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age of empowerment<br />

we no longer are the active source of our own<br />

experience or our own choices. Instead, we<br />

succumb to the notion that life is a series of<br />

product purchases that have been laid out and<br />

whose qualities and parameters have been preestablished.<br />

Douglas Rushkoff<br />

Iconographic porn<br />

By the age of eight, preteens<br />

are watching MTV,<br />

depicting fabrications<br />

from music machine<br />

companies in the form of<br />

Britney Spears or Christina<br />

Aguilara gyrating their hips<br />

in school uniforms, coined<br />

‘Lolita’ fashion, simulating sex<br />

acts with muscle-bound hemen.<br />

Overtly sexualised fashions<br />

are marketed down to our young<br />

girls cleverly preceded by toy products<br />

such as Brat Dolls. Even if I don’t<br />

have a TV at my house, my child’s<br />

friends do. And chances are, there’s<br />

little supervision over what the kids<br />

are watching over there. In a world<br />

where paedophilia is rife, why are our<br />

daughters being encouraged to dress<br />

in micro-minis, hotpants and high<br />

heeled boots? What kind of a world<br />

are we living in when a five-year-old<br />

complains that she looks fat and hates<br />

herself? It seems to be impossible to protect<br />

our children’s innocence, and raises<br />

questions as to what long-term effects<br />

will come of this exposure to adult content.<br />

Will they be able to have a healthy<br />

and enjoyable sexual journey of discovery,<br />

or will it be too much too early, or fraught<br />

with insecurity and self-consciousness?<br />

Once again it falls in the responsibility of parents. I’m outraged<br />

that I have to educate my seven-year-old about sexuality<br />

because she has been exposed beyond my control. Or that<br />

I have to argue with her about wearing Lolita fashions ‘when<br />

everyone else is doing it!’ Childhood should be protected and<br />

it should be a political issue. Corporations marketing inappropriate<br />

material to children should be held accountable!<br />

<strong>byronchild</strong> 66<br />

March 27, 2003<br />

Boys Succumb to<br />

Image Ideal<br />

Popular culture has been identified<br />

as the primary resource for young<br />

people to learn about family life,<br />

friendships, sexuality, health, alcohol<br />

and other drugs, gender roles,<br />

and many other parts of life —<br />

what is attractive, what is cool,<br />

what is fashionable.<br />

TEENAGE boys are increasingly turning<br />

to diets, food supplements and<br />

heavy workouts as they strive to conform<br />

to the slim and muscular body<br />

images of popular culture and sport.<br />

Deakin University psychology lecturer<br />

Marita McCabe said the image of the ideal<br />

muscular male — ‘six-pack’, cut abdominal<br />

muscles, and the body beautiful — was the<br />

result of the media and advertising.<br />

‘Teenage boys try to change their body<br />

image by dieting, taking food supplements<br />

and exercise . . . There are adolescent boys<br />

adopting extreme behaviours and it will<br />

become more of a problem,’ she said,<br />

Experts argue that the problems of body<br />

image are compounded by the lack of recognition<br />

among males of the media’s influence<br />

over their perceptions of their bodies.<br />

Dr McCabe said her studies had shown that<br />

females were more able to recognise the<br />

pressures over body image. (The Age)<br />

The deepest peril of the<br />

interface is that we may<br />

lose touch with our inner<br />

states; not to lose the acute<br />

sensitivity to our bodies, the<br />

simplest kinds of awareness<br />

like kinaesthetic body movement,<br />

organic discomfort, and<br />

propriosensory activities like breathing, balance,<br />

and shifting weight...this awareness constitutes the background<br />

for the psychic life of the individual.<br />

Michael Heim: The Metaphysics of Virtual Reality<br />

A woman (or man) cannot make the culture more aware by saying<br />

‘Change’. But she can change her own attitude to herself, thereby<br />

causing devaluing projections to glance off. She does this by taking<br />

back her body (and mind). By not forsaking the joy of her natural<br />

body, by not purchasing the popular illusion that happiness is only<br />

bestowed on those of a certain configuration or age, by not waiting<br />

or holding back to do anything, and by taking back her real life, and<br />

living it full bore, all stops out. This dynamic self-acceptance and<br />

self-esteem are what begins to change attitudes in culture.<br />

Clarrisa Pinkola Estes: Woman Who Run with the Wolves.<br />

Notes<br />

Pesce, Mark D. (1993): Final Amputation: Pathogenic Ontology<br />

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