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Samisk mytologi og folkemedisin

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Jagi 1609 Várggáid ladni hoavda oaččui dieđu gonagas<br />

Christian IV:s ahte buohkat geat gávnnahalle<br />

noaidevuođa bálvaleamen, galge dubmejuvvot<br />

jápmimii. Govva čájeha Christian IV 1599:s, dan jagi<br />

go son dagai mátkki gitta davvi ja nuorta Sápmái,<br />

bealuštit Dánmárkku ja Norgga vuoigatvuođaid<br />

dáppe.<br />

I 1609 fikk kommandanten på Vardøhus festning<br />

bud fra kong Christian IV om at alle som ble tatt i å<br />

utøve trolldomskunster, i hekseri som det <strong>og</strong>så ble<br />

kalt, måtte bøte med livet. Om det ryktes at samene<br />

bedrev sine noaidikunster, så måtte de jages bort fra<br />

Sápmi. Kongens befaling om noaidiene skulle få en<br />

slutt på samenes egen religion – noaidevuohta.<br />

In 1609, the Commander at Vardøhus Fortress<br />

received an order from King Christian IV commanding<br />

that everyone who was caught in the act of<br />

practicing sorceries, or witchcraft which it was<br />

also called, had to pay with their life. If there were<br />

rumours that the Samis were practicing their noaidi<br />

skills, they had to be driven away from Sápmi. The<br />

King’s order against the noaidi was supposed to put<br />

an end to the Samis’ own religion – noaidevuohta.<br />

Dát ruoŧa sárggus 1670:s čájeha noidošanmeanuid.<br />

Ovddabealde noaideáhkut ja noaiddit. Gasku gurutbealde<br />

noaiddit mat leat váldon gitta; daid ovddabealde<br />

dutkkadankommišuvdna mii guldala nissoniid<br />

ja mánáid váidalusaid. Du<strong>og</strong>ábealde noaidedolla.<br />

Dette svenske kobberstikket fra 1670 viser en<br />

trolldomsprosess i dens ulike faser. I forgrunnen<br />

hekser <strong>og</strong> trollmenn. I midten til venstre drives en<br />

flokk fangne hekser <strong>og</strong> trollmenn fram. Foran dem<br />

hører en forhørskommisjon på anklager fra kvinner<br />

<strong>og</strong> barn. I bakgrunnen heksebålet omgitt av djevler,<br />

hekser som bortfører barn, flyvende hekser <strong>og</strong><br />

demoner.<br />

This Swedish copper engraving from 1670 shows<br />

a sorcery process in its different stages. In the<br />

foreground, witches and sorcerers. In the centre on<br />

the left, a group of captured witches and wizards are<br />

pushed forward. In front of them, an interr<strong>og</strong>ation<br />

committee listens to accusations from women and<br />

children. In the background, the witches’ bonfire<br />

surrounded by demons, witches who are abducting<br />

children, flying witches and demons.<br />

name, called sámenamma – “Same-Nabma”<br />

or sáivonamma – “Saiwo-Nabma”. They believed<br />

that the Christian baptism and the<br />

Norwegian name could make the child sick,<br />

and hamper his/her development.<br />

Diseases and cures<br />

The drum as a Bible and medicine<br />

When they (the noaidi) want to cure<br />

diseases and bad health with the drum,<br />

they do it in the following way: The<br />

sick person must give the person who<br />

owns the drum a brass and a silver ring,<br />

which he/she ties around the drummer’s<br />

right arm as payment for his troubles.<br />

Later, the drummer ties the rings in his<br />

bunch of rings, which is always used<br />

when he beats on the drum. While he<br />

beats on the drum, all the men and<br />

women who are present have to sing.<br />

The men sing with a loud voice, and<br />

the women with a softer voice. Then<br />

the drummer discovers whether the<br />

disease is of natural causes or a result<br />

of someone casting the disease on the<br />

sick person (Samuel Rheen, 1671.<br />

According to Brita Pollan, 2002).<br />

This is how the Swedish-Sami priest Samuel<br />

Rheen describes how the noaidi used the<br />

drum to interpret and cure diseases.<br />

In Sami folk medicine, the drum –<br />

goavddis, gievrie, kyömdes – held a central<br />

position. With the drum, the noaidi could<br />

read both the cause of the individual disease<br />

and how it should be cured. The drum<br />

functioned as both Bible and medicine, and<br />

the noaidi was both priest and doctor<br />

When the noaidi beat on the drum,<br />

“the pointer” – vuorbi, árpa – wandered<br />

amongst the figures and gave the noaidi<br />

advice and answers. If the vuorbi moved<br />

in the direction of the sun or towards the<br />

41

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