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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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New Course program / APRL 2022<br />

Amber Phelps Bondaroff<br />

Canada<br />

www.amberpb.com<br />

About<br />

I am an interdisciplinary visual artist, performer and arts<br />

organizer, living on Treaty 4 Territory in Saskatchewan,<br />

Canada. I craft situations that encourage people to make and<br />

be together. Through these spaces, my work strives to soften<br />

the rigidities of conventional social interaction. I work across<br />

many mediums, including; performance, video, drawing,<br />

music and film.<br />

Born in Calgary Alberta, I have lived and traveled to many<br />

places before settling in Saskatchewan in 2012. I continue to<br />

be influenced by and learn from my relationships with those<br />

around me - the animate and inanimate alike. I am a founder<br />

and co-artistic director of Swamp Fest, a small music and<br />

arts festival and have worked as Programming Director<br />

at Neutral Ground, Artist-Run Centre since 2017 (both in<br />

Regina, Canada). I am a life-long student of yoga and am<br />

currently in training to be a yoga therapist. I received an MFA<br />

in Intermedia Arts from the University of Regina, in 2014 and<br />

a BFA in Interdisciplinary Fine Arts from NSCAD University,<br />

Halifax in 2007.<br />

Rest, reflect, renew (& rock!)<br />

I came to <strong>Arteles</strong> to carve renewed and intentional space<br />

for both my artistic and meditative practices. Feeling the<br />

administrative burn out of running a busy non-profit art<br />

space, a month to focus on my own practice was a very<br />

much needed luxury. I was 4 months pregnant when arriving<br />

in Finland, so I also had the goal of establishing practices<br />

that I could sustain (and that would sustain me) through this<br />

new phase of life.<br />

I moved slowly, especially over the first week. Morning<br />

asana and writing practices were consistent, in addition to<br />

daily walks in the forest. Over the month I wrote and recorded<br />

a collection of songs combining field recordings with voice<br />

and synthesizer, inspired by, and written amongst, the trees,<br />

moss and rocks. This process included deep listening to<br />

the woods and close observation of the surrounding flora<br />

as I witnessed the slow spring thaw. Much of what was<br />

first revealed were the lichens, clinging to rocks, sticks and<br />

bark. Their resilience fascinated me, with many hours spent<br />

peering at their tiny complexities. What started as close<br />

looking at bark and early buds, turned into a small series of<br />

ink, pencil and watercolour drawings of lichens and other<br />

specimens, gathered on my walks in the woods. Some of<br />

these drawings may accompany the album of music, when<br />

ready to be released into the world.

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