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SandScript 2020

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

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Myryam Roxana Freeman

Contemplation

Photograph, 8”x10”

primarily frequented by heterosexuals.

They haven’t thought about it because they

don’t have to. They just enjoy the bar and

the drinks are cheap. They’ve never really

had to think about what the target audience

is, but the target audience isn’t you.

Later, when you get to the bar, you

order an old fashioned. The bartender gives

you a quick look of surprise. He thought a

boy who looks like you wouldn’t want such

a manly drink. You don’t say anything. You

give him your card to leave a tab open. You

know from experience when you’re dressed

the way you are in a place like this, you

might need more than one drink to really

feel comfortable.

One of your friends comes and finds

you, they want to introduce you to some

coworkers they have. You approach the

group of people and smile, give them your

name. They smile back and tell you their

names, but you don’t register what they

are because you’re too busy shaking their

hands, making sure you have a firm grip

like your father taught you. Every time you

shake someone’s hand, you remember when

you learned that a firm handshake shows

you’re proud of who you are, that you have

confidence. When you learned that no son

of your father’s would be a pussy boy with a

limp handshake.

“This is my gay best friend,” you

hear your friend say and you feel the

familiar sting of the label, but you brush it

off again. Sometimes you wish you could

just be someone’s best friend, but it always

feels like you’re required to put gay as the

identifier.

“You have to tell them about what

happened at your job the other day,” your

friend says.

“About my nails?” You look down

at your hands where you had recently

removed acrylics. The nails still have the

dried dust and glue on them. It won’t go

away until the nail has grown enough.

“Yes! I cannot believe they pulled

that.”

The boy and girl stare at you, waiting

for you to let them in on the story.

“Well, essentially what happened

was they gave me a paper saying I needed

to remove my acrylic nails because they

were against health code,” you begin the

story. You feel like you’ve told it a hundred

VISUAL ART

129

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