& LIGHT-YEARS! - TRS-80 Color Computer Archive
& LIGHT-YEARS! - TRS-80 Color Computer Archive
& LIGHT-YEARS! - TRS-80 Color Computer Archive
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their immense software base.<br />
The company has broadened<br />
its dealer base to 1500, about<br />
twice as many dealers as last<br />
year. And a new president,<br />
Mchdi Ali, has taken Ihe reins,<br />
although Irving Gould re<br />
mains chairman and undoubt<br />
edly still wields the real power.<br />
While a number of market<br />
analysts have been recommend<br />
ing Commodore stock as underpriced,<br />
many others arc still<br />
struggling to catch up with the<br />
new Commodore image.<br />
Three years ago Commodore<br />
was nearly in receivership,<br />
with its creditors operating the<br />
company by proxy. Some illinformed<br />
Wall Strceters appar<br />
ently have Commodore<br />
pegged as a toy manufacturer,<br />
probably confusing it with<br />
Coleco. As a reader of this col<br />
umn, you have a definite ad<br />
vantage over these market<br />
pros, since you know Commo<br />
dore for what it really is. If you<br />
like to play the stock market,<br />
now might be a good time to<br />
give Commodore a hard look.<br />
So what is Commodore<br />
going to do with its newfound<br />
wealth? Among the things I'd<br />
like to see is a complete over<br />
haul of AmigaDOS, Intuition,<br />
and the Workbench look and<br />
feel. It's not enough to have<br />
the only multitasking operat<br />
ing system—the Amiga operat<br />
ing system should be internally<br />
consislent, carefully detailed,<br />
easy to access and program, at<br />
tractive to look at, and above<br />
all. bulletproof. Operatingsystem<br />
redesign, more than<br />
new hardware or new market<br />
ing efforts, will convince cor<br />
porate buyers that the Amiga<br />
is a serious computer. Better<br />
quality control on Commo<br />
dore products and a respon<br />
sive customer-service operalion<br />
would go far in that<br />
direction also.<br />
Register your own opin<br />
ion by contacting Commodore<br />
Business Machines, 1200 Wil<br />
son Drive, West Chester,<br />
Pennsylvania 193<strong>80</strong>; (215)<br />
431-9100.<br />
Dateline: AmiEXPO<br />
The New York AmiEXPO<br />
show (March 3-5) looked like<br />
the biggest Amiga-only show<br />
58 COMPUTE!<br />
COMPUTE!,<br />
specific<br />
ever held in the United States.<br />
Attendance was larger than ex<br />
pected, the hubbub was deaf<br />
ening, and the place was so<br />
crowded that it was hard to<br />
squeeze from one aisle to the<br />
next.<br />
And this was without any<br />
visible suppon from Commo<br />
dore or many of the other ma<br />
jor players in the Amiga<br />
market—Commodore didn't<br />
even have a booth. Gale Wel<br />
lington, Commodore's Gener<br />
al Manager for Worldwide<br />
Software and Product Support.<br />
said in her keynote address<br />
thai this was because there<br />
were too many conflicting<br />
shows before and after<br />
AmiEXPO. But the rumor is<br />
that Commodore has an un<br />
specified grudge against the<br />
AmiEXPO organizers.<br />
Video professionals were<br />
hobnobbing with artificial-<br />
intelligence mavens, per<br />
formance artists with regional<br />
sales reps, while roving gangs<br />
of teens—hapless dads in<br />
tow—were blitzing every game<br />
on display, especially Space<br />
Harrier. Excitement over the<br />
Amiga's creative capabilities<br />
was palpable everywhere.<br />
Crowds gathered around the<br />
latest killer demos, such as<br />
Chris Williamson's Walker<br />
Demo II, NcwTek's sciencefiction<br />
demo reel, and Glen<br />
Graham's glistening Sculpt-<br />
Animate 4D dragon.<br />
Amiga hard drives,<br />
scarcely to be seen at last year's<br />
New York AmiEXPO. were in<br />
evidence all over the floor.<br />
Great Valley Products (225<br />
Plank Road, Paoli, Pennsylva<br />
nia 19301; 215-889-9411)<br />
showed a complete line of ex<br />
ternal and internal drives, in<br />
cluding a 44-megabytc SCSI<br />
removable media drive ($1,299<br />
for drive, and $139 for the<br />
storage media), a first for the<br />
Amiga. Interactive Video Sys<br />
