Diplomatic World_69
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE MKM MUSEUM<br />
KÜPPERSMÜHLE<br />
FULL HOUSE<br />
From July 15, 2022, the MKM’s motto will be: collection<br />
“FULL HOUSE”. For in its summer exhibition, the Museum<br />
Küppersmühle is presenting further artists from the Ströher<br />
Collection in addition to the permanent collection presentation,<br />
thus drawing on a diverse spectrum of artistic productions from<br />
the 1960s to the present day. On view are photographs by<br />
Thomas Florschuetz, Candida Höfer, and Katharina Sieverding,<br />
knitting and hearth pictures by Rosemarie Trockel, paintings by<br />
Rolf-Gunter Dienst, Jörg Immendorff, and Rissa, and an installation<br />
by sculptor Stephan Balkenhol.<br />
Dienst’s painting is quietly intellectual, Rissa’s is powerful and<br />
geometric, Immendorff’s is energetic and full of reminiscences<br />
of art history. Civilization, architecture, and nature are themes of<br />
the photographic works by Höfer, Florschuetz, and Sieverding,<br />
while Balkenhol’s figures and Trockel’s wall works approach man<br />
and his social environment in different ways. The path through<br />
the rooms opens up surprising perspectives, angles and lines of<br />
sight between the works, allowing visitors to experience art in a<br />
new way.<br />
artist and by a sculptor. Two painters are already unfortunately<br />
no longer with us. In any case, we who are still alive are glad that<br />
visitors here want to look at our works!<br />
Surprisingly for me, I have been asked by Walter Smerling to<br />
give a speech on this artist/artist exhibition Full House. I was<br />
surprised by this choice, because I am not a speaker. I live very<br />
secluded to paint, read, think and sometimes write. Rather, I am<br />
a storyteller who is very happy to answer questions when they<br />
are asked to me by some friends or other people. Here I will<br />
probably not be asked any questions by the honored attendants<br />
for the time being, therefore I have to ask them myself, otherwise<br />
my thinking and speaking will get going too slowly.<br />
Complementing the collection’s permanent exhibition focusing<br />
on informal and abstract postwar artists, the FULL HOUSE<br />
exhibition takes a look at the generation that followed. All of the<br />
artists presented have in common that they have maintained and<br />
further developed their significance for art history to this day:<br />
“From today’s perspective, the diversity of the art scene, especially<br />
from the 1970s to the 1990s, would be inconceivable<br />
without the distinctive signature of the artists exhibited here.<br />
With FULL HOUSE, we provide insight into the Ströher<br />
Collection – throughout the MKM – and thus also into the<br />
iconography of German art after 1945 with an unalterable<br />
status,” says MKM Director Walter Smerling.<br />
OPENING SPEECH BY RISSA<br />
Dearly beloved, or should I say: Dear Sir or Madam and all<br />
others for whom this classic form of address does not meet<br />
their specific needs? Here in this beautiful building four male and<br />
four female artists exhibit: Works by two painters and a painter,<br />
by two photographers and a photographer, by a multimedia<br />
210 211