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age of empowerment<br />
we no longer are the active source of our own<br />
experience or our own choices. Instead, we<br />
succumb to the notion that life is a series of<br />
product purchases that have been laid out and<br />
whose qualities and parameters have been preestablished.<br />
Douglas Rushkoff<br />
Iconographic porn<br />
By the age of eight, preteens<br />
are watching MTV,<br />
depicting fabrications<br />
from music machine<br />
companies in the form of<br />
Britney Spears or Christina<br />
Aguilara gyrating their hips<br />
in school uniforms, coined<br />
‘Lolita’ fashion, simulating sex<br />
acts with muscle-bound hemen.<br />
Overtly sexualised fashions<br />
are marketed down to our young<br />
girls cleverly preceded by toy products<br />
such as Brat Dolls. Even if I don’t<br />
have a TV at my house, my child’s<br />
friends do. And chances are, there’s<br />
little supervision over what the kids<br />
are watching over there. In a world<br />
where paedophilia is rife, why are our<br />
daughters being encouraged to dress<br />
in micro-minis, hotpants and high<br />
heeled boots? What kind of a world<br />
are we living in when a five-year-old<br />
complains that she looks fat and hates<br />
herself? It seems to be impossible to protect<br />
our children’s innocence, and raises<br />
questions as to what long-term effects<br />
will come of this exposure to adult content.<br />
Will they be able to have a healthy<br />
and enjoyable sexual journey of discovery,<br />
or will it be too much too early, or fraught<br />
with insecurity and self-consciousness?<br />
Once again it falls in the responsibility of parents. I’m outraged<br />
that I have to educate my seven-year-old about sexuality<br />
because she has been exposed beyond my control. Or that<br />
I have to argue with her about wearing Lolita fashions ‘when<br />
everyone else is doing it!’ Childhood should be protected and<br />
it should be a political issue. Corporations marketing inappropriate<br />
material to children should be held accountable!<br />
<strong>byronchild</strong> 66<br />
March 27, 2003<br />
Boys Succumb to<br />
Image Ideal<br />
Popular culture has been identified<br />
as the primary resource for young<br />
people to learn about family life,<br />
friendships, sexuality, health, alcohol<br />
and other drugs, gender roles,<br />
and many other parts of life —<br />
what is attractive, what is cool,<br />
what is fashionable.<br />
TEENAGE boys are increasingly turning<br />
to diets, food supplements and<br />
heavy workouts as they strive to conform<br />
to the slim and muscular body<br />
images of popular culture and sport.<br />
Deakin University psychology lecturer<br />
Marita McCabe said the image of the ideal<br />
muscular male — ‘six-pack’, cut abdominal<br />
muscles, and the body beautiful — was the<br />
result of the media and advertising.<br />
‘Teenage boys try to change their body<br />
image by dieting, taking food supplements<br />
and exercise . . . There are adolescent boys<br />
adopting extreme behaviours and it will<br />
become more of a problem,’ she said,<br />
Experts argue that the problems of body<br />
image are compounded by the lack of recognition<br />
among males of the media’s influence<br />
over their perceptions of their bodies.<br />
Dr McCabe said her studies had shown that<br />
females were more able to recognise the<br />
pressures over body image. (The Age)<br />
The deepest peril of the<br />
interface is that we may<br />
lose touch with our inner<br />
states; not to lose the acute<br />
sensitivity to our bodies, the<br />
simplest kinds of awareness<br />
like kinaesthetic body movement,<br />
organic discomfort, and<br />
propriosensory activities like breathing, balance,<br />
and shifting weight...this awareness constitutes the background<br />
for the psychic life of the individual.<br />
Michael Heim: The Metaphysics of Virtual Reality<br />
A woman (or man) cannot make the culture more aware by saying<br />
‘Change’. But she can change her own attitude to herself, thereby<br />
causing devaluing projections to glance off. She does this by taking<br />
back her body (and mind). By not forsaking the joy of her natural<br />
body, by not purchasing the popular illusion that happiness is only<br />
bestowed on those of a certain configuration or age, by not waiting<br />
or holding back to do anything, and by taking back her real life, and<br />
living it full bore, all stops out. This dynamic self-acceptance and<br />
self-esteem are what begins to change attitudes in culture.<br />
Clarrisa Pinkola Estes: Woman Who Run with the Wolves.<br />
Notes<br />
Pesce, Mark D. (1993): Final Amputation: Pathogenic Ontology<br />
in Cyberspace