tems (15201 Santa Gertrude<br />
Avenue, Y102, La Mirada,<br />
California 90638;714-994-<br />
4443) also displayed a range of<br />
fasl, autobooting controllers<br />
and hardcards for the A2000/<br />
A25OO. The IVS cards looked<br />
especially sturdy and cleanly<br />
designed.<br />
New genlocks were popu<br />
lar, loo. The trend is toward<br />
pro-quality genlocks that inte<br />
grate into supcrformal sys<br />
tems. Communications Spec<br />
ialties (89A Cabot Court,<br />
Hauppauge, New York 11788;<br />
516-273-0404) showed its<br />
Gen/One ($895), a profession<br />
al genlock/keyer/encoder<br />
that's both NTSC and Super-<br />
VHS compatible. The Scanlock<br />
Model VSL-I (VidTcch<br />
International, 2822 NW 79lh<br />
Avenue, Miami, Florida 33122;<br />
305-477-2228; $995) is similar<br />
ly capable, with the addition of<br />
front sliders for fade control. It<br />
also comes in a PAL version<br />
($1,095), compatible with Eu<br />
ropean video standards.<br />
There was plenty of new<br />
software to be seen and tested.<br />
Haitex Resources (208 Carrollton<br />
Park. Suite 1207, Carrollton,<br />
Texas 75006; 214-241-<br />
<strong>80</strong>30) showed Adnim ($79.95),<br />
a nice drum machine capable<br />
of loading up to 26 sound sam<br />
ples. Another music program.<br />
M (Intelligent Music, 116<br />
North Lake Avenue, Albany,<br />
New York 12206; 518-434-<br />
4110; $200), is a full-featured,<br />
realtime MIDI sequencer with<br />
an unusually powerful pattern<br />
editor. M looks to be one of<br />
the holiest Amiga music pro<br />
grams of 1989.<br />
Ifyou looked around,you<br />
could also find new business<br />
software. Projeci Master, from<br />
Brown-Wagh (16795 Lark Av<br />
enue. Suite 210. Los Gatos,<br />
California 95030; 408-395-<br />
3838; $ 195), is a well-thoughtout<br />
and easy-to-use graphical<br />
project-planning tool. You de<br />
fine the various tasks and goals<br />
of your project, name your re<br />
sources, and eslimate how<br />
much money and time each<br />
lask will take. Then Project<br />
Master graphs the best way to<br />
organize the project and pro<br />
vides complete time, resource.<br />
and cost breakdowns at each<br />
stage. A program like this can<br />
be usefully applied to any<br />
complicated job, like writing a<br />
large software program, pro<br />
ducing a film, or managing a<br />
production run on the shop<br />
floor.<br />
A Lot of Elan<br />
The besl new graphics pro<br />
gram at AmiEXPO was Elan<br />
Performer, from Elan Design<br />
(P.O. Box 31725, San Francis<br />
co, California 94131; 415-621-<br />
8673; $59). Elan Performer is a<br />
utility program that displays<br />
all kinds of Amiga graphics, in<br />
cluding IFF, HAM, RGB, AN-<br />
IMs, and RIFF animation<br />
files. A program like this really<br />
comes in handy when you<br />
have many different kinds of<br />
images to show, but you don't<br />
want to carry around the appli<br />
cation programs used to create<br />
the graphics. Assign picture or<br />
animation files to keys on the<br />
keyboard by clicking a simple<br />
keyboard diagram; to play the<br />
slide show, press the chosen<br />
keys. The show also can be<br />
automated. ANIMs can be<br />
played forward and backward<br />
at various speeds by moving<br />
the mouse. Elan Performer al<br />
ways keeps your memory as<br />
full of graphics as possible, so<br />
disk access during a show is<br />
held to a minimum.<br />
Elan Performer offers<br />
basic animation capabilities as<br />
well. You can sequence images<br />
and use the program to com<br />
pile them into an ANIM or<br />
RIFF animation. Elan Per<br />
former even tells you which<br />
animation file format pro<br />
duces the smallest file, and<br />
then it lets you choose the best<br />
format. Use the control screen<br />
to synchronize your show with<br />
music or other events. The<br />
screen gives you precise con<br />
trol over liming, duration, and<br />
looping of each image. Elan<br />
Performer is one program that<br />
every Amiga artist should own.<br />
— Steven Anzovin<br />
Next time you're in the grocery<br />
store, check the produce sec<br />
tion—you may find Macin<br />
tosh and Apple II computers