Arteles Catalogue 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
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New Course program / APRL 2022<br />
Amber Phelps Bondaroff<br />
Canada<br />
www.amberpb.com<br />
About<br />
I am an interdisciplinary visual artist, performer and arts<br />
organizer, living on Treaty 4 Territory in Saskatchewan,<br />
Canada. I craft situations that encourage people to make and<br />
be together. Through these spaces, my work strives to soften<br />
the rigidities of conventional social interaction. I work across<br />
many mediums, including; performance, video, drawing,<br />
music and film.<br />
Born in Calgary Alberta, I have lived and traveled to many<br />
places before settling in Saskatchewan in 2012. I continue to<br />
be influenced by and learn from my relationships with those<br />
around me - the animate and inanimate alike. I am a founder<br />
and co-artistic director of Swamp Fest, a small music and<br />
arts festival and have worked as Programming Director<br />
at Neutral Ground, Artist-Run Centre since 2017 (both in<br />
Regina, Canada). I am a life-long student of yoga and am<br />
currently in training to be a yoga therapist. I received an MFA<br />
in Intermedia Arts from the University of Regina, in 2014 and<br />
a BFA in Interdisciplinary Fine Arts from NSCAD University,<br />
Halifax in 2007.<br />
Rest, reflect, renew (& rock!)<br />
I came to <strong>Arteles</strong> to carve renewed and intentional space<br />
for both my artistic and meditative practices. Feeling the<br />
administrative burn out of running a busy non-profit art<br />
space, a month to focus on my own practice was a very<br />
much needed luxury. I was 4 months pregnant when arriving<br />
in Finland, so I also had the goal of establishing practices<br />
that I could sustain (and that would sustain me) through this<br />
new phase of life.<br />
I moved slowly, especially over the first week. Morning<br />
asana and writing practices were consistent, in addition to<br />
daily walks in the forest. Over the month I wrote and recorded<br />
a collection of songs combining field recordings with voice<br />
and synthesizer, inspired by, and written amongst, the trees,<br />
moss and rocks. This process included deep listening to<br />
the woods and close observation of the surrounding flora<br />
as I witnessed the slow spring thaw. Much of what was<br />
first revealed were the lichens, clinging to rocks, sticks and<br />
bark. Their resilience fascinated me, with many hours spent<br />
peering at their tiny complexities. What started as close<br />
looking at bark and early buds, turned into a small series of<br />
ink, pencil and watercolour drawings of lichens and other<br />
specimens, gathered on my walks in the woods. Some of<br />
these drawings may accompany the album of music, when<br />
ready to be released into the world.