Intersecciones La música en la cultura electro-digital
Intersecciones La música en la cultura electro-digital
Intersecciones La música en la cultura electro-digital
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Lecturas recom<strong>en</strong>dadas :<br />
Música Interactiva/Vida <strong>electro</strong><strong>digital</strong><br />
- Bongers, B: “An Interview with S<strong>en</strong>sorband. Computer Music<br />
Journal. 22 (1): pp. 13-24. 1998<br />
- Dede, C; Palumbo, D: Implications of Hypermedia for Cognition<br />
and Communication. International Association for Impact<br />
Assessm<strong>en</strong>t Bulletin 9,1-2 (Summer, 1991), 15-28.<br />
- Garton, A : Towards G<strong>en</strong>erative Sound for Interactive Multimedia.<br />
C<strong>en</strong>tre for Animation and Interactive Media Faculty of Art, Design<br />
and Communication RMIT University, Australia. October 1996.<br />
- Jordá, S: Faust Music On Line (FMOL): An approach to Realtime<br />
Collective Composition on the Internet. Leonardo Music Journal,<br />
Vol.9, pp. 5-12, 1999.<br />
- MIT Media <strong>La</strong>b Website. http://web.media.mit.edu/~tod/<br />
- Logos Foundation : http://www.logosfoundation.org/index.html<br />
Un notable website con todos los proyectos del colectivo belga<br />
Logos. <strong>La</strong>s páginas de Godfried Willem Raes incluy<strong>en</strong> sus seminales<br />
artículos “Gesture Controlled Virtual Musical Instrum<strong>en</strong>ts” (1999-<br />
2002) y “A Personal story of Music and Technologies” (1993).<br />
- Michel Waisvisz : http://www.xs4all.nl/~mwais/<br />
- Netochka Nezvanova : http://www.eusocial.com/nato.0+55<br />
http://www.eusocial.com/nn<br />
http://www.m9ndfukc.org<br />
- Ott<strong>en</strong>, W.J: How Not To Be Trapped Into Non-Art. Notes Towards<br />
a Definition of Dick Raaijmakers. Key Notes 20, 1984/ 2. Donemus<br />
Amsterdam.<br />
- Robert,J: Le Very Nervous System de David Rokeby. <strong>La</strong> technologie<br />
des correspond<strong>en</strong>ces. Musicworks 56. Fall 1993.<br />
- Rokeby, D: The Harmonics of Interaction. Working with the Very<br />
Nervous System. Musicworks 46. Spring 1990.<br />
- Rowe,R: Interactive Music Systems. Machine List<strong>en</strong>ing and<br />
Composing. MIT Press, 1992.<br />
- Sci<strong>en</strong>tific American.com (unattributed interview). 1996.<br />
“Interview with Tod Machover” [on-line]. Disponible <strong>en</strong> :<br />
http://www.sciam.com/interview_directory.cfm<br />
- STEIM: http://www.steim.org/steim/ . El <strong>en</strong><strong>la</strong>ce “resources” conti<strong>en</strong>e<br />
excel<strong>en</strong>tes artículos por Michel Waisvisz, Netochka Nezvanova<br />
y Joel Ryan.<br />
- Steina & Woody Vasulka : http://www.vasulka.org/index.html<br />
- Vare<strong>la</strong>, D : Música Electroacústica. Los medios no justifican el fin.<br />
Esculpi<strong>en</strong>do Mi<strong>la</strong>gros 15, primavera 1998.<br />
- Waisvisz, M: The Crackle Project. The Need for New Instrum<strong>en</strong>ts<br />
in Music and Theatre. Key Notes, 1978/2. Donemus Amsterdam.<br />
- W<strong>en</strong>tink, V: “Het Lev<strong>en</strong>”, Electro- Instrum<strong>en</strong>tal Music. Key Notes,<br />
1978/2. Donemus Amsterdam.<br />
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