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Strauss on Xenophon's Socrates Xenophon's Socratic Discourse: An ...

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STRAUSS ON XENOPHON<br />

uncertain whether Ischomachos is equally aware of <strong>Socrates</strong>' ignorance<br />

or takes it sufficiently to heart when he speaks of "reminding"<br />

<strong>Socrates</strong> of farming (184) or ascribes to <strong>Socrates</strong> knowledge of<br />

farming. <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> puts great emphasis here <strong>on</strong> the spurious character<br />

of this knowledge:<br />

Is not the 'knowledge' of the art of farming that he acquires through his c<strong>on</strong>versati<strong>on</strong><br />

with Ischomachos shot through with ignorance (189)?<br />

Ischomachos leads him to understand the reas<strong>on</strong> ... by appealing partly to<br />

facts <strong>Socrates</strong> knows and partly to plausibilities. <strong>Socrates</strong> comes into possessi<strong>on</strong><br />

of the correct answer through 'hearing' . . . rather than through having seen.<br />

He knows the whole art of farming partly from having seen . . . and partly<br />

from having heard explanati<strong>on</strong>s . . . . But, as we have seen, this knowledge is<br />

not genuine knowledge of the art of farming (190).<br />

The third of these paragraphs speaks also of <strong>Socrates</strong>' interest in the<br />

art of rhetoric. "<strong>Socrates</strong> exercised that art not <strong>on</strong>ly prior to his<br />

meeting with Ischomachos but also after it . . ." (191). For example,<br />

"His teaching of the art of farming, his exhorting Kritoboulos to<br />

exercise that art, is an act of rhetoric" (190-191). This use of<br />

rhetoric, in particular, is traceable to <strong>Socrates</strong>' meeting with<br />

Ischomachos: "after this fateful meeting his rhetoric serves the purpose,<br />

for instance, of making a gentleman farmer out of a gentleman<br />

farmer's s<strong>on</strong>" (191). Yet <strong>Socrates</strong>' teaching Kritoboulos farming is<br />

"not altogether serious" (191; cf. 182), i.e., in this respect at least,<br />

the change ascribed to his meeting with Ischomachos is not so great<br />

as first appears." Bey<strong>on</strong>d that, rhetoric itself is not "altogether<br />

serious" (192). What is serious, as we are told here, indeed "the most<br />

serious of all arts or sciences," is "theology" (192) . The theme casting<br />

its shadow <strong>on</strong> this chapter and the whole treatment of this secti<strong>on</strong> is<br />

<strong>Socrates</strong>' approach to "theology," an approach which, we take it,<br />

was based <strong>on</strong> his strictness regarding what is and what is not<br />

knowledge. This strictness made him aware of what he did not know<br />

and enabled him to remedy that ignorance where possible (cf. 165).<br />

At the same time, it made him aware of others not yet possessing<br />

such awareness or of the looseness in their view of what c<strong>on</strong>stitutes<br />

knowledge, and thus of the potential (if the looseness should be<br />

17. As the discussi<strong>on</strong> of the secti<strong>on</strong> <strong>on</strong> farming c<strong>on</strong>firms, <str<strong>on</strong>g>Strauss</str<strong>on</strong>g> views the pursuits of<br />

the younger and older <strong>Socrates</strong> in other respects, too, as essentially c<strong>on</strong>tinuous (C<strong>on</strong>sider<br />

especially 196). In the passage discussed above in the text, <strong>Socrates</strong>' reputati<strong>on</strong> as<br />

an "idle chatterer" is ascribed to his post-Ischomachos activity (191); earlier, it had<br />

been ascribed to his pre-Ischomachos pursuit (164).<br />

143

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