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Arteles Catalogue 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

Arteles Creative Center's residency artists and their projects 2023-2020

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Silence Awareness Existence program / FEBRUARY <strong>2020</strong><br />

Karolina Rupp<br />

South Africa / Germany<br />

www.karolinarupp.com<br />

About<br />

Karolina Rupp (b. 1988, Germany) grew up in Pretoria,<br />

South Africa. With a background in sociology, anthropology<br />

and photography, Karolina worked in a Pretoria-based art<br />

studio and as of early 2016 is living in The Netherlands.<br />

Currently in her final year of the BFA at the Royal Academy<br />

of Arts (The Hague), Karolina’s work has shifted from relying<br />

entirely on lens-based media to an artistic practice rooted<br />

in sculpture and installation. Imbued with phenomenological<br />

undercurrents as well as the elements of chance and<br />

surprise, her interest lies in the intuitive artistic process<br />

itself as a potential catalyst to discover and make sense of<br />

the unknown. Her work has been shown in various group<br />

exhibitions both in South Africa and The Hague.<br />

Seeing what comes<br />

Travelling to <strong>Arteles</strong> without a plan or specific project felt<br />

liberating but also a little daunting. The first two weeks I<br />

was experimenting with different materials and techniques<br />

that fall outside of my usual artistic practice while<br />

simultaneously diving into shadow psychology, dreams<br />

and texts on reconnecting with the natural environment. I<br />

felt safe, understood and curious during this special time<br />

which allowed me to work without pressure and expectation<br />

in an artistic community that left nothing to be desired. I<br />

contemplated my working process, my relation to art and<br />

how work and maker are paradoxically always interlinked but<br />

still separate(d) and how this tension moves continuously.<br />

Also, for the first time I was able to test some of my work<br />

in nature rather than an indoor setting which was incredibly<br />

interesting and insightful. Most importantly though, I started<br />

trusting the unknown, the mystery again.

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