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M - Antennae The Journal of Nature in Visual Culture

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epresentations <strong>in</strong> the news media. <strong>The</strong> sem<strong>in</strong>al nature<br />

<strong>of</strong> news forms, the modalities <strong>of</strong> news story tell<strong>in</strong>g and<br />

the appeals and conventions, <strong>in</strong>scribed <strong>in</strong> the public<br />

representation and elaboration <strong>of</strong> news, for <strong>in</strong>stance,<br />

have been recognised as important <strong>in</strong> a pert<strong>in</strong>ent study<br />

<strong>of</strong> different forms <strong>of</strong> television news and how these<br />

variously shape environmental portrayal (Cottle 1993b).<br />

Cottle’s study suggests that popular and serious<br />

orientated news programmes provide markedly different<br />

news treatments <strong>of</strong> these issues and that it is those with<br />

a popular news focus that carry a great quantity. <strong>The</strong><br />

rest <strong>of</strong> this paper <strong>in</strong> exam<strong>in</strong><strong>in</strong>g the children’s news<br />

programme will <strong>of</strong>fer further evidence <strong>of</strong> the importance<br />

<strong>of</strong> the news form with<strong>in</strong> this process. Outl<strong>in</strong>ed here will<br />

be the particularised aims and practices that literally<br />

produce this news form and the character <strong>of</strong> its<br />

environmental representations.<br />

Green<strong>in</strong>g the Newsround agenda<br />

Above it has been suggested that news pr<strong>of</strong>essionals’<br />

shape their news agenda on the basis <strong>of</strong> a shared view <strong>of</strong><br />

their programme form rather than as a response to the<br />

standardized news production values, beats and rout<strong>in</strong>es,<br />

for <strong>in</strong>stance. This is confirmed by my study <strong>of</strong> the<br />

production <strong>of</strong> BBC Newsround (2) which reveals how a<br />

search for stories appropriate for children characterises<br />

the process as well as how assumptions about the age<br />

and <strong>in</strong>terests <strong>of</strong> children underp<strong>in</strong> news pr<strong>of</strong>essionals’<br />

everyday practices to shape such stories (see Matthews<br />

2003). As is expla<strong>in</strong>ed <strong>in</strong> the comment that follows,<br />

environmental news is selected on this basis:<br />

<strong>The</strong>re’s no hidden agenda. We are not sort<br />

<strong>of</strong> Greenpeace <strong>in</strong> disguise […] None <strong>of</strong> us<br />

are maniacally environmentalist or even<br />

vegetarian. […] we’re just do<strong>in</strong>g it because<br />

it’s what children are <strong>in</strong>terested <strong>in</strong> it.<br />

Newsround journalist 6<br />

Rather then be<strong>in</strong>g sympathetic to the<br />

environment or show<strong>in</strong>g a preference for the issue, news<br />

workers, this reveals, view children’s <strong>in</strong>terest <strong>in</strong><br />

environmental matters as a motivation beh<strong>in</strong>d their<br />

selection <strong>of</strong> such material. But, from where has this<br />

assumption orig<strong>in</strong>ated and moreover has this <strong>in</strong>formed<br />

the programme’s coverage <strong>in</strong> a uniform way over time?<br />

A good place to start to answer these questions is to<br />

visit the time when the programme was be<strong>in</strong>g developed<br />

<strong>in</strong> the early 1970s.<br />

Establish<strong>in</strong>g the environment: l<strong>in</strong>k<strong>in</strong>g kids with<br />

nature<br />

To understand the formation <strong>of</strong> present news workers’<br />

views <strong>of</strong> environmental issues, we must exam<strong>in</strong>e how<br />

these were <strong>in</strong>troduced <strong>in</strong> the meet<strong>in</strong>gs held prior to the<br />

first broadcast <strong>of</strong> the programme <strong>in</strong> 1972. Interviews<br />

with past news workers have revealed much about this<br />

time show<strong>in</strong>g, for <strong>in</strong>stance, how the news team turned<br />

