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Issue 60

The UK's outdoor hospitality business magazine for function venues, glamping, festivals and outdoor events

The UK's outdoor hospitality business magazine for function venues, glamping, festivals and outdoor events

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PEOPLE<br />

RICO AALST<br />

RICO AALST<br />

with a short deadline for completion!<br />

“We can produce relatively large numbers<br />

of tipis and yurts, but we don’t really do mass<br />

production and tend to specialise in bespoke<br />

work so this can be quite difficult. At these<br />

times the 3D drawing software is particularly<br />

useful.<br />

“It can also be a big challenge meeting<br />

multiple deadlines, as sometimes we must<br />

take design risks when there are unusual<br />

or complex details in a project, and then fit<br />

them together once everything has been<br />

made, just before the structure is sent out –<br />

and usually whilst working on other projects<br />

all at the same time.”<br />

Can you tell us an example?<br />

“Some time ago, we were making a yurt<br />

that was so big that we didn’t actually have<br />

the space in our yard to properly set it up<br />

in advance on a level surface, to make sure<br />

all the components fitted together perfectly<br />

before sending it off to be installed.<br />

“We made everything ready according<br />

to the drawings, and then set it up on the<br />

customers’ site to do the final fitting before<br />

finishing the cover. Luckily, it all turned out<br />

to work exactly as anticipated, with the<br />

stainless steel tension band fitting millimetre<br />

perfect! It was a real vindication of all the<br />

meticulous planning and calculating that is<br />

done in the early design phase.<br />

“We left the frame up on site with a<br />

temporary cover, went away and finished<br />

the canvas work at our yard and then came<br />

back to finish the installation the following<br />

week. Everything worked perfectly, but it was<br />

incredibly nerve wracking.”<br />

What’s it like to work at Hearthworks?<br />

“Hearthworks has a very informal work<br />

culture. It has taken shape from the festival<br />

scene, and everyone working here has a true<br />

appreciation and affinity for canvas covered<br />

structures and living in them. Here, we<br />

mostly work together as friends, side by side.<br />

“WE’VE TAKEN TRADITIONAL<br />

YURT DESIGNS AND ADAPTED<br />

THEM BY INCORPORATING<br />

MODERN MATERIALS, SUCH<br />

AS STAINLESS STEEL TENSION<br />

BANDS AND LAMINATED<br />

PRESSURE RINGS”<br />

The location is also a beautiful one in the<br />

countryside.”<br />

So you’re happy at Hearthworks?<br />

“I work with a team of truly beautiful<br />

people who I respect and value. With them,<br />

I can explore the limits of what can be<br />

done with wood and canvas. Hearthworks<br />

has a technical advantage in that we not<br />

only manufacture, but also hire out our<br />

structures, year in, year out, in vast numbers.<br />

We see how our structures behave when<br />

being set up, taken down and transported<br />

by a great variety of people, and in many<br />

different situations. It provides us with first<br />

hand feedback, and allows us to constantly<br />

improve our designs.<br />

“For example, we realised we needed a<br />

different type of structure within our hire<br />

range. A Tipi is basically a huge canvas<br />

chimney, with a central fire inside to bring<br />

it alive. Yet most festivals don’t allow open<br />

fires due to health and safety regulations. We<br />

needed something that retained the magic<br />

of the Tipi shape but without a central fire,<br />

and which was easier to transport and set<br />

up. So, we developed our TriLodge. It’s tipilike<br />

but without the chimney element. It is<br />

suspended from an external tipi pole tripod,<br />

and has a porch that allows the occupants to<br />

keep the door open even while it’s raining.<br />

“Over the last decade we’ve also<br />

pioneered more permanent yurt set ups.<br />

A yurt is technically a temporary dwelling<br />

that doesn’t need planning permission like<br />

a permanent structure, but it can also have<br />

features of a regular building, like insulation,<br />

heating, lockable doors, etc. Many yurts are<br />

ordered these days for classrooms, therapy<br />

spaces and alternative accommodation for<br />

retreats and activity centres. We’ve taken<br />

traditional yurt designs and adapted them<br />

by incorporating modern materials, such as<br />

stainless steel tension bands and laminated<br />

pressure rings. This retains their traditional<br />

feel while also being able to meet standard<br />

building regulations.<br />

“In Milton Keynes we created a complex<br />

of seven podded yurts: a living room with<br />

kitchen, two dormitories, two supervisor<br />

bedrooms, and two bathrooms for a<br />

charitable organisation catering for young<br />

people with disabilities, difficult histories or<br />

other social disadvantages. They’ve been<br />

fully booked up from the moment it was<br />

completed, eight years ago. Then, the charity<br />

commissioned another yurt complex of eight<br />

podded Yurts (with an extra bathroom) a year<br />

later!<br />

“These experiences are most rewarding.<br />

Just knowing that because of what we do, so<br />

many youngsters have had the opportunity<br />

to experience yurt living by spending time<br />

there with their families and loved ones,<br />

closer to nature; that’s pretty special. It<br />

makes me happy to be able to contribute<br />

something so positive to my fellow human<br />

beings.<br />

“And I still feel very proud when I see<br />

hundreds of our tipis and yurts set up at<br />

some of the biggest event sites around, like<br />

Glastonbury festival!”<br />

DETAILS<br />

Hearthworks<br />

01749 321210<br />

www.hearthworks.co.uk<br />

82 WWW.OPENAIRBUSINESS.COM

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