Arteles Catalogue 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
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Silence Awareness Existence program / MARCH <strong>2020</strong><br />
Christina Cucurullo<br />
USA<br />
www.spookstina.com<br />
About<br />
Christina Cucurullo is an experimental and experiential artist<br />
whose work is an exploration of impermanence. Creating<br />
textural loops from an array of pedals, toys, bass, vocals,<br />
synth and found sounds, her performances are intense<br />
and haunting. Since 2016, Cucurullo has played festivals<br />
and venues across the US and Mexico under the moniker,<br />
Spookstina. Her tour history includes performances inside<br />
of a giant Wayne White puppet exhibit (Chattanooga, TN),<br />
the Museo del Metro during rush hour (Mexico City, MX), an<br />
hour-long set at a 48-hour non-stop drone festival inside of<br />
an old shopping mall (Miami, FL), and many more.<br />
For nearly 20 years, Cucurullo has been heavily involved in<br />
all aspects of North Carolina’s DIY music community. She<br />
is co-founder and co-director of All Data Lost (Raleigh, NC);<br />
an annual DIY music festival in its third year, dedicated to<br />
highlighting and connecting experimental musicians and<br />
performance artists across NC and the US. She is passionate<br />
about providing artists with new and positive opportunities<br />
for personal and artistic growth.<br />
When she’s not immersed in music, Cucurullo works full-time<br />
for the Exhibits & Digital Media section in the basement of<br />
one of the largest natural science museums in the southeast<br />
USA (1mil+ visitors per year).<br />
During her residency at <strong>Arteles</strong>, Cucurullo will be both<br />
working on material for an upcoming album and enhancing<br />
the conceptualization of her live performances.<br />
Dreams & Nightmares<br />
I began my time at <strong>Arteles</strong> working on some field recordings<br />
and textural-based sound recordings inspired by the wintry<br />
world around me, encapsulated in ice and snow. Wanting<br />
to get closer to the human and environmental conditions of<br />
darkness and fear, I began taking walks through the forest<br />
in the middle of the night, armed with a meat hammer and<br />
heavy metal flashlight. During these walks, I followed leftbehind<br />
footprints in the snow through the tunnel of the<br />
flashlight’s beam, and experienced a heightened sense of<br />
sound through the darkness. Over the following weeks,<br />
the severity of the COVID-19 pandemic set in and created<br />
a roller coaster of emotional chaos. Many of us needed to<br />
leave <strong>Arteles</strong> immediately, or become stranded indefinitely.<br />
While being in the midst of this panic and anxiety, I began to<br />
explore surreal themes of dreams and nightmares and how<br />
they are separated from waking life by a thin veil between<br />
consciousness and the subconscious. Likewise, how mirrors<br />
create portals between life and death, and how it is through<br />
them that we see a true reflection of how we’ve moved<br />
through time. I wanted to see where and how light came into<br />
play during dark moments in our life and how they could give<br />
way to a new experience. My work continues, as traveling<br />
home brought me into a world different from that which I had<br />
left; a changed reality.