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Index a cappella, 38 absolute music, 124 adagio, 7 Adams, John, 130 Adderly, Julian “Cannonball,” 138–139 Age of Absolutism, 45 Age of Enlightenment, 59 Age of Science, 45–46 Agnus Dei, 35 Albeniz, Isaac, 111 Albrechtsberger, Johann, 74 aleatoric, 129 allegro, 7 allemande, 41 andante, 7 antiphonal, 40 aria, 47 Armstrong, Louis, 136, 138 Ars antiqua, 28 Ars Nova, 28, 29 atonality, 118 Auric, Georges, 123 Babbitt, Milton, 131 Bach, Johann Sebastian, 4, 20, 48, 52–56, 90 Balakirev, Mily, 111 ballade, 89 ballet, 108, 125–127 band, 22 Baroque, 4, 20, 25, 45 Bartók, Bela, 118, 127 bass, 17 basso continuo, 50–51 bassoon, 14–15 beat, 6 bebop, 137–138 Beethoven, Ludwig van, 4, 73–80, 84, 101 165 bel canto, 101 Bellini, Vincenzo, 101 bells, orchestra, 19 Berg, Alban, 4, 118, 122 Berio, Luciano, 4, 118 Berlioz, Hector, 4, 84–85, 92–93, 101 Bernstein, Leonard, 128 big band, 137 binary form, 61 Bizet, Georges, 84, 101, 105 Blanchett, Francois Etienne, 46 blues, 140 Bonaparte Symphony (Beethoven), 77 bore, 15–17 Borodin, Alexander, 111 Boulez, Pierre, 4, 130–131 bourrée, 41 Brahms, Johannes, 84, 101, 104, 106–107 brass family, 13, 16, 21 brass quintet, 22 Britten, Benjamin, 126 Bruckner, Anton, 84, 107 Buxtehude, Dietrich, 54 cadence, 36, 46 cadenza, 67 Cage, John, 4, 118, 129–130, 139 Cahill, Thaddeus, 20 canon, 34 cantata, 48 cantus firmus, 29, 35 canzonas, 40, 51 cello, 17–18 chaconne, 55 chamber music, 22, 50 chance music, 129 chanson, 37
166 Index chant, 25–27 character piece, 88 chimes, 19 Chopin, Frederic, 4, 91–92, 101 chorale, 36 chord, 29, 33, 36 chordal, 35 chorus, 47, 79 chromatic, 17 chromaticism, 38, 100 Clair de lune (Debussy), 120–121 clarinet, 14–15 Classical, 4, 25 clavichord, 20, 50 clef, 5–6 coda, 64 codetta, 64 col legno, 93 Coltrane, John, 138–139 composer, 2 compound meter, 7 computer music, 130 concert overture, 91 concertato, 51 concertino, 51 concerto, 51, 66, 85 concerto grosso, 51 conductor, 21 consonance, 9, 129 consort, 13, 15–17, 40 Constantine, Emperor, 25 cool school, 138–139 Copland, Aaron, 2–4, 9, 112, 118, 127–128, 137 Corelli, Archangelo, 51, 56 cornet, 16 Council of Trent, 36 Counter Reformation, 36–37 counterpoint, 29, 54–55 Couperin, Francois, 56 courante, 41 Credo, 35 crescendo, 8 Crumb, George, 118 Cui, Cesar, 111 cymbal, 19 dance forms, 40–41, 52 Davis, Miles, 138–139 Debussy, Claude, 4, 18, 118–121 decrescendo, 8 Delius, Frederick, 120–121 Des Prez, Josquin, 4 development, 63–65 Dies irae, 93 dissonance, 9, 38, 129 distortion, 8 divided air column, 14, 16 Dixieland, 136, 138 Donizetti, Gaetano, 101 double exposition, 67 double reed, 14–15 drums, 19 Dufay, Guillaume, 4, 35 Dukas, Paul, 120 duple meter, 6 duration, 5–6, 8 Durey, Louis, 123 Dvorak, Antonin, 84, 101, 111–112 dynamics, 3, 5, 7–8, 20, 47 Eine Kleine Nachtmusik (Mozart), 64–65 electronic instruments, 14, 20 Elgar, Edward, 4, 112, 118, 126 Ellington,“Duke,” 136, 138 endless melody, 102 English horn, 15 episode, 54 Erlkönig (Elfking) (Schubert), 87–88 Eroica Symphony (Beethoven), 77 Esterhazy family, 69–70 étude, 89 euphonium, 17 Evans, Bill, 138–139 exposition, 54, 63–65 Expressionism, 118, 121–123 Falla, Manual de, 112, 121, 126 families, instrumental, 13–14, 17, 19, 21 Fauré, Gabriel, 84 figured bass, 50 first-movement form, 63–65 flat, 5 flute, 3, 14 forte, 8 fortissimo, 8 Franck, Cesar, 84 French horn, 16 frequency, 5 Frescobaldi, Girolamo, 56 fugue, 54–55 fundamental, 8 fusion, 138–139 Gabrieli, Giovanni, 4, 40 galliard, 41 Gershwin, George, 4, 112, 118, 127, 136 Gesualdo, Carlo, 38 gigue, 41 Gillespie, Dizzy, 137–138 Glass, Philip, 118–131 Glinka, Mikhail, 118, 131 glockenspiel, 19
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Track Title/Composer/Performer Musi
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M usic to Your Ears An Introduction
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Contents Preface vii 1 What Is Musi
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7 Beethoven and the Transition to R
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Preface The purpose of this book is
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2 Chapter 1 that might have puzzled
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4 Chapter 1 Writings from the Greek
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6 Chapter 1 Figure 2 The treble cle
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8 Chapter 1 Often a musician will f
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10 Chapter 1 Key Terms adagio mezzo
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2 Musical Instruments Evidence exis
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saxophone Musical Instruments 15 ho
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Musical Instruments 17 musician to
