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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Back to Basics program / AUGUST <strong>2023</strong><br />

Giada Matteini<br />

USA / Italy<br />

www.wadedance.org<br />

About<br />

I am a multi-hyphenated creative being, cultural manager and<br />

entrepreneur, inhabiting conflicting cultures that both enliven<br />

and haunt me. I was born in Florence, Italy, but I have been<br />

living in New York City for almost three decades now. Dance<br />

is my first love and I have spent most of my life manipulating<br />

movement in its many forms as a performer, choreographer,<br />

curator, producer, and educator. I have been teaching all over<br />

the world, taking my favorite travel companion (my son) along<br />

with me to the Americas, Europe, and Asia.<br />

Intersections fascinate me; the women-led multifaceted<br />

performing arts company I founded, WADE, intersects with<br />

research, restorative justice strategies, women’s rights<br />

and social action. The more unexpected the intersections,<br />

the more interested I am: classical ballet with radical love<br />

and self-care, soft jazz with ice hockey, grind culture<br />

with authentic connections. I wander between art forms,<br />

geographical borders and languages, centering in my<br />

purpose every day and finding myself in awe of the crooked,<br />

knotted, and gnarled beauty of trees.<br />

WADEintoLOVE<br />

The book, part love letter to New York City, part selfdeprecating<br />

memoir, chronicles the journey that led me to<br />

create WADE, a company born by transforming my grief<br />

into an act of love. It speaks of my experience with violence<br />

both in the childhood and marital home, how dance has<br />

continued to be intertwined with these experiences offering<br />

solace, healing and the strongest impetus to end the cycle<br />

of violence. It wants to offer an in-depth explanation through<br />

biographical essays of why a survivor would want to invest<br />

time in working with perpetrators of violence. And finally, it<br />

highlights the choices I have made along the way to create a<br />

pedagogical approach to ballet based on somatic awareness<br />

and radical love.<br />

In my DreamSpace, all men stand up to sexism and violence.

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