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Composer Profile - Activefolio

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84 Chapter 8<br />

Romantic Thinking<br />

The study of the early Romantic period will center on brief accounts of some of the<br />

major composers and their works. The development of a new form or the expansion of<br />

an old one will be addressed as we discuss the composer who had the greatest impact on<br />

that form. Because this is an era of “personalities” more than anything else, a list of some<br />

major composers from the Romantic period is shown below.<br />

Some Principal <strong>Composer</strong>s from the Nineteenth Century<br />

1800 1810 1820 1830 1840 1850 1860 1870 1880 1890 1900<br />

[Ludwig van Beethoven 1770–1827]<br />

[Giaocchino Rossini 1792–1868<br />

[Franz Schubert 1797–1828 ]<br />

]<br />

[Hector Berlioz 1803–1869 ]<br />

[Felix Mendelssohn 1809–1847 ]<br />

[Robert Schumann 1810–1856 ]<br />

[Frederick Chopin 1810–1849 ]<br />

[Franz Liszt 1811–1886 ]<br />

[Richard Wagner 1813–1883 ]<br />

[Giuseppe Verdi 1813–1901 ]<br />

[Clara Schumann 1819–1896 ]<br />

[Cesar Franck 1822–1890 ]<br />

[Anton Bruckner 1824–1896 ]<br />

[Bedrich Smetana 1824–1884 ]<br />

[Johannes Brahms 1833–1897 ]<br />

[Georges Bizet 1838–1875 ]<br />

[Modest Mussorgsky 1839–1881 ]<br />

[Peter Tchaikovsky 1840–1893 ]<br />

[Antonin Dvorak 1841–1904 ]<br />

[Nicolai Rimsky-Korsakov 1844–1908<br />

[Gabriel Fauré 1845–1924<br />

]<br />

[Gustav Mahler 1860–1911 ]<br />

[Edward MacDowell 1861–1908<br />

[Richard Strauss 1864–1949<br />

]<br />

The term “romantic” was a term that had already been in use for years to describe<br />

certain types of art and literature. It tended to mean different things to different people.<br />

Many musicians, among them Robert Schumann, were not particularly fond of the<br />

label. However, like the term “classical,” the term “romantic” came to represent both<br />

the age and the mindset of the artists of the time. Romantic thinking involved several<br />

components that can be found in the music of the time.<br />

1. A preoccupation with death, mythology, and the macabre. The Romantic artist<br />

felt compelled to describe and bring forth the most profound feelings through music.<br />

Since the musical vocabulary now existed to describe strong emotions in musical<br />

terms, composers took advantage of this ability. Why would they take a listener on an

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