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The Percussion Family timpani Music
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The Symphony Orchestra Percussion H
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Name Date Chapter 2 Review Musical
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26 Chapter 3 Gregorian Chant Gregor
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28 Chapter 3 requirements of the Ch
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30 Chapter 3 Summary residences at
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4 The Renaissance Music History Tim
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The Mass The Renaissance 35 Since b
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Listen to This The Renaissance 37 P
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Listen to This Track 4 Renaissance
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The Renaissance 41 of the dance ste
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5 Music of the Baroque The name Bar
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Music of the Baroque 47 chord progr
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Music of the Baroque 49 Astute read
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Music of the Baroque 51 special occ
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Music of the Baroque 53 sing. Occas
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Typical Fugue Exposition (4-part) M
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Name Date Chapter 5 Review Music of
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60 Chapter 6 The Piano governments
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62 Chapter 6 A. (statement) Twinkle
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64 Chapter 6 The Symphony First Mov
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66 Chapter 6 The Concerto The fourt
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68 Chapter 6 Composer Profile Wolfg
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70 Chapter 6 Summary Haydn’s symp
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7 Cultural Overview Beethoven and t
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Beethoven’s Music Beethoven and t
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Beethoven and the Transition to Rom
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Beethoven and the Transition to Rom
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Name Date Chapter 7 Review Beethove
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84 Chapter 8 Romantic Thinking The
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86 Chapter 8 Likewise, chamber musi
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88 Chapter 8 The Character Piece Fa
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90 Chapter 8 Schumann began showing
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92 Chapter 8 decline rapidly. He wa
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94 Chapter 8 Composer Profile Franz
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Name Date 1. What is a lied? 2. Who
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100 Chapter 9 characteristics an in
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102 Chapter 9 the Nibelung. These o
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104 Chapter 9 music drama as “a t
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106 Chapter 9 Beethoven’s music s
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108 Chapter 9 twenty years of her l
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110 Chapter 9 Nationalism cycles he
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112 Chapter 9 Composer Profile Anto
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Page 137 and 138: 126 Chapter 10 Spain pivotal works
Page 139 and 140: 128 Chapter 10 American works by or
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Page 146 and 147: 11 Introduction Beyond Classical Mu
Page 148 and 149: The Big Band Era Beyond Classical M
Page 150 and 151: Beyond Classical Music 139 This aca
Page 152: Beyond Classical Music 141 was noth
Page 156 and 157: Glossary a cappella Vocal music tha
Page 158 and 159: Glossary 147 cadenza Unaccompanied,
Page 160 and 161: Glossary 149 country western Type o
Page 162 and 163: Glossary 151 fusion A type of jazz
Page 164 and 165: inversion Mirror image of a melody
Page 166 and 167: Glossary 155 Neo-Classical Strictly
Page 168 and 169: Glossary 157 pure music Music that
Page 170 and 171: Glossary 159 spiritual Sung by Afri
Page 172 and 173: Glossary 161 triple meter A metric
Page 174: Bibliographic References Apel, Will
Page 179 and 180: 168 Index Neo-Romantic, 118, 124 no
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