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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Silence Awareness Existence program / MARCH <strong>2020</strong><br />

Christina Cucurullo<br />

USA<br />

www.spookstina.com<br />

About<br />

Christina Cucurullo is an experimental and experiential artist<br />

whose work is an exploration of impermanence. Creating<br />

textural loops from an array of pedals, toys, bass, vocals,<br />

synth and found sounds, her performances are intense<br />

and haunting. Since 2016, Cucurullo has played festivals<br />

and venues across the US and Mexico under the moniker,<br />

Spookstina. Her tour history includes performances inside<br />

of a giant Wayne White puppet exhibit (Chattanooga, TN),<br />

the Museo del Metro during rush hour (Mexico City, MX), an<br />

hour-long set at a 48-hour non-stop drone festival inside of<br />

an old shopping mall (Miami, FL), and many more.<br />

For nearly 20 years, Cucurullo has been heavily involved in<br />

all aspects of North Carolina’s DIY music community. She<br />

is co-founder and co-director of All Data Lost (Raleigh, NC);<br />

an annual DIY music festival in its third year, dedicated to<br />

highlighting and connecting experimental musicians and<br />

performance artists across NC and the US. She is passionate<br />

about providing artists with new and positive opportunities<br />

for personal and artistic growth.<br />

When she’s not immersed in music, Cucurullo works full-time<br />

for the Exhibits & Digital Media section in the basement of<br />

one of the largest natural science museums in the southeast<br />

USA (1mil+ visitors per year).<br />

During her residency at <strong>Arteles</strong>, Cucurullo will be both<br />

working on material for an upcoming album and enhancing<br />

the conceptualization of her live performances.<br />

Dreams & Nightmares<br />

I began my time at <strong>Arteles</strong> working on some field recordings<br />

and textural-based sound recordings inspired by the wintry<br />

world around me, encapsulated in ice and snow. Wanting<br />

to get closer to the human and environmental conditions of<br />

darkness and fear, I began taking walks through the forest<br />

in the middle of the night, armed with a meat hammer and<br />

heavy metal flashlight. During these walks, I followed leftbehind<br />

footprints in the snow through the tunnel of the<br />

flashlight’s beam, and experienced a heightened sense of<br />

sound through the darkness. Over the following weeks,<br />

the severity of the COVID-19 pandemic set in and created<br />

a roller coaster of emotional chaos. Many of us needed to<br />

leave <strong>Arteles</strong> immediately, or become stranded indefinitely.<br />

While being in the midst of this panic and anxiety, I began to<br />

explore surreal themes of dreams and nightmares and how<br />

they are separated from waking life by a thin veil between<br />

consciousness and the subconscious. Likewise, how mirrors<br />

create portals between life and death, and how it is through<br />

them that we see a true reflection of how we’ve moved<br />

through time. I wanted to see where and how light came into<br />

play during dark moments in our life and how they could give<br />

way to a new experience. My work continues, as traveling<br />

home brought me into a world different from that which I had<br />

left; a changed reality.

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