26.03.2013 Views

Strauss on Xenophon's Socrates Xenophon's Socratic Discourse: An ...

Strauss on Xenophon's Socrates Xenophon's Socratic Discourse: An ...

Strauss on Xenophon's Socrates Xenophon's Socratic Discourse: An ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

110 THE POLITICAL SCIENCE REVIEWER<br />

listen to him when he would see fit to remind him of his duties"<br />

(109). Only by the "perhaps" does <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> permit himself to indicate<br />

the alternative he c<strong>on</strong>siders-that <strong>Socrates</strong>' acti<strong>on</strong> is better explained<br />

by his own love of comedies and his being more c<strong>on</strong>cerned with<br />

what. he could learn from them than with alleviating the ec<strong>on</strong>omic<br />

difficulties of Kritoboulos-though <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> has certainly prepared us<br />

for the recepti<strong>on</strong> of this thought.°<br />

The shape of <str<strong>on</strong>g>Strauss</str<strong>on</strong>g>'s discussi<strong>on</strong> of Chapter III is perhaps the<br />

most affected by his wish to dem<strong>on</strong>strate the str<strong>on</strong>g link between the<br />

Oec<strong>on</strong>omicus and the Clouds. Xenoph<strong>on</strong> refers to the Clouds in<br />

Chapter III, according to <str<strong>on</strong>g>Strauss</str<strong>on</strong>g>'s suggesti<strong>on</strong>, not <strong>on</strong>ly by explicit<br />

references to comedy, especially, as well as to tragedy, and by bringing<br />

out the somewhat less than serious nature of <strong>Socrates</strong>' instructi<strong>on</strong><br />

of Kritoboulos in ec<strong>on</strong>omics.' He refers to it also be dwelling <strong>on</strong> subjects<br />

crucial to the Clouds: horses, farming and wives (108-111). The<br />

very lack of clarity of the order of subjects treated in Chapter III is a<br />

pointer to the Clouds, since the darkness disappears <strong>on</strong>ce <strong>on</strong>e thinks<br />

of the Clouds (111-112). <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> c<strong>on</strong>cludes that the Oec<strong>on</strong>omicus,<br />

"the <strong>Socratic</strong> discourse" of Xenoph<strong>on</strong>, is a resp<strong>on</strong>se to "the <strong>Socratic</strong><br />

comedy," the Clouds, "a resp<strong>on</strong>se not altogether without comical<br />

traits" (112). Here too, in speaking of the link between the<br />

Oec<strong>on</strong>omicus and the Clouds, <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> c<strong>on</strong>tinues his treatment of<br />

<strong>Socrates</strong>' alleged transcendence of justice, since that transcendence,<br />

as we noted before, is a fundamental premise of the Clouds.<br />

<str<strong>on</strong>g>Strauss</str<strong>on</strong>g> calls our attenti<strong>on</strong> to the fact that Chapters I-III appear to<br />

form a secti<strong>on</strong> insofar as each indicate something that must be c<strong>on</strong>sidered<br />

in order to understand the Oec<strong>on</strong>omicus: "not <strong>on</strong>ly the subject<br />

matter strictly and narrowly understood (household management)<br />

and the qualities of the two interlocutors (<strong>Socrates</strong> and<br />

Kritoboulos), but the Clouds as well . . (112; cf. also the beginning<br />

of his discussi<strong>on</strong> of Chapter IV: it reads like a new beginning to<br />

the whole discussi<strong>on</strong>). <str<strong>on</strong>g>Strauss</str<strong>on</strong>g>, who believes that what is most im-<br />

6. The discussi<strong>on</strong> of this chapter affords another example of <str<strong>on</strong>g>Strauss</str<strong>on</strong>g>'s reticence: his<br />

surprising suggesti<strong>on</strong> <strong>on</strong> 110 that <strong>Socrates</strong> (whose wife was the notoriously difficult<br />

Xanthippe) as opposed to Kritoboulos and Ischomachos, am<strong>on</strong>g others, is to be<br />

understood as a master rather than a bungler in dealing with his wife-this suggesti<strong>on</strong><br />

is explained <strong>on</strong>ly <strong>on</strong> 158. Cf. also "with smithing in the center" <strong>on</strong> 92 with 115 and the<br />

references to animals <strong>on</strong> 117 and 124 with 196.<br />

7. In a rare instance of self-awareness or prescience in this c<strong>on</strong>versati<strong>on</strong>, <strong>on</strong>e of<br />

whose witnesses was Xenoph<strong>on</strong>, Kritoboulos "w<strong>on</strong>ders whether he, the lover of<br />

comedy, will not himself be a subject of comedy ..." (109; cf. 107).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!