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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Write & Create program / NOVEMBER 2022<br />

Naakai Addy<br />

USA<br />

www.daughterofnai.com<br />

About<br />

Naakai Addy is a Ghanaian-American writer with a<br />

background in performing arts and a creative interest in<br />

photography and digital collage. After spending her childhood<br />

in Southern California, Naakai has since lived, studied, and<br />

worked throughout the United States and in Mexico, Norway,<br />

Ireland, Spain, and Scotland. She studied Linguistics at the<br />

University of St. Andrews, Spanish language and literature at<br />

Wesleyan University, and Creative Writing at Trinity College,<br />

Dublin, where she earned an M.Phil with Distinction.<br />

Naakai worked as a copywriter, essayist, and features writer<br />

for over a decade, and is currently finalizing her first fulllength<br />

novel. Her nonfiction short story 3-Step Face Mask<br />

was published in the Sycamore Review in 2021. Naakai<br />

began ballet training at the age of 3 and has since studied<br />

contemporary, tap, jazz, lyrical, modern, ballroom, and<br />

bellydance. As a singer, she has performed choral music,<br />

opera, and musical theater.<br />

Come Home<br />

I came to <strong>Arteles</strong> to work on a multimedia project about<br />

reclaiming an inherent sense of value, belonging, and home<br />

in an othered body. For many years ‘home’ felt too elusive<br />

a concept to dive into with any consistency, so I avoided it.<br />

For the first two weeks at <strong>Arteles</strong>, I was pulled away from my<br />

intended project by a different one I needed to edit. While<br />

focused on that, I began to actually feel at home. Maybe it<br />

was that there was no pressure for this to be a home, nor<br />

for this time, space, and group to be anything but whatever<br />

they unfolded to be. I was just…here…and there was nothing<br />

I had to ‘do’ to earn the belonging I craved, nor did anyone<br />

need to grant it. After I finished the tasks occupying the first<br />

two weeks, I took a few days to unravel, rest, panic a little,<br />

breathe a lot. Then, Come Home came back to me. I’ve been<br />

making and editing this digital collage project in Canva and<br />

Pixlr, using a combination of original photography and video,<br />

stock elements, music, and lyrical prose. These stills are the<br />

title card and the first page of a chapter called ‘Texas’.<br />

Under the name ‘daughter of nai,’ Naakai works with lyrical<br />

prose, digital collage, movement, and music to explore<br />

themes of otherness/non-belonging, blackness, womanhood,<br />

non-Western concepts of beauty, and disability. daughter of<br />

nai pays homage to Ga spirituality and centers the sacred<br />

feminine archetypes of the siren, huntress, healer, and queen.

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