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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Silence Awareness Existence program / FEBRUARY <strong>2020</strong><br />

Luna Mrozik Gawler<br />

Australia<br />

www.lunamrozikgawler.com<br />

About<br />

Luna Mrozik Gawler is a multidisciplinary artist and writer<br />

who lives and works upon the unceded lands of the Kulin<br />

Nation, in Narrm/Melbourne, Australia. Her research-led<br />

practice seeks to queer expectations of human supremacy<br />

and separatism while examining the ideological foundations<br />

and ramifications of Anthropocentric paradigms through<br />

installation, performance, media, and text. This work is<br />

often generated through direct collaboration with locations<br />

and multispecies participation. It is commonly durational,<br />

immersive and/or interactive, and considers alternative<br />

knowledge productions as well as embodied processes to<br />

expand upon post-human and new materialist frameworks.<br />

Lost in the woods and (re)composition<br />

The questions that <strong>Arteles</strong>, its silence and its complex<br />

ecologies, brought forward for me orbited knowledge<br />

production. How can method and outcome seek alternative<br />

pathways to knowing, and displace the anthropocentric<br />

inclinations of artist and audience in the meantime? How<br />

can we come to distrust the normalised and befriend the<br />

undulating discomfort of the uncanny? How do we extend<br />

sensory experience, change our sense of personhood or enter<br />

into multispecies and elemental conversation? In traversing<br />

the dark and knotty spaces of these questions I worked with<br />

the various inhabitants of landscape and the weather around<br />

<strong>Arteles</strong>. Disrupting my expectations and welcoming the<br />

trouble of new practices and impossible tasks, I attempted<br />

to not just deeply listen to the biosphere but identify the<br />

areas of exchange in which I participated, bodies on bodies<br />

co-authoring an inclusive conversation. I attempted to work<br />

with, and be guided by the material and agency of the site,<br />

attempting communication and translation with snow, soil,<br />

rain and wind in the process. Amongst the often odd and<br />

sometimes failing experiments I ended my time with several<br />

short video works, an installation, a performance for video,<br />

a new sensory tool for an on-going project and also began<br />

the theoretical work on an inclusive, material methodology<br />

for the composition of performance work. I also briefly got<br />

misplaced, and rediscovered in the woods, which really only<br />

helped in the long run.

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