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Name Date 1. What is a lied? 2. Who was the Polish master of piano music? 3. Who invented the symphonic poem? Chapter 8 Review The Early Romantic Period 4. Which German composer was also an important journalist? 5. Name two important female musicians of the early Romantic period. 6. Who was the master of early Romantic opera buffa? 7. Berlioz was considered a master of , which is the ability to combine or use instruments to create unique sounds from an orchestra. 8. Who was the wealthy German composer who invented the concert overture and rekindled an interest in Bach’s music? 9. was considered by many to be the best pianist of the time, and composed or arranged over 1300 works. 10. Briefly discuss some of the inspirations for early Romantic music. 97
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Track Title/Composer/Performer Musi
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M usic to Your Ears An Introduction
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Contents Preface vii 1 What Is Musi
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7 Beethoven and the Transition to R
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Preface The purpose of this book is
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2 Chapter 1 that might have puzzled
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4 Chapter 1 Writings from the Greek
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6 Chapter 1 Figure 2 The treble cle
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8 Chapter 1 Often a musician will f
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10 Chapter 1 Key Terms adagio mezzo
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2 Musical Instruments Evidence exis
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saxophone Musical Instruments 15 ho
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Musical Instruments 17 musician to
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The Percussion Family timpani Music
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The Symphony Orchestra Percussion H
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Name Date Chapter 2 Review Musical
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26 Chapter 3 Gregorian Chant Gregor
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28 Chapter 3 requirements of the Ch
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30 Chapter 3 Summary residences at
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4 The Renaissance Music History Tim
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The Mass The Renaissance 35 Since b
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Listen to This The Renaissance 37 P
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Listen to This Track 4 Renaissance
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The Renaissance 41 of the dance ste
Page 56 and 57: 5 Music of the Baroque The name Bar
Page 58 and 59: Music of the Baroque 47 chord progr
Page 60 and 61: Music of the Baroque 49 Astute read
Page 62 and 63: Music of the Baroque 51 special occ
Page 64 and 65: Music of the Baroque 53 sing. Occas
Page 66 and 67: Typical Fugue Exposition (4-part) M
Page 68: Name Date Chapter 5 Review Music of
Page 71 and 72: 60 Chapter 6 The Piano governments
Page 73 and 74: 62 Chapter 6 A. (statement) Twinkle
Page 75 and 76: 64 Chapter 6 The Symphony First Mov
Page 77 and 78: 66 Chapter 6 The Concerto The fourt
Page 79 and 80: 68 Chapter 6 Composer Profile Wolfg
Page 81 and 82: 70 Chapter 6 Summary Haydn’s symp
Page 84 and 85: 7 Cultural Overview Beethoven and t
Page 86 and 87: Beethoven’s Music Beethoven and t
Page 88 and 89: Beethoven and the Transition to Rom
Page 90 and 91: Beethoven and the Transition to Rom
Page 92: Name Date Chapter 7 Review Beethove
Page 95 and 96: 84 Chapter 8 Romantic Thinking The
Page 97 and 98: 86 Chapter 8 Likewise, chamber musi
Page 99 and 100: 88 Chapter 8 The Character Piece Fa
Page 101 and 102: 90 Chapter 8 Schumann began showing
Page 103 and 104: 92 Chapter 8 decline rapidly. He wa
Page 105 and 106: 94 Chapter 8 Composer Profile Franz
Page 110 and 111: 9 Introduction The Late Romantic Pe
Page 112 and 113: Principal Romantic Composers Conser
Page 114 and 115: The Late Romantic Period 103 formal
Page 116 and 117: The Late Romantic Period 105 admiss
Page 118 and 119: The Late Romantic Period 107 this w
Page 120 and 121: The Late Romantic Period 109 be the
Page 122 and 123: The Late Romantic Period 111 countr
Page 124: From Romantic to post-Romantic Summ
Page 128 and 129: 10 Introduction The Twentieth Centu
Page 130 and 131: Impressionism The Twentieth Century
Page 132 and 133: The Twentieth Century 121 Though fo
Page 134 and 135: Composer Profile Arnold Schoenberg
Page 136 and 137: Listen to This Track #16 Prokofiev,
Page 138 and 139: Hungary The Twentieth Century 127 T
Page 140 and 141: Germany The Twentieth Century 129 I
Page 142 and 143: Summary The Twentieth Century 131 T
Page 144: Name Date 1. What stylistic trend e
Page 147 and 148: 136 Chapter 11 sheet music and pian
Page 149 and 150: 138 Chapter 11 Development of Jazz
Page 151 and 152: 140 Chapter 11 sexual intercourse,
Page 154: Name Date Chapter 11 Review Beyond
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146 Glossary ballet A type of dance
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148 Glossary clavier Generic term (
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150 Glossary embouchure The shape a
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152 Glossary harmonics In acoustics
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154 Glossary marimba Mallet percuss
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156 Glossary passacaglia Baroque th
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158 Glossary Sacre du printemps, Le
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160 Glossary theme A melodic idea u
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162 Glossary whole-tone scale Commo
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Index a cappella, 38 absolute music
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Gloria, 35-36 Goodman, Benny, 137-1
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Smetana, Bedrich, 84, 101, 111 snar
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The Late Romantic Period 105 His fi
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