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Name Date Chapter 7 Review Beethoven and the Transition to Romanticism 1. When did Beethoven live? Born: Died: 2. Beethoven bridged the and the periods. 3. The finale of the Ninth Symphony was based on the hymn . 4. Beethoven changed the typical third movement of a symphony from a minuet to a meaning musical joke. 5. Which symphony has five movements? 6. The first truly Romantic symphony was Beethoven’s Symphony. 7. The latest subtitle for the above symphony is . 8. Segue means . 9. What is program music? 10. Briefly describe why you think Beethoven was so important to music history. 81
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Track Title/Composer/Performer Musi
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M usic to Your Ears An Introduction
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Contents Preface vii 1 What Is Musi
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7 Beethoven and the Transition to R
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Preface The purpose of this book is
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2 Chapter 1 that might have puzzled
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4 Chapter 1 Writings from the Greek
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6 Chapter 1 Figure 2 The treble cle
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8 Chapter 1 Often a musician will f
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10 Chapter 1 Key Terms adagio mezzo
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2 Musical Instruments Evidence exis
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saxophone Musical Instruments 15 ho
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Musical Instruments 17 musician to
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The Percussion Family timpani Music
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The Symphony Orchestra Percussion H
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Name Date Chapter 2 Review Musical
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26 Chapter 3 Gregorian Chant Gregor
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28 Chapter 3 requirements of the Ch
Page 41 and 42: 30 Chapter 3 Summary residences at
Page 44 and 45: 4 The Renaissance Music History Tim
Page 46 and 47: The Mass The Renaissance 35 Since b
Page 48 and 49: Listen to This The Renaissance 37 P
Page 50 and 51: Listen to This Track 4 Renaissance
Page 52: The Renaissance 41 of the dance ste
Page 56 and 57: 5 Music of the Baroque The name Bar
Page 58 and 59: Music of the Baroque 47 chord progr
Page 60 and 61: Music of the Baroque 49 Astute read
Page 62 and 63: Music of the Baroque 51 special occ
Page 64 and 65: Music of the Baroque 53 sing. Occas
Page 66 and 67: Typical Fugue Exposition (4-part) M
Page 68: Name Date Chapter 5 Review Music of
Page 71 and 72: 60 Chapter 6 The Piano governments
Page 73 and 74: 62 Chapter 6 A. (statement) Twinkle
Page 75 and 76: 64 Chapter 6 The Symphony First Mov
Page 77 and 78: 66 Chapter 6 The Concerto The fourt
Page 79 and 80: 68 Chapter 6 Composer Profile Wolfg
Page 81 and 82: 70 Chapter 6 Summary Haydn’s symp
Page 84 and 85: 7 Cultural Overview Beethoven and t
Page 86 and 87: Beethoven’s Music Beethoven and t
Page 88 and 89: Beethoven and the Transition to Rom
Page 90 and 91: Beethoven and the Transition to Rom
Page 94 and 95: 8 Introduction The Early Romantic P
Page 96 and 97: The Early Romantic Period 85 emotio
Page 98 and 99: The Early Romantic Period 87 “Sch
Page 100 and 101: Some Common Character Piece Titles
Page 102 and 103: The Early Romantic Period 91 intere
Page 104 and 105: The Early Romantic Period 93 life e
Page 106: Giaocchinno Rossini: Early Romantic
Page 110 and 111: 9 Introduction The Late Romantic Pe
Page 112 and 113: Principal Romantic Composers Conser
Page 114 and 115: The Late Romantic Period 103 formal
Page 116 and 117: The Late Romantic Period 105 admiss
Page 118 and 119: The Late Romantic Period 107 this w
Page 120 and 121: The Late Romantic Period 109 be the
Page 122 and 123: The Late Romantic Period 111 countr
Page 124: From Romantic to post-Romantic Summ
Page 128 and 129: 10 Introduction The Twentieth Centu
Page 130 and 131: Impressionism The Twentieth Century
Page 132 and 133: The Twentieth Century 121 Though fo
Page 134 and 135: Composer Profile Arnold Schoenberg
Page 136 and 137: Listen to This Track #16 Prokofiev,
Page 138 and 139: Hungary The Twentieth Century 127 T
Page 140 and 141: Germany The Twentieth Century 129 I
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Summary The Twentieth Century 131 T
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Name Date 1. What stylistic trend e
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136 Chapter 11 sheet music and pian
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138 Chapter 11 Development of Jazz
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140 Chapter 11 sexual intercourse,
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Name Date Chapter 11 Review Beyond
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146 Glossary ballet A type of dance
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148 Glossary clavier Generic term (
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150 Glossary embouchure The shape a
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152 Glossary harmonics In acoustics
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154 Glossary marimba Mallet percuss
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156 Glossary passacaglia Baroque th
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158 Glossary Sacre du printemps, Le
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160 Glossary theme A melodic idea u
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162 Glossary whole-tone scale Commo
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Index a cappella, 38 absolute music
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Gloria, 35-36 Goodman, Benny, 137-1
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Smetana, Bedrich, 84, 101, 111 snar
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The Late Romantic Period 105 His fi
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