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<strong>UNIKUM</strong> TRIES<br />
Unikum Tries:<br />
DRAG<br />
Jakub Świerkocki<br />
Writer<br />
Illustration: AdobeStock // sanee<br />
I always wanted to try drag. The fun<br />
thing is, only two weeks after arriving<br />
here, on my first Unikum meeting, there<br />
was an option to try it in the workshop<br />
as an Unikum Tries. I thought to myself,<br />
why not? I got the chance, so I’m going<br />
to use it. Also, this workshop let me meet<br />
two beautiful drag queens, Dinah Myte<br />
(@dinahmytedraq) and Yessica (@_the_<br />
yessica_).<br />
First, before I’ll describe the workshop, I<br />
want to explain the reason I decided to try<br />
drag. It’s going to get personal. The first<br />
encounter with drag I had in third year of<br />
primary school. Someone had a birthday<br />
party and on this event the birthday<br />
person decided that we are throwing a<br />
talent show with different characters.<br />
Suddenly all the “male” clothes were<br />
taken out and what was left was a dress<br />
and a wig. I introduced myself then as a<br />
Gertrude. It was fun.<br />
Photo: Private<br />
The second reason is that I consider<br />
myself someone who likes art. I like<br />
reading books, watching movies, but also<br />
comedy or dramatic plays. Additionally,<br />
I was in the theater circle, in school but<br />
also in some outside organizations. Art<br />
was with me everywhere and I stopped<br />
looking at it as just particular items<br />
within a category and instead I started looking at it as a form of<br />
expressing emotions, feeling, dreams or desires.<br />
The third reason (excuse the rant you accidentally encountered)<br />
is that I feel some type of connection to drag. Maybe because I’m<br />
a nonbinary gay person, or just because of my connection to art.<br />
Drag, I feel, is a part of queer legacy, that needs to be celebrated and<br />
@dinahmytedraq<br />
worshiped. Drag queens and kings are<br />
always in the front of queer liberation.<br />
For example, the stonewall drag<br />
queen activist, Marsha P. Johnson.<br />
Also, I always wanted to express my<br />
femininity. In my home country, I<br />
don’t think I would be able to do that.<br />
It’s not safe there, and I would never<br />
feel comfortable there. Additionally,<br />
I watched a lot of Rupaul Draq Race<br />
franchise, which got me fascinated by<br />
drag and the different approaches to<br />
doing it.<br />
And now, with the essay on the ‚why‘<br />
finished, let‘s talk about the workshop<br />
itself.<br />
First, when I came there, I was<br />
so stressed. I was so scared that I<br />
would not like it, or I would feel<br />
uncomfortable wearing makeup.<br />
It was a surprise to me, that it was<br />
quite opposite. After one minute the<br />
ice was broken, and I started feeling<br />
comfortable.<br />
The drag queens were nice and<br />
supportive. While covering eyebrows,<br />
we started talking about how each of<br />
us got introduced to drag and how<br />
they started their career in it. Even I<br />
saw some clips from Dinah Myte. They were so good and energetic.<br />
Doing eyebrows felt like it took an eternity for me. They was so<br />
long but after doing them, I couldn’t tell, where my eyebrows were.<br />
Each step was first shown by drag queen, and then I copied it. It<br />
was so fun because I think I know the basics now. On each step,<br />
I felt like I could ask them anything and if I ever started feeling<br />
uncomfortable, I could draw back.<br />
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