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Branding Bari 2010 Cleopatra Veloutsou 1

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<strong>Branding</strong> <strong>Bari</strong> <strong>2010</strong><br />

<strong>Cleopatra</strong> <strong>Veloutsou</strong><br />

Dr. C. <strong>Veloutsou</strong><br />

Dr. C. <strong>Veloutsou</strong><br />

Dr. C. <strong>Veloutsou</strong><br />

Design<br />

Size<br />

Color<br />

Functional, Symbolic,<br />

and Experiential<br />

Components of<br />

Packaging Structure<br />

Information<br />

Labeling<br />

Packaging Structure<br />

Shape<br />

Physical Materials<br />

Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />

The Use of Color in<br />

Packaging<br />

Colors<br />

Communicate the brand’s ability to satisfy consumer’s<br />

psychological needs<br />

Have emotional effects on users<br />

Create perceptions of elegance and prestige by using<br />

polished reflective surfaces<br />

Can have meanings that vary across different cultures<br />

Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />

Design and Shape Cues in<br />

Packaging<br />

Effective Package Design<br />

Provides good eye flow and a point of focus<br />

Evokes different feelings through the choice of slope,<br />

length, and thickness of lines—horizontal (tranquility),<br />

vertical (strength), slanted lines (upward movement)<br />

Uses shapes to arouse emotions and evoke specific<br />

connotations—curving lines (femininity), sharp lines<br />

(masculinity)<br />

Uses shapes to promote positive perceptions of volume,<br />

harmony, balance, and beauty<br />

Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />

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