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M - Antennae The Journal of Nature in Visual Culture

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coverage shaped <strong>in</strong> this way appeared less frequently <strong>in</strong><br />

the early 1990s, on account <strong>of</strong> the changes implemented<br />

to restructure the BBC and the <strong>in</strong>creas<strong>in</strong>g popularity <strong>of</strong><br />

satellite television which both appeared to impact on the<br />

operations <strong>of</strong> Newsround as with other BBC<br />

programmes. <strong>The</strong>se changes <strong>in</strong> particular sparked a<br />

concern <strong>in</strong> the newsroom over the develop<strong>in</strong>g<br />

competition from other programmes and their rout<strong>in</strong>e<br />

share <strong>of</strong> the audience. As a consequence, the core newsmak<strong>in</strong>g<br />

ideas were re-exam<strong>in</strong>ed and a larger exercise<br />

<strong>in</strong>itiated to review Newsround’s provision as well as the<br />

presumed newsworth<strong>in</strong>ess <strong>of</strong> story types that <strong>of</strong>ten<br />

featured with<strong>in</strong> the bullet<strong>in</strong>. <strong>The</strong> congruence between<br />

the children’s <strong>in</strong>terests and the environmental story was<br />

addressed frequently <strong>in</strong> these discussions which, hav<strong>in</strong>g<br />

reviewed the matter, facilitated a general agreement that<br />

the environmental news agenda was no longer reflect<strong>in</strong>g<br />

the news <strong>in</strong>terests <strong>of</strong> the programme’s young news<br />

consumers, and changes to this coverage were made.<br />

<strong>The</strong> modern agenda<br />

As is <strong>in</strong>dicated above, the programme’s news policy<br />

changed direction slightly <strong>in</strong> the 1990s and, with this, a<br />

new understand<strong>in</strong>g <strong>of</strong> the newsworth<strong>in</strong>ess <strong>of</strong><br />

environmental issues was developed, as the producer<br />

recalls below:<br />

We always laugh if there is a panda story <strong>in</strong><br />

the programme just because Newsround has<br />

been associated with animals as they are<br />

targets for children. Perhaps what we have<br />

done is moved <strong>of</strong>f <strong>in</strong> another direction to<br />

look at what really <strong>in</strong>terests children rather<br />

than mak<strong>in</strong>g an assumption […] it will<br />

dramatically <strong>in</strong>terest them.<br />

Newsround producer 1<br />

At this time, a view emerged <strong>of</strong> children as less<br />

<strong>in</strong>terested <strong>in</strong> environmental matters generally which<br />

challenged their place with<strong>in</strong> the new and modern<br />

Newsround news agenda. As well as children becom<strong>in</strong>g<br />

less <strong>in</strong>terested <strong>in</strong> this subject matter, this also suggested<br />

that old, and seem<strong>in</strong>gly tired, environmental coverage<br />

lacked the preferred newly created upbeat and fastmov<strong>in</strong>g<br />

Newsround news style to be <strong>in</strong>cluded. It was<br />

agreed, on this basis, that action was required to change<br />

the complexion <strong>of</strong> the programme’s environmental<br />

output at the very least.<br />

Shap<strong>in</strong>g environmental coverage for an<br />

un<strong>in</strong>terested audience<br />

As I have discussed <strong>in</strong> depth elsewhere (Matthews 2005,<br />

2009), the changes <strong>in</strong> the production <strong>of</strong> BBC Newsround<br />

<strong>in</strong> the 1990s had a considerable impact on the<br />

programme’s report<strong>in</strong>g generally and more specifically on<br />

the presence <strong>of</strong> long runn<strong>in</strong>g environmental issues with<strong>in</strong><br />

the agenda. Follow<strong>in</strong>g the policy to neglect those issues<br />

considered as ‘overexposed’ at the time was a<br />

45<br />

particularised strategy implemented to shape others with<br />

a particularised news style. After this po<strong>in</strong>t and when<br />

featur<strong>in</strong>g <strong>in</strong> the programme, <strong>in</strong>formation on<br />

