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Name Date Chapter 3 Review Music of the Middle Ages 1. Christianity was made the religion of the Roman Empire around the year . 2. Examples of common use of the first form of polyphony remain from approximately the year 3. Two other names for plainsongs are and . 4. Explain the difference between the terms sacred and secular. 5. Pope Gregory assembled the traditional church forms around the year . 6. Which term refers to one melodic line? 7. Which term refers to two or more melodic lines? 8. Music with two or more melodic lines, and different texts is called a . 9. List the characteristics of a Gregorian chant that deals with instruments. 10. Explain the difference among the terms troubadours, trouvéres and minnesingers. 31 .
Page 2 and 3: Track Title/Composer/Performer Musi
Page 4 and 5: M usic to Your Ears An Introduction
Page 6 and 7: Contents Preface vii 1 What Is Musi
Page 8 and 9: 7 Beethoven and the Transition to R
Page 10: Preface The purpose of this book is
Page 13 and 14: 2 Chapter 1 that might have puzzled
Page 15 and 16: 4 Chapter 1 Writings from the Greek
Page 17 and 18: 6 Chapter 1 Figure 2 The treble cle
Page 19 and 20: 8 Chapter 1 Often a musician will f
Page 21 and 22: 10 Chapter 1 Key Terms adagio mezzo
Page 24 and 25: 2 Musical Instruments Evidence exis
Page 26 and 27: saxophone Musical Instruments 15 ho
Page 28 and 29: Musical Instruments 17 musician to
Page 30 and 31: The Percussion Family timpani Music
Page 32 and 33: The Symphony Orchestra Percussion H
Page 34: Name Date Chapter 2 Review Musical
Page 37 and 38: 26 Chapter 3 Gregorian Chant Gregor
Page 39 and 40: 28 Chapter 3 requirements of the Ch
Page 41: 30 Chapter 3 Summary residences at
Page 45 and 46: 34 Chapter 4 began to build support
Page 47 and 48: 36 Chapter 4 struck with how “nor
Page 49 and 50: 38 Chapter 4 which flourished in Fr
Page 51 and 52: 40 Chapter 4 Instrumental Music The
Page 54: Name Date Chapter 4 Review The Rena
Page 57 and 58: 46 Chapter 5 One direct musical ben
Page 59 and 60: 48 Chapter 5 would open and the ope
Page 61 and 62: 50 Chapter 5 music and invited him
Page 63 and 64: 52 Chapter 5 The Suite As composers
Page 65 and 66: 54 Chapter 5 Comparison of Bach and
Page 67 and 68: 56 Chapter 5 Principal Baroque Comp
Page 70 and 71: 6 Social Trends The Classical Perio
Page 72 and 73: The Classical Period 61 were clearl
Page 74 and 75: The Classical Period 63 The first m
Page 76 and 77: The Classical Period 65 key. The se
Page 78 and 79: The Classical Period 67 A unique fe
Page 80 and 81: Library of Congress: LC-USZ62-10714
Page 82: Name Date Chapter 6 Review The Clas
Page 85 and 86: 74 Chapter 7 Beethoven’s Life wou
Page 87 and 88: 76 Chapter 7 Beethoven’s second s
Page 89 and 90: 78 Chapter 7 Listen to This Track #
Page 91 and 92: 80 Chapter 7 Summary Beethoven vast
Page 94 and 95:
8 Introduction The Early Romantic P
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The Early Romantic Period 85 emotio
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The Early Romantic Period 87 “Sch
Page 100 and 101:
Some Common Character Piece Titles
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The Early Romantic Period 91 intere
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The Early Romantic Period 93 life e
Page 106:
Giaocchinno Rossini: Early Romantic
Page 110 and 111:
9 Introduction The Late Romantic Pe
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Principal Romantic Composers Conser
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The Late Romantic Period 103 formal
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The Late Romantic Period 105 admiss
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The Late Romantic Period 107 this w
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The Late Romantic Period 109 be the
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The Late Romantic Period 111 countr
Page 124:
From Romantic to post-Romantic Summ
Page 128 and 129:
10 Introduction The Twentieth Centu
Page 130 and 131:
Impressionism The Twentieth Century
Page 132 and 133:
The Twentieth Century 121 Though fo
Page 134 and 135:
Composer Profile Arnold Schoenberg
Page 136 and 137:
Listen to This Track #16 Prokofiev,
Page 138 and 139:
Hungary The Twentieth Century 127 T
Page 140 and 141:
Germany The Twentieth Century 129 I
Page 142 and 143:
Summary The Twentieth Century 131 T
Page 144:
Name Date 1. What stylistic trend e
Page 147 and 148:
136 Chapter 11 sheet music and pian
Page 149 and 150:
138 Chapter 11 Development of Jazz
Page 151 and 152:
140 Chapter 11 sexual intercourse,
Page 154:
Name Date Chapter 11 Review Beyond
Page 157 and 158:
146 Glossary ballet A type of dance
Page 159 and 160:
148 Glossary clavier Generic term (
Page 161 and 162:
150 Glossary embouchure The shape a
Page 163 and 164:
152 Glossary harmonics In acoustics
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154 Glossary marimba Mallet percuss
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156 Glossary passacaglia Baroque th
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158 Glossary Sacre du printemps, Le
Page 171 and 172:
160 Glossary theme A melodic idea u
Page 173 and 174:
162 Glossary whole-tone scale Commo
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Index a cappella, 38 absolute music
Page 178 and 179:
Gloria, 35-36 Goodman, Benny, 137-1
Page 180:
Smetana, Bedrich, 84, 101, 111 snar
Page 183:
The Late Romantic Period 105 His fi
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