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SandScript 2020

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

SandScript is published annually at the end of the spring semester. All works of prose, poetry, and visual art that appear in SandScript are created by students attending Pima Community College.

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Eva Kamenetski

Those Squeaky Floors

Photograph, Gelatin Silver Print 8”x8.1”

VISUAL ART

diverse array of life forms, and you’ll also

find death everywhere; trees with some live

branches and some dead ones, every kind of

cactus with both living specimens as well

as dead cactus bodies lying casually on the

desert floor. Death seems to be a part of life

here, and the desert doesn’t let us forget it.

There are plenty of dead plant carcasses in

wetter, more temperate climes, of course,

but in those places, they tend to be covered

up with climbing vines, moss, grasses,

bushes, and sprouting trees greedy for the

additional light that the absence of the

fallen trees allows in. The dead are hidden

by the living.

There is no hiding death in this

desert. Indeed, the dead form a part of the

structure of the desert itself, they are as

much a feature of the desert as are the

living. When the big plants of the desert die,

the first thing that happens is that their

green, watery skin shrivels and falls off.

Then their moist innards dry up and blow

away, and ultimately what is left is their

secret, inner structure. Their backbones,

their skeletons; the spirit that let them live

for so long in this place somehow remains.

A hidden beauty is revealed; the complex

weavings of cholla wood, the long, straight

spinal columns of saguaros, their spindly,

fragile ribs ordered together to form a

powerful tower.

In life, these plants were hardworking,

their green skins harvesting the

energy of the sun. They busily stored up

water to fight the arid heat; your basic,

journeyman plant, doing its thing.

In death, at last we see the true

power of what was holding them up the

whole time.

*

“Holly had her place here,” I said,

“and before her, my parents, and my

grandparents, and their parents before

56

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