Excodra XXV: La estética

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Andrea Constantini When I think of photography and what it represent for me I always have in mind this quote from Ernst Haas: “There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” Photography is constantly around me, and almost everything that catch my attention can became a new picture and be the start of a new project. Most of my ideas come to me at night and this is why I sleep with my Moleskine and a pencil. I wake up and write down what I have imagined or dreamed, to be sure to remember everything the next morning. Every project I start come from a specific and original path of my mind but there are some common aspects: one of my greatest influences is Surrealism. I like taking pictures of people's faces and modify them by adding additional images. I build the images like a montage by mixing architectures, objects, animals, to create imaginary and dreamlike worlds. Another source of inspiration for me is the majesty of some architectures: I'm fascinated by what the man has managed to build around him over the centuries. And then there is the inherits from a professor during my art school. He allowed us to develop many photomontages with paper, scissors and glue. At that time there were not softwares like photoshop. It was nice taking my mother's
newspapers, shred the images and compose all in one sheet. You can still found this process in my work. My art represent for me the power to escapes the constraints of social and economic differences and the limits of space and time and I hope to give the opportunity to the viewers to get lost in the details of my art and clear their mind so the imagination can overcome the rationality.
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ÍNDICE Editorial Prosa La estétic
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PROSA La Estética de la Democracia
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Meninas se nos proponía una identi
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mentira han sido sustituidos por el
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que propone cada obra artística, e
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tuvo ante el Imperio romano. Las cr
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decisivo en la Historia de los homb
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mimético, con la mímesis artísti
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través de la particularidad, la cr
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interés teórico por el arte) su v
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Entre la derivación y la parodia S
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cómo funciona el capitalismo y su
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El segundo caso derivado del rap es
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anónimos que han dejado huella en
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presente la fórmula con la que el
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e igual de respetables. Y si hay un
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POESÍA Túnel Escarbar. Sin manos
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nada mío, excepto algún pequeño
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Que probé a dibujar nubes en el ba
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Qué más da. Me la suda. Yo sólo
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Todo nivel de relación más allá
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Tres poemas I Ahora separan concien
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III Ventanas al océano Yo recuerdo
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ARTES VISUALES I Caras Ionut
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ARTES VISUALES III Cesar Biojó
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Milad Safabakhsh
Page 103: Nick Gentry
Page 121 and 122: ARTES VISUALES VII Djavanshir .N SH
Page 123 and 124: A
Page 126: JUFFAGE
Page 129 and 130: ENTREVISTA a María Zaragoza ¿Qué
Page 131 and 132: parecido a un paisaje extraterrestr
Page 133 and 134: mucho de lo que se ha hecho en lite
Page 135 and 136: Carmen Moreno Nació en Cádiz en 1
Page 137 and 138: Maica Bermejo Miranda Maica Bermejo
Page 139 and 140: Sara R. Gallardo Sara R. Gallardo (
Page 141 and 142: Ernesto Frattarola Alcaraz Ernesto
Page 143 and 144: Juan Trigo Nació el 1 de Agosto de
Page 145: Caras Ionut Caras Ionut es un joven
Page 149 and 150: Milad Safabakhsh Milad Safabakhsh i
Page 151 and 152: Héctor Neumann Drawings and Design
Page 153 and 154: Djavanshir .N Fotógrafo surrealist
Page 156: LA ESTÉTICA NÚMERO XXV JULIO 2015
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Excodra XXV: La estética

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