environmental issues appeared <strong>in</strong> an upbeat news<br />

presentational style <strong>in</strong> a bid to ma<strong>in</strong>ta<strong>in</strong> the attention <strong>of</strong> a<br />

young news consumer who was believed to be<br />

un<strong>in</strong>terested <strong>in</strong> environmental matters, generally. <strong>The</strong><br />

selected issue needed to be simple and dramatic to<br />

create <strong>in</strong>terest <strong>in</strong> this case and thus was shaped <strong>in</strong>to a<br />

form that heightened the ‘drama’ <strong>of</strong> the despoliation <strong>of</strong><br />

the environment and placed a disproportionate focus on<br />

the environmental character as under threat.<br />

Additionally the report<strong>in</strong>g that followed<br />

<strong>in</strong>creased the frequency <strong>of</strong> appeals to naturalness or the<br />

human qualities <strong>of</strong> animals to br<strong>in</strong>g alive a sense <strong>of</strong> their<br />

relationship with the audience as well as to <strong>in</strong>tensify a<br />

sense <strong>of</strong> <strong>in</strong>justice at the destruction <strong>of</strong> the natural world.<br />

Also human be<strong>in</strong>gs were presented as perpetrators<br />

with<strong>in</strong> this environmental drama and their actions<br />

expla<strong>in</strong>ed without recourse to a wider context and, on<br />

occasion, even vilified for pr<strong>of</strong>it<strong>in</strong>g from environmental<br />

despoliation. Complet<strong>in</strong>g these simplistic and dramatic<br />

accounts has been the <strong>in</strong>troduction <strong>of</strong> members <strong>of</strong><br />

environmental groups or law enforcers and the<br />

representation <strong>of</strong> their activities as toil<strong>in</strong>g to catch<br />

perpetrators or to simply protect the environment.<br />

Aimed then directly at the sensibilities <strong>of</strong> the audience,<br />

this report<strong>in</strong>g has served to implicate those watch<strong>in</strong>g <strong>in</strong><br />

the despoliation <strong>of</strong> the environment with the use <strong>of</strong><br />

personalised descriptors with<strong>in</strong> the news story which<br />

encourages the audience to reflect on their ownership<br />

and <strong>in</strong>creas<strong>in</strong>g impact on the environment <strong>in</strong><br />

<strong>in</strong>dividualised ways.<br />

Conclusion<br />

This discussion has revealed much about the production<br />

<strong>of</strong> environmental issues <strong>in</strong> BBC Newsround, show<strong>in</strong>g <strong>in</strong><br />

particular how a constructed sense <strong>of</strong> children’s <strong>in</strong>terests<br />

rather than a view <strong>of</strong> the issues’ political importance,<br />

common to news pr<strong>of</strong>essionals, has <strong>in</strong>formed its<br />

report<strong>in</strong>g over time. More specifically we have heard that<br />

it is the assumed view <strong>of</strong> wan<strong>in</strong>g <strong>in</strong>terest <strong>in</strong> such matters<br />

among the programme’s audience that has recently<br />

shaped the contours <strong>of</strong> the programmes’ coverage. This<br />

simplistic idea has dictated that the programme carry a<br />

much reduced load <strong>of</strong> environmental topics than <strong>in</strong><br />

previous times and also, as we have witnessed, have<br />

played a role <strong>in</strong> shap<strong>in</strong>g the dramatic accounts <strong>of</strong> the<br />

perpetrators and victims <strong>of</strong> environmental despoliation <strong>in</strong><br />

which they appear. Thus, <strong>in</strong> response to these changes, I<br />

suggest that we should be worried about the practices<br />

that follow such a view and push this important issue<br />

from the children’s news agenda but additionally show<br />

concern over the form <strong>in</strong> which those that feature are<br />

reported. As it stands, this <strong>in</strong>dividualised and<br />

personalised coverage lacks a tangible sense <strong>of</strong> a wider<br />

geographical, political and economic context to<br />

environmental problems which if <strong>in</strong>cluded here would<br />

reveal the difficult decisions fac<strong>in</strong>g states and peoples as

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