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SandScript 2020

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

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with after doing house calls for so many

years. “Good name,” I said, rubbing Buck

again. He rolled his eyes so he could look at

me without moving his head and panted a

few breaths, then closed his mouth again.

I filled out the consent form with

information they gave me—Evie told me

Buck was 13 years old and was a neutered

male. I filled in their names and phone

numbers. Ray told me he already had a

grave dug, so I noted that on the form.

Home burial. When it was finished, I held

the paper up, with a pen, waving it gently in

front of me. “I need a volunteer to read this

and sign it,” I said.

Ray came over and took it. “Always

gotta do the paperwork, eh, Doc? CYA?

Cover your ass?”

“Well, for some things, you want to

have a document that shows that everyone

agrees about what we are doing, since there

is no going back. We…”

“Yeah, yeah, I know, I was just

yankin’ your chain,” Ray said, talking over

me.

“No, no,” Evie said. “Finish what you

were going to say, Derek.”

If “CYA” means “make sure people

understand what is happening,” then yes,

that’s exactly what I was doing. But the

euthanasia consent form also forced people

to confront their animal’s death, and it often

had them facing their own mortality. A

powerful piece of paper, indeed.

I looked at the two of them for a

moment. It was getting darker outside.

Festus-dog was now lying down close to

Buck. Jack was quiet but vigilant, still

watching me and my canvas bag, which

I had kept closed; I didn’t want any

inquisitive dog noses going into it and

making chew toys out of my expensive

medical equipment. Little Jack sat in his

spot by Evie and studied the bag, the power

object that had thwarted him.

“I was just going to say that when

we talk about this, we use words like, ‘put

to sleep,’ and ‘saying goodbye,’ which are

nice ways of speaking,” I said. “But this

paper uses words like ‘death’ and ‘dead,’ so

that there can be no mistaking what we are

talking about and what we are about to do.”

Evie took the paper and read it. “It’s

only two paragraphs, Ray,” she said.

“I know,” Ray said.

Evie finished reading the consent

form, and then she looked at me. “Do you

think we’re doing the right thing? Do we

have to kill our dog?”

“Is that what the paper says?” I said.

“No, it says that we consent to

euthanasia,” she said, looking at the paper in

her hands, “and then in parentheses, it says

‘humane death.’”

“Amounts to the same thing,” Ray

said.

I waited, listening, but no one spoke.

The atmosphere was full of sadness, which

was appropriate. It was also full of a lot of

other emotions: guilt, anger, regret, shame.

“My answer is yes, you are doing the

right thing,” I said quietly. “And no, we’re

not killing your dog. Words matter. Killing is

violent. Euthanasia is merciful.”

They just stared at me. I imagined

their feelings. How were they supposed

to know how to do this? It went against

everything they wanted.

“You have told me that he is showing

every sign of pain and suffering,” I said. “He

FICTION

31

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