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Smetana, Bedrich, 84, 101, 111 snare drum, 19 sonata, 40, 51, 62 sonata allegro form, 62–67 Sousa, John Philip, 127 staff, 5–7 Stamitz, Johann, 60 Star Wars (Williams), 102 Still, William Grant, 128 Stockhausen, Karlheinz, 130 Stradella, Alessandro, 51 Stradivarius, Antonio, 9, 46 Strauss II, Johann, 101, 105 Strauss, Richard, 49, 84, 101, 113, 129 Stravinsky, Igor, 4, 118, 124–126, 137 string bass, 17–18 string family, 13, 17, 21 string quartet, 22, 63 strophic form, 30 subject, 54–55 suite, 52 Suppé, Franz von, 95 swing, 137–138 symphonic poem, 94 Symphonie Fantastique (Berlioz), 85, 93 symphony, 62, 64, 66 symphony orchestra, 21 Symphony #5 (Beethoven), 78 Symphony #8 (Mahler), 110 syncopation, 135 synthesizer, 20 Tailleferre, Germaine, 123 Tchaikovsky, Peter Ilyitch, 4, 84, 101, 107–108 telharmonium, 2 tempo, 6–7, 47 tempo scheme (structure), 66 ternary form, 61 tetrachord, 26 theme and variations, 65 third-stream, 139 timbre, 5, 8–9, 18 time signature, 6–7 timpani, 19 toccata, 54 tone row, 121 tonic, 63 Torelli, Giuseppe, 51, 56 total serialism, 131 trio sonata, 62 triple meter, 7 trombone, 17 troubadours, 30 trouvéres, 30 trumpet, 16 tuba, 17 twelve-tone, 121 Twentieth century, 4, 25, 117–131 Index 169 Varèse, Edgard, 128, 130 Vaughan Williams, Ralph, 112, 118, 121, 126 Verdi, Giuseppe, 4, 84, 101, 104–105 vibraphone, 19 vibrato, 19 Vienna, Austria, 60, 68 viola, 17–18 violin, 17–18 virtuoso, 50 Vitry, Philippe de, 28 vivace, 7 Vivaldi, Antonio, 4, 56 Vocalise (Rachmaninoff), 125 Voltaire, Marie Arouet de, 59 Wagner, Richard, 4, 76, 84, 101–104 waltz, 89 Weber, Carl Maria von, 90, 95 Webern, Anton, 4, 118, 122 Weelkes, Thomas, 39 Whiteman, Paul, 136, 138 whole step, 26, 46 Williams, John, 102 Winkel, Dietrich Nikolaus, 7 woodwind family, 13–15, 21 woodwind quintet, 22 word painting, 34, 37 xylophone, 19 Zachau, Friedrich Wilhelm, 49
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Track Title/Composer/Performer Musi
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M usic to Your Ears An Introduction
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Contents Preface vii 1 What Is Musi
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7 Beethoven and the Transition to R
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Preface The purpose of this book is
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2 Chapter 1 that might have puzzled
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4 Chapter 1 Writings from the Greek
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6 Chapter 1 Figure 2 The treble cle
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8 Chapter 1 Often a musician will f
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10 Chapter 1 Key Terms adagio mezzo
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2 Musical Instruments Evidence exis
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saxophone Musical Instruments 15 ho
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Musical Instruments 17 musician to
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The Percussion Family timpani Music
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The Symphony Orchestra Percussion H
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Name Date Chapter 2 Review Musical
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26 Chapter 3 Gregorian Chant Gregor
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28 Chapter 3 requirements of the Ch
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30 Chapter 3 Summary residences at
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4 The Renaissance Music History Tim
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The Mass The Renaissance 35 Since b
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Listen to This The Renaissance 37 P
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Listen to This Track 4 Renaissance
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The Renaissance 41 of the dance ste
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5 Music of the Baroque The name Bar
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Music of the Baroque 47 chord progr
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Music of the Baroque 49 Astute read
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Music of the Baroque 51 special occ
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Music of the Baroque 53 sing. Occas
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Typical Fugue Exposition (4-part) M
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Name Date Chapter 5 Review Music of
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60 Chapter 6 The Piano governments
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62 Chapter 6 A. (statement) Twinkle
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64 Chapter 6 The Symphony First Mov
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66 Chapter 6 The Concerto The fourt
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68 Chapter 6 Composer Profile Wolfg
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70 Chapter 6 Summary Haydn’s symp
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7 Cultural Overview Beethoven and t
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Beethoven’s Music Beethoven and t
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Beethoven and the Transition to Rom
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Beethoven and the Transition to Rom
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Name Date Chapter 7 Review Beethove
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84 Chapter 8 Romantic Thinking The
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86 Chapter 8 Likewise, chamber musi
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88 Chapter 8 The Character Piece Fa
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90 Chapter 8 Schumann began showing
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92 Chapter 8 decline rapidly. He wa
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94 Chapter 8 Composer Profile Franz
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Name Date 1. What is a lied? 2. Who
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100 Chapter 9 characteristics an in
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102 Chapter 9 the Nibelung. These o
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104 Chapter 9 music drama as “a t
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106 Chapter 9 Beethoven’s music s
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108 Chapter 9 twenty years of her l
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110 Chapter 9 Nationalism cycles he
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112 Chapter 9 Composer Profile Anto
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Name Date Chapter 9 Review The Late
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Page 135 and 136: 124 Chapter 10 Music composed in th
Page 137 and 138: 126 Chapter 10 Spain pivotal works
Page 139 and 140: 128 Chapter 10 American works by or
Page 141 and 142: 130 Chapter 10 that the sounds arou
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Page 146 and 147: 11 Introduction Beyond Classical Mu
Page 148 and 149: The Big Band Era Beyond Classical M
Page 150 and 151: Beyond Classical Music 139 This aca
Page 152: Beyond Classical Music 141 was noth
Page 156 and 157: Glossary a cappella Vocal music tha
Page 158 and 159: Glossary 147 cadenza Unaccompanied,
Page 160 and 161: Glossary 149 country western Type o
Page 162 and 163: Glossary 151 fusion A type of jazz
Page 164 and 165: inversion Mirror image of a melody
Page 166 and 167: Glossary 155 Neo-Classical Strictly
Page 168 and 169: Glossary 157 pure music Music that
Page 170 and 171: Glossary 159 spiritual Sung by Afri
Page 172 and 173: Glossary 161 triple meter A metric
Page 174: Bibliographic References Apel, Will
Page 177 and 178: 166 Index chant, 25-27 character pi
Page 179: 168 Index Neo-Romantic, 118, 124 no
Page 183: The Late Romantic Period 105 His fi
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