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Untitled - Consiglio Nazionale delle Ricerche

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From artefact typologies to cultural heritage ontologies<br />

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ABSTRACT<br />

Research in theoretical and computer-based archaeology, from the 1950s onwards,<br />

established important perspectives for the formal representation and analysis of tangible<br />

cultural entities such as complex artefacts, iconographic compositions and archaeological<br />

assemblages, and became a precursor for the emergence of knowledge-based tools, methodologies<br />

and standards for artefact-centred information systems in contemporary museums.<br />

One particular case in point is CLIO, a semantic information system intended for research<br />

use, developed by ICS/FORTH and the Benaki Museum in Greece in the early 1990s, which<br />

became a foundation for the denition of the Conceptual Reference Model of the International<br />

Documentation Committee of ICOM (CIDOC CRM), recently adopted as the ISO standard<br />

for cultural information representation. It is argued here that, as the capabilities of computer<br />

applications to provide access to complex, multimedia cultural information increase, so does<br />

also the validity and importance of earlier research advances in artefact-centred archaeological<br />

computing; and, conversely, that the advent of digital infrastructures for material culture<br />

disciplines such as archaeology highlights the pertinence, and potential benets, of further<br />

work on archaeological formal analysis and knowledge representation.<br />

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