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Don Giovanni - Naxos Music Library

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Michael Colvin, tenor<br />

As a member of the COC Ensemble Studio, lyric tenor Michael Colvin leapt to prominence as Count Almaviva in<br />

the COC’s 1999 production of Rossini’s Il barbiere di Siviglia. Other mainstage appearances have included the<br />

world premiere of Randolph Peters’ The Golden Ass (the Scholar), Bellini’s Norma (Flavio), Mozart’s <strong>Don</strong> <strong>Giovanni</strong><br />

(<strong>Don</strong> Ottavio) and Verdi’s La Traviata (Gastone). He has also starred in the COC Ensemble Studio productions of<br />

Cavalli’s Giasone (Apollo/Aegeus) and Britten’s The Rape of Lucretia (Male Chorus). Although born in Ireland, Mr.<br />

Colvin began his musical studies in Toronto at St. Michael’s Choir School, later graduating from the Opera Division<br />

of the University of Toronto’s Faculty of <strong>Music</strong>.<br />

Alain Coulombe, bass<br />

As a COC Ensemble Studio member bass Alain Coulombe made his COC debut in 1998 in Puccini’s Tosca, as<br />

Angelotti and the Jailer. He has also appeared in such COC mainstage productions as Debussy’s Pelléas et Mélisande<br />

(the Doctor), Mozart’s <strong>Don</strong> <strong>Giovanni</strong> (Masetto), Randolph Peters’ The Golden Ass (the Seedy Bandit), Puccini’s La<br />

Bohème (Colline) and Verdi’s La Traviata (Dr. Grenvil). In addition, he has appeared in the COC’s concert<br />

performance of Tchaikovsky’s Iolanta (Bertrand). As a member of the COC Ensemble Studio, he has also appeared<br />

as Collatinus in Britten’s The Rape of Lucretia. Mr. Coulombe was born in Matane, Québec, and graduated from<br />

Laval University in Quebec City.<br />

Richard Bradshaw, conductor<br />

In a career that has taken him around the world, Richard Bradshaw (a protégé of Sir Adrian Boult, Sir Charles<br />

Groves and Sir John Pritchard) has conducted a wide-ranging repertoire of both operatic and orchestral music for<br />

many of the major international opera companies, symphony orchestras and music festivals. In 1989, Mr.<br />

Bradshaw became Chief Conductor of the Canadian Opera Company, a position he held until 1994, at which time<br />

he was named Artistic Director. In January 1998, he was appointed General Director of the Company. In his first<br />

ten years with the COC, the English-born maestro has conducted more than 30 operas. This current CD is Richard<br />

Bradshaw’s sixth recording for the CBC RECORDS label.<br />

The Canadian Opera Company Orchestra<br />

The COC Orchestra is the only established opera orchestra in Canada. Created in 1977, the Orchestra has a<br />

permanent membership of 54 instrumentalists and has received critical acclaim worldwide for both its<br />

performances and recordings for CBC RECORDS.<br />

Canadian Opera Company Ensemble Studio<br />

Since its formation in 1980, more than 100 young Canadian singers, opera coaches and stage directors have<br />

acquired their first professional operatic experience with the COC Ensemble Studio (a programme which bridges<br />

the gap between academia and the professional world of opera).

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