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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Silence Awareness Existence program / FEBRUARY 2022<br />

Manon Leneveu<br />

Belgium<br />

About<br />

Manon Leneveu (°1998) is a multidisciplinary artist working<br />

and living in Ghent, Belgium. Her work includes drawings,<br />

paintings, installations, and photographs along many other<br />

media. In her drawings; small creatures exist both in both<br />

figurative and abstract forms, alternating between positive<br />

and inverted styles of drawing. In all her work, she tries to<br />

generate a certain intimacy. Some works physically require<br />

taking a closer look (like nose-rubbing or opening a fortune<br />

cookie and eating it afterwards). She processes personal<br />

experiences and emotions by enlarging symbols or creating<br />

a metaphor she finds to represent them - combining elements<br />

from literature, tactile materials, etymologic descriptions,<br />

existential cinema, literature, humour and found objects For<br />

Manon, a simple sentence can inspire a myriad of objects<br />

and drawings after studying the endless web any one thing<br />

carries. Her visual language is inspired by resting her head<br />

on soft objects, dreaming, Astro Boy (1980), the witching<br />

hour and her punk boyfriend.<br />

Crayola beeswax bonanza<br />

It feels like I did nothing but try to let go - or maybe the ice just<br />

wobbled over me as I did on her. I walked in the forest and<br />

cried, read too much Thomas Bernhard which made me sad<br />

and cried a few times more alone, other times with people<br />

just met. A squirrel passed by my tiny room window and lakes<br />

leaked from my blood-shot snow painted eyes. Trees grew<br />

black and sometimes grey. I wanted to bark at the forest - or<br />

spit - to make it spill more than thaw. I thought about burning<br />

the sauna - but other people were already doing that. One<br />

night I cried over the stars with my back towards the Northern<br />

Lights. Rolled over in bed and bumped against its intimate<br />

nook. Scars on trees; like fishbones and moss and soupy<br />

legs. Wiggling on ice felt like an overall exercise in attuning<br />

to slow silver winter. And my room heater lent itself very well<br />

to beeswax molding. My stove room carries my Bernhard<br />

sadness - that is someone else’s now.

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