Branding Bari 2010 Cleopatra Veloutsou 1
Branding Bari 2010 Cleopatra Veloutsou 1
Branding Bari 2010 Cleopatra Veloutsou 1
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<strong>Branding</strong> <strong>Bari</strong> <strong>2010</strong><br />
<strong>Cleopatra</strong> <strong>Veloutsou</strong><br />
Dr. C. <strong>Veloutsou</strong><br />
Dr. C. <strong>Veloutsou</strong><br />
Dr. C. <strong>Veloutsou</strong><br />
Design<br />
Size<br />
Color<br />
Functional, Symbolic,<br />
and Experiential<br />
Components of<br />
Packaging Structure<br />
Information<br />
Labeling<br />
Packaging Structure<br />
Shape<br />
Physical Materials<br />
Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />
The Use of Color in<br />
Packaging<br />
Colors<br />
Communicate the brand’s ability to satisfy consumer’s<br />
psychological needs<br />
Have emotional effects on users<br />
Create perceptions of elegance and prestige by using<br />
polished reflective surfaces<br />
Can have meanings that vary across different cultures<br />
Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />
Design and Shape Cues in<br />
Packaging<br />
Effective Package Design<br />
Provides good eye flow and a point of focus<br />
Evokes different feelings through the choice of slope,<br />
length, and thickness of lines—horizontal (tranquility),<br />
vertical (strength), slanted lines (upward movement)<br />
Uses shapes to arouse emotions and evoke specific<br />
connotations—curving lines (femininity), sharp lines<br />
(masculinity)<br />
Uses shapes to promote positive perceptions of volume,<br />
harmony, balance, and beauty<br />
Shimp T, <strong>2010</strong>, Advertising, Promotion and other Aspects of Marketing Communications, 8 th edition, South-Western, ch. 3.<br />
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