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Den politiske biografi - Kommunikationsforum

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Abstract<br />

This thesis investigates the genre and the relationship between the text, the<br />

personas, and ethos in a relatively new hybrid: political biographies on<br />

politicians who are still active in the Danish Parliament.<br />

15 years ago the biography was primarily a literary and historical<br />

genre which dealt with elderly or deceased subjects. This political hybrid<br />

genre seems to be a response to its rhetorical situation: It is argued that ethos<br />

has become an increasingly dominant factor in political rhetoric since political<br />

parties with similar ideological substances appeal to the same non-committed<br />

voters. In addition to the huge focus on politicians’ personalities from the<br />

media, but very little opportunity to investigate the whole person in<br />

postmodern fragmentarity, biographies seem to fill up an empty space.<br />

The genre is a success, but not only to the publishers and the authors in<br />

a commercial manner; politicians might benefit from the narrative structures<br />

which differ from discursive rhetoric and its’ analytic means of persuasion.<br />

Five subgenres are identified in the rhetorical hybrid: The traditional<br />

biography, the news story, the classic eulogy, the political address of<br />

recommendation, and the fictional literature.<br />

Inspired by the stylistics of new journalism, it is showed how the<br />

authors invite the reader to take part in the narrative discourse using literary<br />

point of view, scenes, details, and gaps. Masterplots in the narratives are<br />

identified, and it is discussed how the common values in these masterplots<br />

enable the reader to identify with the personas in the text. However, the genre<br />

is not fictional, its’ referential function is concerned with real events and<br />

people which makes the reader reevaluate the ethos of the politician<br />

portrayed in the biography. The announced neutral role of the author gives<br />

the narrated story a glance of truth, and dealing with good and bad luck<br />

through the life of the subject, the reader, due to identification, might assess a<br />

higher terminal ethos to the politician eligible for the Parliament.<br />

It is discussed how politicians might profit from even critical narratives<br />

because these gives the author a credibility in the positive narratives that are<br />

the most common. Merely positive narratives can undermine the credibility of<br />

the author and make a smaller basis for change in the perception of ethos.<br />

2

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