44<br />

their attention to the environmental issue when<br />

review<strong>in</strong>g potential Newsround stories on the assumption<br />

that this might reflect children’s general <strong>in</strong>terest <strong>in</strong><br />

animals. After an <strong>in</strong>itial discussion along these l<strong>in</strong>es, it was<br />

agreed that the habitat destruction issue <strong>in</strong> particular<br />

would produce <strong>in</strong>terest<strong>in</strong>g news copy that perhaps<br />

would create strong and desirable reactions from the<br />

young viewers, as the presenter describes below:<br />

We knew from the very start when we did<br />

a story about sav<strong>in</strong>g the seals and the<br />

whales that we would get vast numbers <strong>of</strong><br />

letters and petitions <strong>in</strong> from the audience.<br />

Former Newsround presenter 1<br />

Also recognized was how the traditional<br />

straightforward report<strong>in</strong>g <strong>of</strong> news stories would be <strong>in</strong> this<br />

<strong>in</strong>stance an <strong>in</strong>adequate method to attract and ma<strong>in</strong>ta<strong>in</strong><br />

the attention <strong>of</strong> a young audience to this issue. In<br />

preference to a straightforward news-report<strong>in</strong>g style then<br />

a news presentation was adopted that arranged themes<br />

purposefully to evoke the emotions and <strong>in</strong>terests <strong>of</strong> the<br />

audience with<strong>in</strong> a popular story format:<br />

When they hear someth<strong>in</strong>g is pollut<strong>in</strong>g and<br />

that pollution has a knock-on effect, that it<br />

kills fish or whatever, it gets kids th<strong>in</strong>k<strong>in</strong>g<br />

that is wrong. So we had identified that this<br />

was what kids were <strong>in</strong>terested <strong>in</strong> and that<br />

we could milk it. And that’s why we were<br />

push<strong>in</strong>g it.<br />

Newsround journalist 3<br />

After first witness<strong>in</strong>g the success <strong>of</strong> this<br />

coverage, the news team implemented the general<br />

strategy <strong>in</strong> the news presentation <strong>of</strong> other emerg<strong>in</strong>g<br />

issues <strong>in</strong> a bid to create a similar appeal. From this time<br />

forward, such stories were packaged <strong>in</strong> such a way as to<br />

grab the audience’s attention and emerged from the<br />

production l<strong>in</strong>e reflect<strong>in</strong>g:<br />

<strong>The</strong> basic arguments about car<strong>in</strong>g for the<br />

planet and want<strong>in</strong>g to have a clean<br />

environment ... these th<strong>in</strong>gs, children latch<br />

onto very, very easily.<br />

Former Newsround journalist 3<br />

Dur<strong>in</strong>g this heady time, moreover, the<br />

presentation strategy, as a seem<strong>in</strong>gly successful way to<br />

create <strong>in</strong>terest <strong>in</strong> these matters, allowed for the <strong>in</strong>clusion<br />

<strong>of</strong> large-scale environmental issues with<strong>in</strong> the children’s<br />

news bullet<strong>in</strong>. For <strong>in</strong>stance, between 1983 and 1993,<br />

various stories were shaped by this technique <strong>in</strong>clud<strong>in</strong>g<br />

those address<strong>in</strong>g nuclear disasters; overpopulation; acid<br />

ra<strong>in</strong>; the greenhouse effect; the ozone layer; the<br />

contam<strong>in</strong>ation <strong>of</strong> beef; green lifestyles and technologies;<br />

the <strong>in</strong>ternational trade <strong>in</strong> exotic animals; and worldwide<br />

environmental days and earth summits. <strong>The</strong> newly<br />

emerg<strong>in</strong>g global environmental story was presented <strong>in</strong> a<br />

similar fashion to the wildlife story before it. However,

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