Composer Profile - Activefolio
Composer Profile - Activefolio
Composer Profile - Activefolio
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84 Chapter 8<br />
Romantic Thinking<br />
The study of the early Romantic period will center on brief accounts of some of the<br />
major composers and their works. The development of a new form or the expansion of<br />
an old one will be addressed as we discuss the composer who had the greatest impact on<br />
that form. Because this is an era of “personalities” more than anything else, a list of some<br />
major composers from the Romantic period is shown below.<br />
Some Principal <strong>Composer</strong>s from the Nineteenth Century<br />
1800 1810 1820 1830 1840 1850 1860 1870 1880 1890 1900<br />
[Ludwig van Beethoven 1770–1827]<br />
[Giaocchino Rossini 1792–1868<br />
[Franz Schubert 1797–1828 ]<br />
]<br />
[Hector Berlioz 1803–1869 ]<br />
[Felix Mendelssohn 1809–1847 ]<br />
[Robert Schumann 1810–1856 ]<br />
[Frederick Chopin 1810–1849 ]<br />
[Franz Liszt 1811–1886 ]<br />
[Richard Wagner 1813–1883 ]<br />
[Giuseppe Verdi 1813–1901 ]<br />
[Clara Schumann 1819–1896 ]<br />
[Cesar Franck 1822–1890 ]<br />
[Anton Bruckner 1824–1896 ]<br />
[Bedrich Smetana 1824–1884 ]<br />
[Johannes Brahms 1833–1897 ]<br />
[Georges Bizet 1838–1875 ]<br />
[Modest Mussorgsky 1839–1881 ]<br />
[Peter Tchaikovsky 1840–1893 ]<br />
[Antonin Dvorak 1841–1904 ]<br />
[Nicolai Rimsky-Korsakov 1844–1908<br />
[Gabriel Fauré 1845–1924<br />
]<br />
[Gustav Mahler 1860–1911 ]<br />
[Edward MacDowell 1861–1908<br />
[Richard Strauss 1864–1949<br />
]<br />
The term “romantic” was a term that had already been in use for years to describe<br />
certain types of art and literature. It tended to mean different things to different people.<br />
Many musicians, among them Robert Schumann, were not particularly fond of the<br />
label. However, like the term “classical,” the term “romantic” came to represent both<br />
the age and the mindset of the artists of the time. Romantic thinking involved several<br />
components that can be found in the music of the time.<br />
1. A preoccupation with death, mythology, and the macabre. The Romantic artist<br />
felt compelled to describe and bring forth the most profound feelings through music.<br />
Since the musical vocabulary now existed to describe strong emotions in musical<br />
terms, composers took advantage of this ability. Why would they take a listener on an