artists. <strong>The</strong>ir works transport you to<br />
a variety of Islamic settings – from the grandeur of<br />
Ottoman court life and elaborate interior of mansions<br />
the wealthy to the buzz of regular street life, serenity<br />
of the desert and devotion to their faith. <strong>The</strong> artists<br />
appear fascinated by the beauty of exotic women and<br />
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