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The Renaissance 41 of the dance steps, with the appropriate music to accompany that dance. Several dance types are listed below, but many more existed. Renaissance Dance Forms Allemande Moderato dance in duple meter Courante Moderato or Allegro dance in triple meter Sarabande Andante or adagio dance in triple meter Gigue Allegro dance in duple or compound meter Bourrée Andante dance in duple meter Minuet Moderato dance in triple meter Pavane Andante or adagio dance in duple meter Galliard Moderato dance in triple meter Renaissance dances were short pieces with regular repeated phrases and melodies. The structure of these dances were similar in many respects to popular tunes of today. Each dance, however, expressed only one tempo or style. By combining dances into suites, or collections of dances, the composer could write music for a variety of different moods and styles within the same larger work. Usually, the instrumentation was not specified; in rare cases, the dances called for specific consorts or instruments. Often, improvisation was employed, both by embellishing the melodies and augmenting the accompaniments. Much has been written about Renaissance philosophy, and the attempts by people of the time to recapture the glory of the great ancient empires of Greece and Rome. The culmination of this thinking was a combination of the arts, which will be discussed in the next chapter. The result of this combination became known as opera. Key Terms antiphonal madrigal canon mass chanson Ordinary (of the Mass) chorale polyphonic consort Proper (of the Mass) Counter Reformation Protestant Reformation homophonic suite hymn imitation word painting
Page 2 and 3: Track Title/Composer/Performer Musi
Page 4 and 5: M usic to Your Ears An Introduction
Page 6 and 7: Contents Preface vii 1 What Is Musi
Page 8 and 9: 7 Beethoven and the Transition to R
Page 10: Preface The purpose of this book is
Page 13 and 14: 2 Chapter 1 that might have puzzled
Page 15 and 16: 4 Chapter 1 Writings from the Greek
Page 17 and 18: 6 Chapter 1 Figure 2 The treble cle
Page 19 and 20: 8 Chapter 1 Often a musician will f
Page 21 and 22: 10 Chapter 1 Key Terms adagio mezzo
Page 24 and 25: 2 Musical Instruments Evidence exis
Page 26 and 27: saxophone Musical Instruments 15 ho
Page 28 and 29: Musical Instruments 17 musician to
Page 30 and 31: The Percussion Family timpani Music
Page 32 and 33: The Symphony Orchestra Percussion H
Page 34: Name Date Chapter 2 Review Musical
Page 37 and 38: 26 Chapter 3 Gregorian Chant Gregor
Page 39 and 40: 28 Chapter 3 requirements of the Ch
Page 41 and 42: 30 Chapter 3 Summary residences at
Page 44 and 45: 4 The Renaissance Music History Tim
Page 46 and 47: The Mass The Renaissance 35 Since b
Page 48 and 49: Listen to This The Renaissance 37 P
Page 50 and 51: Listen to This Track 4 Renaissance
Page 54: Name Date Chapter 4 Review The Rena
Page 57 and 58: 46 Chapter 5 One direct musical ben
Page 59 and 60: 48 Chapter 5 would open and the ope
Page 61 and 62: 50 Chapter 5 music and invited him
Page 63 and 64: 52 Chapter 5 The Suite As composers
Page 65 and 66: 54 Chapter 5 Comparison of Bach and
Page 67 and 68: 56 Chapter 5 Principal Baroque Comp
Page 70 and 71: 6 Social Trends The Classical Perio
Page 72 and 73: The Classical Period 61 were clearl
Page 74 and 75: The Classical Period 63 The first m
Page 76 and 77: The Classical Period 65 key. The se
Page 78 and 79: The Classical Period 67 A unique fe
Page 80 and 81: Library of Congress: LC-USZ62-10714
Page 82: Name Date Chapter 6 Review The Clas
Page 85 and 86: 74 Chapter 7 Beethoven’s Life wou
Page 87 and 88: 76 Chapter 7 Beethoven’s second s
Page 89 and 90: 78 Chapter 7 Listen to This Track #
Page 91 and 92: 80 Chapter 7 Summary Beethoven vast
Page 94 and 95: 8 Introduction The Early Romantic P
Page 96 and 97: The Early Romantic Period 85 emotio
Page 98 and 99: The Early Romantic Period 87 “Sch
Page 100 and 101: Some Common Character Piece Titles
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The Early Romantic Period 91 intere
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The Early Romantic Period 93 life e
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Giaocchinno Rossini: Early Romantic
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9 Introduction The Late Romantic Pe
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Principal Romantic Composers Conser
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The Late Romantic Period 103 formal
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The Late Romantic Period 105 admiss
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The Late Romantic Period 107 this w
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The Late Romantic Period 109 be the
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The Late Romantic Period 111 countr
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From Romantic to post-Romantic Summ
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10 Introduction The Twentieth Centu
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Impressionism The Twentieth Century
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The Twentieth Century 121 Though fo
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Composer Profile Arnold Schoenberg
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Listen to This Track #16 Prokofiev,
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Hungary The Twentieth Century 127 T
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Germany The Twentieth Century 129 I
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Summary The Twentieth Century 131 T
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Name Date 1. What stylistic trend e
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136 Chapter 11 sheet music and pian
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138 Chapter 11 Development of Jazz
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140 Chapter 11 sexual intercourse,
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Name Date Chapter 11 Review Beyond
Page 157 and 158:
146 Glossary ballet A type of dance
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148 Glossary clavier Generic term (
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150 Glossary embouchure The shape a
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152 Glossary harmonics In acoustics
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154 Glossary marimba Mallet percuss
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156 Glossary passacaglia Baroque th
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158 Glossary Sacre du printemps, Le
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160 Glossary theme A melodic idea u
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162 Glossary whole-tone scale Commo
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Index a cappella, 38 absolute music
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Gloria, 35-36 Goodman, Benny, 137-1
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Smetana, Bedrich, 84, 101, 111 snar
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The Late Romantic Period 105 His fi
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