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Boxoffice Pro - February 2020

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INDIE INFUENCERS SPONSORED BY SPOTLIGHT CINEMA NETWORKS<br />

Art House Convergence <strong>2020</strong>’s<br />

Spotlight Lifetime Achievement Award:<br />

Nancy Gerstman & Emily Russo,<br />

Co-Founders, Zeitgeist Films<br />

›› The Spotlight Lifetime Achievement Award recognizes individuals whose commitment to the<br />

theatrical experience and successful track record has made a major contribution to the history<br />

of art house cinema. Nancy Gerstman and Emily Russo, recipients of this year’s edition of the<br />

award, have played a major role in the expanded prominence of independent and art house<br />

cinema over the last 30 years. Since founding Zeitgeist Films together in 1988, the pair has<br />

introduced over 200 films to art house theaters nationwide. Among their releases are early films<br />

from leading voices like Christopher Nolan, François Ozon, Laura Poitras, Atom Egoyan, and the<br />

Quay Brothers. Zeitgeist has also been instrumental in helping established auteurs find screens<br />

across the United States, releasing works from directors like Andrey Zvyagintsev, Yvonne Rainer,<br />

Agnés Varda, Abbas Kiarostami, Nuri Bilge Ceylan, Peter Greenaway, and Raoul Peck. In 2017,<br />

Zeitgeist entered into a multiyear agreement with Kino Lorber to co-acquire four to five films per<br />

year for theatrical distribution. <strong>Boxoffice</strong> <strong>Pro</strong> interviewed Gerstman and Russo via email ahead<br />

of Art House Convergence in a conversation that spanned the start of their careers and the<br />

opportunities and challenges facing art house cinemas and specialty distributors.<br />

NANCY GERSTMAN<br />

“I was in love with<br />

movies since I was<br />

a child glued to the<br />

TV watching Million<br />

Dollar Movies …”<br />

EMILY RUSSO<br />

“I graduated from<br />

SUNY Binghamton<br />

with a degree in<br />

cinema studies and<br />

knew I wanted to<br />

be involved in some<br />

way with film … but<br />

soon veered into an<br />

enduring partnership<br />

with my friend<br />

and colleague,<br />

Nancy.”<br />

NANCY GERSTMAN (L)<br />

AND<br />

EMILY RUSSO<br />

Congratulations on the award and the continued<br />

success of Zeitgeist Films. Looking back<br />

on the beginning of your careers, how did you<br />

first come to work in this industry?<br />

Emily Russo: I graduated from SUNY Binghamton<br />

with a degree in cinema studies and knew<br />

I wanted to be involved in some way with film. I<br />

wrote my senior thesis on the films of Albert and<br />

David Maysles. After trial by fire in filmmaking (as<br />

a student) and production (early jobs being a P.A.)<br />

and internship at the Independent Feature <strong>Pro</strong>ject,<br />

I answered an ad in the New York Times placed by<br />

a distribution company<br />

and became a booker<br />

for classic French films<br />

at Interama. It was a<br />

small company and I<br />

learned all aspects of<br />

the business, from acquisitions<br />

and sales<br />

to marketing and<br />

accounting. That<br />

was the right fit,<br />

as it also gave<br />

me an appreciation for distinctive films, primarily<br />

foreign-language films and documentaries. After<br />

a few years there I struck out on my own as an<br />

independent rep, working with Bruce Weber on a<br />

release of his first documentary, Broken Noses, but<br />

soon veered into an enduring partnership with my<br />

friend and colleague at the time, Nancy Gerstman,<br />

to launch our own company, Zeitgeist Films.<br />

Nancy Gerstman: I was in love with movies<br />

since I was a child glued to the TV watching<br />

Million Dollar Movies (sort of the TCM of its time,<br />

except that it showed the same movie every day<br />

and twice on Sunday and did not<br />

give you a vast array of genres or<br />

any international cinema). Still,<br />

it had a big effect on me.<br />

But since I was an English<br />

major I got into publishing<br />

immediately after college.<br />

After a few years I got a<br />

job with a publisher<br />

of film books and at<br />

the same time started<br />

working taking tickets<br />

18 / FEBRUARY <strong>2020</strong>

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